Null UNDER FIRE

1983, French poster

Producer: Jonathan T. Taplin

Director: Ro…

Description

UNDER FIRE 1983, French poster Producer: Jonathan T. taplin Director: Roger Spottiswoode Cast: Nick Nolte, Ed Harris Studio : Orion Printer: Lalande Courbet Fold 120 cm x 160 cm

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UNDER FIRE 1983, French poster Producer: Jonathan T. taplin Director: Roger Spottiswoode Cast: Nick Nolte, Ed Harris Studio : Orion Printer: Lalande Courbet Fold 120 cm x 160 cm

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Estim. 15 000 - 18 000 EUR

GEORGES ROUSSE (Paris, 1947). "Luxembourg: Fers à Bétons", 2004. Print on aluminum, copy 1/5. Signed and titled on verso. Label with stamp on the back. Measurements: 160 x 125 cm; 165 x 132 cm (frame). Georges Rousse's work is characterized, since the beginning of the eighties, by the relationships he establishes between photography, painting, sculpture and architecture. His interest in abandoned, dismantled and ruined places, as well as in what these spaces reveal about the culture that has generated them, led him, in 1986, to settle for a time in the former Van Gogh psychiatric hospital in the French town of Arles. The result of this stay was the Arles series, which was the starting point of the MACBA exhibition. His work is a very significant example of the importance that photography achieved throughout the eighties and further proof of the value of the photographic device as a tool for contemporary creation. Collapsing the usual restrictions among artistic media, his unique work quickly made its mark on the contemporary art world. Since his first exhibition in Paris, at the Galerie de France in 1981, Georges Rousse has continued to create his installations and show his photographs all over the world, in Europe, in Asia (Japan, Korea, China, Nepal), in the United States, in Quebec and in Latin America. He has participated in numerous biennials (Paris, Venice, Sydney) and received many prestigious awards: 1983: Villa Medicis hors les murs, New York City 1985 -1987: Villa Medicis, Rome 1988: International Center of Photography Award, New York 1989: Drawing Prize Salon de Montrouge 1992: Romain Roland Fellowship, Calcutta 1993: Grand Prix National de Photographie 2008: Succeeded Sol LeWitt as associate member of the Royal Belgian Academy. He is represented by several European galleries and his works are included in many important collections around the world.

Estim. 4 000 - 6 000 EUR

PANHARD DYNA Z 16, 1959 1st registration: 19/06/1959 Type : VP Body : CI Serial number : 1203874 Fiscal power : Energy: ES Displayed mileage : 54 287 km (not guaranteed) With its "dolphin-nosed face", the Dyna Panhard is a concentrate of innovations. With a body made of Duralinox (a blend of aluminum, copper and manganese), it weighs no more than 650 kg, and its curvaceous shape, designed by Louis Bionier, favors aerodynamics. It features a curved windscreen (a feat of engineering by Saint-Gobain), and a unique fog lamp is fitted to the air-intake cover that doubles as the front grille. Nearly 155,000 examples were produced, all front-wheel drive, powered by an 850 cm3 air-cooled flat-twin. Our 1959 model features a steel body, the Duralinox alloy having been abandoned for economic reasons. This 1959 Panhard Dyna Z is not just a car, it's a piece of French automotive history. It embodies the craftsmanship and technical innovation for which the brand is renowned. Every line, every component transports you back to a time when driving was an art and cars were handcrafted with meticulous attention to detail. Technical specifications Engine : - Type: flat-twin, air-cooled - Displacement: 851 cm³ - Power: approx. 42 hp Performance : - Top speed: approx. 130 km/h - Acceleration: 0 to 100 km/h in around 27 seconds - Fuel consumption: approx. 5 to 6 liters per 100 km Drivetrain : - Type: front-wheel drive - Gearbox: 4-speed manual Dimensions : - Length: approx. 3.90 m - Width: approx. 1.55 m - Height: approx. 1.40 m - Wheelbase: approx. 2.35 m The engine could not be restarted, but is not blocked. Immobilized for several years in the dry, the car will need to be completely overhauled, including a check of its safety features. The paintwork has a few flaws, but is in perfect condition. Structural elements show little visible corrosion. The chromes show some pitting. The upholstery is in good condition. Belgian registration document, FFVE file to be completed. With technical inspection.

Estim. 2 000 - 4 000 EUR

Barbra Streisand (2) Documents Signed for Yentl, with Working Draft of the Script Archive of three items related to Yentl, the 1983 musical drama starring, directed, co-written, and co-produced by Barbra Streisand. Includes: two DSs signed "Barbra Streisand," each one page, 8.5 x 11, [May] 1982, with identical text: "As the producer and director of 'Yentl,' I have examined and approved the final draft screenplay for 'Yentl' written by Jack Rosenthal and Barbra Streisand and have approved the shooting schedule and the budget which totals Fourteen Million Five Hundred Seventeen Thousand Seven Hundred Twenty-One Dollars ($14,517,721). In my professional opinion as a director, the shooting schedule that I have examined is adequate for the production of the picture based on aforesaid screenplay and budget." Also includes a working draft of the script, with the typed title ("An Untitled Barbra Streisand Film") struck through and amended to "Yentl" in black felt tip, 167 pages, 8.5 x 11.75, extensively annotated and amended throughout with numerous deletions and revisions to dialogue, presumably in Rosenthal's hand. In overall fine condition. Based on Isaac Bashevis Singer's short story 'Yentl the Yeshiva Boy,' Yentl, starring Barbra Streisand, is a 1983 musical drama about a young Jewish woman in early 20th century Poland who disguises herself as a man to receive an education in Talmudic law. Streisand not only played the lead role but also directed, co-wrote, and co-produced the film, making history as the first woman to win the Golden Globe for Best Director. The film explores themes of gender identity, religious tradition, and the pursuit of knowledge, all set to a memorable soundtrack featuring songs performed by Streisand herself.

Estim. 800 - 1 000 EUR

HENRI GÖETZ (United States, 1909 - France, 1989). "Composition", 1978. Mixed media on paper. Signed and dated in the lower left corner. Measurements: 28 x 37 cm; 30 x 39 cm (frame). French-American painter and engraver, Henri Goetz is as well known for his work as for his invention of the carborundum engraving process, a procedure that uses carbon silicide as an abrasive. Born in New York, he began to draw as a child, feeling frustrated by the clumsiness of his drawings. He later began his training at the Grand Central School of Art in New York, and after finishing his studies there, in 1930 he went to Paris to broaden his knowledge. In the French capital he attended courses at the Colarossi, Julian and Grande Chaumière Academies, where he met his wife, the Dutch painter Christine Boumeester, born in Java. During these years Goetz already developed a personal surrealist style, which influenced his wife's work. In 1934, thanks to his friend Victor Bauer, an Austrian artist, Goetz held his first solo exhibition in London. It was also at this time that he met Hans Hartung, who introduced him to his circle of friends. Through him he comes into contact with Fernand Léger and Wassily Kandinsky. In 1937 he had his first exhibition in Paris, at the Bonaparte Gallery. After the outbreak of the Second World War, Goetz and his wife will collaborate with the French Resistance printing pamphlets and posters, although their main occupation will be to create identity cards. In 1939 Goetz, Christian Dotremont and Raoul Ubac created "La Main à Plume", the first surrealist publication under the occupation. After the war, Goetz devoted himself to visiting the studio of a different artist every week, and thus met Picasso, Brancusi, Julio Gonzalez, Picabia and Max Ernst. In 1947 he became the protagonist of Alain Resnais' short film "Portrait de Henri Goetz", made for the Musée National d'Art Moderne. Two years later, he began teaching, first independently and then at the Académie Ranson. Later he will also teach at the Grande Chaumière, and finally he will found his own academy, although he never charged for his lessons. In the meantime, he continued to exhibit his work in prominent European galleries. In 1968 he accepted a teaching position at the Ecole des Beaux-Arts in Paris, but when the school closed due to student strikes two weeks later he moved to the University Paris 8. That same year his wife became ill, and three years later she died. After her death Goetz came across her diaries, which he published in a book with a foreword by himself. After being hospitalized for illness, the artist committed suicide by jumping from a window on the fifth floor of the hospital in Nice in 1989. He is currently represented at the Goetz-Boumeester Museum in Villefranche-sur-Mer, on the French Riviera, as well as at the Centre Georges Pompidou in Paris, the Miró Foundation in Barcelona, the San Francisco Museum of Art, the French State Museum, the Budapest Museum, the National Museum of Modern Art in Brussels and many others around the world.

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