Null JOSEP PUIGDENGOLAS BARELLA (Barcelona, 1906 - 1987).

"Calatayud", 1957.

O…
Description

JOSEP PUIGDENGOLAS BARELLA (Barcelona, 1906 - 1987). "Calatayud", 1957. Oil on canvas. Signed in the lower right corner. Measurements: 73 x 92 cm. In this work Puigdengolas demonstrates his absolute mastery of the technique and the capture of the landscape, in an image in which he manages to synthesize the naturalistic representation, the personal expression and the pictorial order. We see a sensitive brushstroke, which explores the space and gives it form and entity, creating volumes, lights and shadows, defining an atmosphere captured with great sensitivity. Through a purely personal language, Puigdengolas synthesizes the basic elements of representation and expressiveness of painting, as can be seen in the intensity of his colors or in the rigor of his compositional structure. Josep Puigdengolas was trained at the schools of Arts and Crafts and La Lonja, in Barcelona, and later completed his studies at El Paular and at the Royal Academy of Florence. He was a disciple of Eliseo Meifrén and Joaquín Mir. In 1951 he was appointed professor of drawing at the School of Fine Arts of Sant Jordi. Although he had his studio in Barcelona, he frequently painted in La Cerdanya and Mallorca, specifically in the town of Deià. His work, of a luminous naturalism, derives from the wake of Mir, and earned him great acceptance by the public. He focused his work on landscape, but he also worked on portraits. Throughout his career he held several solo exhibitions, such as the one organized at the Salón Cano in Madrid in 1962, and participated in group exhibitions and competitions such as the National Exhibition of Fine Arts. A few months before his death, in January 1987, he held his last exhibition at the Sala Parés in Barcelona. He is currently represented at the Museo Nacional Centro de Arte Reina Sofía and the MACBA in Barcelona, among others.

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JOSEP PUIGDENGOLAS BARELLA (Barcelona, 1906 - 1987). "Calatayud", 1957. Oil on canvas. Signed in the lower right corner. Measurements: 73 x 92 cm. In this work Puigdengolas demonstrates his absolute mastery of the technique and the capture of the landscape, in an image in which he manages to synthesize the naturalistic representation, the personal expression and the pictorial order. We see a sensitive brushstroke, which explores the space and gives it form and entity, creating volumes, lights and shadows, defining an atmosphere captured with great sensitivity. Through a purely personal language, Puigdengolas synthesizes the basic elements of representation and expressiveness of painting, as can be seen in the intensity of his colors or in the rigor of his compositional structure. Josep Puigdengolas was trained at the schools of Arts and Crafts and La Lonja, in Barcelona, and later completed his studies at El Paular and at the Royal Academy of Florence. He was a disciple of Eliseo Meifrén and Joaquín Mir. In 1951 he was appointed professor of drawing at the School of Fine Arts of Sant Jordi. Although he had his studio in Barcelona, he frequently painted in La Cerdanya and Mallorca, specifically in the town of Deià. His work, of a luminous naturalism, derives from the wake of Mir, and earned him great acceptance by the public. He focused his work on landscape, but he also worked on portraits. Throughout his career he held several solo exhibitions, such as the one organized at the Salón Cano in Madrid in 1962, and participated in group exhibitions and competitions such as the National Exhibition of Fine Arts. A few months before his death, in January 1987, he held his last exhibition at the Sala Parés in Barcelona. He is currently represented at the Museo Nacional Centro de Arte Reina Sofía and the MACBA in Barcelona, among others.

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JOSEP ROCA SASTRE (Terrassa, 1928 - Barcelona, 1997). "From Lucas Cranach", 1953. Oil on canvas. Signed in the lower right corner. Signed, titled and dated on the back. With Oriol Galeria d'Art label on the back. Measurements: 100 x 80 cm; 105 x 86 cm (frame). The one now being auctioned is an early work of the painter Josep Roca Sastre, corresponding to a stage prior to the realization of his intimate interior scenes. The canvas is a metaphysical version of the work "The Three Graces" by Lucas Cranach the Elder, a panel painted by the master in 1531 and now kept in the Louvre Museum in Paris. Trained in Barcelona, in the sixties Roca began to develop a personal, independent style and created his own language. His proposal focused on recovering the look of the close and the everyday, the familiar. He exhibited for forty years in the Sala Parés in Barcelona, and also showed his work in other Spanish cities, as well as in the United States. In 1966 he was awarded the Sant Jordi prize by the Diputació de Barcelona, and two years later the medal of honor at the Salon des Artistes Français in Paris. In 1980 he became a member of the Royal Academy of Fine Arts of Sant Jordi, and in 1993 he was awarded the Quadern Prize of the Fundació Amics de les Arts i de les Lletres de Sabadell. Roca Sastre developed a figurative style of intimate themes, applying a personal and subjective look to his interior scenes as well as to his urban and natural landscapes. Since his death, retrospectives of Josep Roca's work have been held at La Pedrera and the Muncunill (Terrassa), Oriol (Barcelona) and Juan Oliver Maneu (Palma de Mallorca) galleries. His work is preserved in the National Museum of Art of Catalonia.