Null Frank Ligthart for DEDON
Modular armchair from the Lounge collection, wit…

Description

Frank Ligthart for DEDON Modular armchair from the Lounge collection, with a compact shape and generous dimensions, with a braided structure in java color. Measurements: 71 x 104 x 110 cm.

1050

Frank Ligthart for DEDON Modular armchair from the Lounge collection, with a compact shape and generous dimensions, with a braided structure in java color. Measurements: 71 x 104 x 110 cm.

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Estim. 200 - 800 EUR

ANA MIR AND EMILI PADRÓS. TOMATO, NANIMARQUINA, 2005. Organic-shaped pouf for sitting a few centimetres off the ground, both for indoor and outdoor use. Made from integral polyurethane.

Estim. 80 - 180 EUR

ART DECO GLASSWARE, CIRCA 1930. Carved glass. 6 glasses for water, 4 glasses for wine, 4 glasses for port wine, 8 glasses for liquor, and a water jug. Including a decanter from another model. One of the liquor glasses has chipping. Decanter height 30 cm; jug height 17.5 cm; smaller glass height 5 cm.

Estim. 1 200 - 1 500 EUR

PEP BONET BERTRAN (Barcelona, 1941) for BD Editions Tuman armchair, 1968. In chromed steel and black leather. Measurements: 76 x 60 x 90 cm. The Tuman armchair was designed by Pep Bonet for Levesta and for Bd Ediciones, of which he was founder. In this armchair Bonet is close to the rationalist trend advocated by the Bauhaus and applied by GATEPAC. Thus, his design refers to classic, functional and essential formulations without renouncing formal beauty, combined with an intelligent use of new materials. He started from the need to create a piece of furniture suitable for the spaces he was building, a modern, formally original, comfortable and relatively inexpensive seat. The formal reference for this design is the Tucuman bird, and despite its sinuousness it gives the impression that its structure is composed of a single piece. The large cushion that forms the seat is supported by steel leaf springs, which originally accounted for thirty percent of the production cost, and which give the chair great elasticity and comfort. The original model is upholstered in skai, a symbol of modernity in the sixties and seventies, and in fact the Tuman armchair won Bonet the 1974 design prize in the competition for furniture upholstered in this material at the Spanish Furniture Fair in Valencia. Pep Bonet is a Catalan architect and designer trained at the Escuela Técnica Superior de Arquitectura, a member of Studio PER along with Cristian Cirici, Lluís Clotet and Óscar Tusquets, and a founding partner of BD Ediciones de Diseño. He has received awards such as the FAD Interior Architecture Award and the Delta ADI-FAD, among others.

Estim. 2 000 - 2 200 EUR

FRANK OWEN GEHRY (Toronto, 1929) for Knoll. Hat Trick armchair in bent and interlocking maple wood strips. Manufactured by Knoll International, USA, with stamp. Light marks of use. Measurements: 85 x 59 x 56 cm. Seat height 46 cm. Frank Gehry was born in Toronto and moved with his family to Los Angeles in 1947. He graduated from the University of Southern California in 1954 and began working full time with Victor Gruen Associates, where he had been apprenticing part-time while still in school. He was admitted to Harvard Graduate School of Design to study urban planning. When he returned to Los Angeles, he rejoined Gruen where he stayed until 1960. In 1961 he moved to Paris, where he worked in the studio of André Rémondet. He remained in the French capital for a year, during which time he studied the works of Le Corbusier and other French and European architects, as well as existing Romanesque churches in France. In 1962 Gehry returned to LA and opened his architectural practice in L.A. With magnificent buildings such as the Guggenheim Bilbao Disney Concert Hall in Los Angeles and the new Foundation Louis Vuitton in Paris, Gehry has changed the nature and spirit of contemporary architecture. Yet the world’s best-known living architect has also enjoyed a prolific career as a designer of artful and functional objects, ranging from furniture to jewelry, that even at smaller scale are as lively and captivating as his architectural designs. In 1972 Gehry introduced a series of corrugated cardboard furniture under the name Easy Edges. The Easy Edges were a great success and brought Gehry overnight fame as a furniture designer. Frank Gehry came to Knoll in 1989 with an idea for a new generation of bentwood furniture inspired by the simple bushel basket. After three years of experimentation and exploration, the collection was debuted in the Frank Gehry: New Furniture Prototypes show at The Museum of Modern Art in New York. Each piece is named after a different hockey term such as Power Play, Cross Check and Hat Trick. Inspired by the surprising strength of the apple crates he played on as a child, Frank Gehry created his thoroughly original collection of bentwood furniture. The ribbon-like designs transcend the conventions of style by exploring, as the great modernists did, the essential challenge of deriving form from function. Frank Gehry has taught at several American art academies, design schools and universities and in 2011 he became a professor at the University of Southern California - and has received several honorary doctorates.

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