Null PLÁCIDO FRANCÉS Y PASCUAL (Alcoy, 1834 - Madrid, 1902).

"Gallant scene".

…
Description

PLÁCIDO FRANCÉS Y PASCUAL (Alcoy, 1834 - Madrid, 1902). "Gallant scene". Oil on panel. It has slight Repainting. Signed in the lower left corner. Measurements: 29 x 21 cm; 44 x 36 cm (frame). He was born in Alcoy, and began his artistic training in Valencia at the Academy of San Carlos de Valencia, but moved to Madrid in 1854 to complete his studies. There he enrolled as a student at the San Fernando Academy in Madrid, later, in 1861, he was appointed Professor of the School of Fine Arts in Valencia and later of Arts and Industries in Madrid. In 1882 he was awarded the Cross of Carlos III. Antonio Cortina Farinós was one of his best known students. In 1862, he made decorations for the "Palacio del Marqués de Dos Aguas" in Valencia. Four years later, he painted Venus medallions on the ceiling with putti and cherubs for the ballroom of the palace. He also worked on the palaces of the Duke of Santoña and the Marquis of Larios. In 1870 he moved to Madrid, where he became one of the founders of the Círculo de Bellas Artes and the Asociación de Acuarelistas de Madrid. He also became a professor at the Royal Academy of Fine Arts of San Fernando and began to show his works at the annual National Exhibition of Fine Arts, where he won medals in 1871, 1890 and 1892. His illustrations often appeared in the magazine Blanco y Negro. He died in Madrid at the age of 68. Two of his children were also painters: Fernanda Francés y Arribas (1862-1939), who specialized in painting flowers, and Juan Francés Mexía (1873-1954) and his cousin was the painter Emilio Sala, who was also one of his students. It presents slight Repainting.

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PLÁCIDO FRANCÉS Y PASCUAL (Alcoy, 1834 - Madrid, 1902). "Gallant scene". Oil on panel. It has slight Repainting. Signed in the lower left corner. Measurements: 29 x 21 cm; 44 x 36 cm (frame). He was born in Alcoy, and began his artistic training in Valencia at the Academy of San Carlos de Valencia, but moved to Madrid in 1854 to complete his studies. There he enrolled as a student at the San Fernando Academy in Madrid, later, in 1861, he was appointed Professor of the School of Fine Arts in Valencia and later of Arts and Industries in Madrid. In 1882 he was awarded the Cross of Carlos III. Antonio Cortina Farinós was one of his best known students. In 1862, he made decorations for the "Palacio del Marqués de Dos Aguas" in Valencia. Four years later, he painted Venus medallions on the ceiling with putti and cherubs for the ballroom of the palace. He also worked on the palaces of the Duke of Santoña and the Marquis of Larios. In 1870 he moved to Madrid, where he became one of the founders of the Círculo de Bellas Artes and the Asociación de Acuarelistas de Madrid. He also became a professor at the Royal Academy of Fine Arts of San Fernando and began to show his works at the annual National Exhibition of Fine Arts, where he won medals in 1871, 1890 and 1892. His illustrations often appeared in the magazine Blanco y Negro. He died in Madrid at the age of 68. Two of his children were also painters: Fernanda Francés y Arribas (1862-1939), who specialized in painting flowers, and Juan Francés Mexía (1873-1954) and his cousin was the painter Emilio Sala, who was also one of his students. It presents slight Repainting.

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FERNANDO CARRERA (Alcoy, 1866-1937). "Landscape. Oil on canvas. Signed in the lower right corner. It has some flaws in the golden frame. Measurements: 39 x 47 cm; 54 x 61 cm (frame). In this composition, the author offers a partial view of a leafy landscape framed by the whitewashed pilasters of a patio. The earthy colors in the shade of the covered veranda contrast with the emerald greens of the treetops and the lime green of the undergrowth. Flowering vines hang like a canopy from the roof. The meadow escapes into a bright blue spring sky. The human absence emphasizes the poetic charge of the landscape. Fernando Cabrera Cantó was a Spanish painter and sculptor. He began his artistic training at the Royal Academy of Fine Arts of San Carlos in Valencia, where he was a disciple of the Alcoyano painter Lorenzo Casanova Ruiz, completed them in Madrid with Casto Plasencia and in Italy, a country to which he was able to travel thanks to a pension granted by the Provincial Council of Alicante. He collaborated with the architect Vicente Pascual Pastor in the decoration of the Casa del Pavo, one of the most outstanding works of modernism in Alcoy. In the back of this building he located his painting studio. In the National Exhibition of Fine Arts in 1890 he won the silver medal with a canvas entitled Orphans, and in the one held in 1906 he won the gold medal with the work Al abismo (To the abyss). His work is very influenced by the nineteenth century, mainly by the painters Mariano Fortuny, Ignacio Pinazo Camarlench and Eduardo Rosales, with modernist connections. His work is preserved in the Museum of Fine Arts in Valencia.