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JUAN RIBERA BERENGUER, (Valencia, 1935 - Valencia, 2016). "Old train station of Aragon, Valencia". Oil on paper. Signed in the lower right corner. Measurements: 89 x 174 cm; 104 x 189 cm (frame). Trained at the Escuela Superior de Bellas Artes de Valencia, Juan Ribera was a founding member of artistic groups such as Parpalló, Arte Actual and Movimiento Artístico del Mediterráneo. He has been part of the Valencian and Madrid artistic avant-garde, participating in the exhibitions of the Juan Mordó gallery. He exhibited individually at the Dirección General de Bellas Artes de Madrid (1969) and the Museo de la Ciudad de Valencia (1998), among other centers, and participated in important group exhibitions such as those held at the Museum of Modern Art in Paris (1963), "Pintores figurativos de la España actual" (1964), which toured the United States, and the IVAM in Valencia. Throughout his career he has received pensions from the Diputación and the City Council of Valencia, the Casa Velázquez in Madrid and the March Foundation, and has been awarded the Valencia Prize at the Fine Arts Exhibition in Barcelona (1960), the Diputación de Valencia at the National Exhibition in Madrid (1968), the gold medal at the Salón de Marzo in Valencia (1977) and the Archival Prize for artistic merit (1995), among others. Ribera is represented in the San Pío V Museum of Valencia, the Museum of Contemporary Art of Vilafamés, the Municipal Museum and the Circle of Fine Arts of Madrid, the Museum of Springfield (Massachusetts), the Cathedral, the Diputación, the Ateneo and the Museum of the City of Valencia, etc.

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JUAN RIBERA BERENGUER, (Valencia, 1935 - Valencia, 2016). "Old train station of Aragon, Valencia". Oil on paper. Signed in the lower right corner. Measurements: 89 x 174 cm; 104 x 189 cm (frame). Trained at the Escuela Superior de Bellas Artes de Valencia, Juan Ribera was a founding member of artistic groups such as Parpalló, Arte Actual and Movimiento Artístico del Mediterráneo. He has been part of the Valencian and Madrid artistic avant-garde, participating in the exhibitions of the Juan Mordó gallery. He exhibited individually at the Dirección General de Bellas Artes de Madrid (1969) and the Museo de la Ciudad de Valencia (1998), among other centers, and participated in important group exhibitions such as those held at the Museum of Modern Art in Paris (1963), "Pintores figurativos de la España actual" (1964), which toured the United States, and the IVAM in Valencia. Throughout his career he has received pensions from the Diputación and the City Council of Valencia, the Casa Velázquez in Madrid and the March Foundation, and has been awarded the Valencia Prize at the Fine Arts Exhibition in Barcelona (1960), the Diputación de Valencia at the National Exhibition in Madrid (1968), the gold medal at the Salón de Marzo in Valencia (1977) and the Archival Prize for artistic merit (1995), among others. Ribera is represented in the San Pío V Museum of Valencia, the Museum of Contemporary Art of Vilafamés, the Municipal Museum and the Circle of Fine Arts of Madrid, the Museum of Springfield (Massachusetts), the Cathedral, the Diputación, the Ateneo and the Museum of the City of Valencia, etc.

Estimate 8 000 - 9 000 EUR
Starting price 4 600 EUR

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Circle of JUAN SARIÑERA, (Spain, c. 1545 - 1619). "The venerable Domingo Anadón delivering the guilds of the statutes of the Pila de San Vicente Ferrer". Oil on canvas. Relined. Measurements: 110 x 135 cm, 125 x 147 cm (frame). This canvas is a copy of the painting made by Juan Sariñena and is in the Notarial College of Valencia. This work is referenced in the catalog "Juan Sariñena. Painter of the Counter-Reformation in Valencia", published by the Generalitat Valenciana in 2008. Juan Sariñena was a Spanish painter, probably of Aragonese origin, active in Valencia in the late sixteenth and early seventeenth centuries. He was key in the acceptance of the new naturalistic language, replacing the mannerist and idealizing formulas of Juan de Juanes. In 1570 he was in Rome, influenced by painters of the late counter-mannerism and by the Academy of San Lucas. From 1580 he lived in Valencia, excelling in portraiture with Venetian technique. His first documented work is a portrait of King James I in 1580, followed by a portrait of St. Louis Beltran. In 1584, Sariñena began receiving commissions from Archbishop Juan de Ribera, including portraits of saints and a series of naturalistic portraits. In 1591, he directed the decoration of the Sala Nova of the Palacio de la Generalidad Valenciana, for which he was named Pintor de la Ciudad in 1595. He continued to work for Ribera and other important clients, including the remodeling of the cell of San Vicente Ferrer and several religious paintings. In his later years, he collaborated with Francisco Ribalta and adopted a more vivid color palette. In 1607, he was a member of the board of directors of the Colegio de Pintores and, although his output declined, he still undertook important commissions until his death in 1619 in Valencia. He was succeeded by his disciple Agustín Ridaura as painter of the city.