Null CASABLANCA, NEST OF SPIES

1963, French poster

Producer: Francisco Balcaza…

Description

CASABLANCA, NEST OF SPIES 1963, French poster Producer: Francisco Balcazar Director: Henri Decoin Cast: Sara Montiel, Maurice Ronet Printer : La Lithotyp Fold 120 cm x 160 cm

197

CASABLANCA, NEST OF SPIES 1963, French poster Producer: Francisco Balcazar Director: Henri Decoin Cast: Sara Montiel, Maurice Ronet Printer : La Lithotyp Fold 120 cm x 160 cm

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Estim. 3 000 - 3 500 EUR

European school; 19th century. "Hawk over barnyard". Oil on canvas. It presents faults in the frame. Measurements: 66 x 107 cm; 94 x 123 cm (frame). This type of painting starring animals became popular during the 19th century, due to the change in the collectors who requested a less regal painting that reflected themes of a lighter tone. In this particular case, a hawk stands over a flock of birds and rabbits, reflecting the artist's great skill in capturing the animals, which are treated aesthetically from a truthful and realistic perspective. Francisco Hohenleiter (Cadiz, 1889 - Seville, 1968) began his training in Puerto de Santa Maria, and in 1918 he moved to Seville, settling permanently in the city. An elegant, colourful painter, he soon became a leading figure in mural decoration and, above all, in posters, magazine illustration and book illustration. His works combine influences from different styles such as modernism, genre painting and romanticism. Through his posters in the 1920s he reinvented Holy Week in Seville, with works based on the use of colour and decorative lines. As a painter he focused on portraiture, landscape and the depiction of popular types, mainly majos, as well as genre scenes. He also produced nudes, church interiors and still lifes. Throughout his career he showed his work in various Spanish cities and also in Paris, with an outstanding exhibition at the Charpentier gallery in 1932. Francisco Hohenleiter's painting is rooted in that of Jiménez Aranda and García Ramos and is inspired by Goya and Alenza. He became the glosador of romantic Seville, the portraitist of the Andalusia set to music by Albéniz. His work is currently scattered all over Andalusia: murals, posters, hand programmes, etc. Today he is represented in various museums and private collections.

Estim. 8 000 - 10 000 EUR

ANDY WARHOL (Pittsburgh, USA,1928-New York, USA,1987). "Lana Turner," 1985. Polaroid photograph. Unique copy. Attached certificate of provenance, indicating that the work comes from "Estate of Andy Warhol", and the "Andy Warhol Foundation for the Visual Arts". Measurements: 10,8 x 8,6 cm. Lana Turner was an American actress. Throughout her nearly 50-year career, she achieved fame as a pin-up model and film actress, as well as for her highly publicized personal life. By the mid-1940s, she was one of the highest-paid actresses in the United States and one of Metro-Goldwyn-Mayer's (MGM) biggest stars. Turner is considered a popular culture icon of Hollywood glamour and a screen legend of classic Hollywood cinema. Andrew Warhola, commonly known as Andy Warhol, was an American visual artist, filmmaker and music producer who played a crucial role in the birth and development of pop art. Considered in his time a guru of modernity, Warhol has been one of the most influential artists of the 20th century. The son of Slovakian immigrants, he began his art studies at the Carnegie Institute of Technology between 1945 and 1949. In the latter year, already established in New York, he began his career as an advertising cartoonist for various magazines such as Vogue, Harper's Bazaar, Seventeen and The New Yorker. At the same time he painted canvases whose subject matter was based on some element or image from the everyday environment, advertising or comics. Soon he began to exhibit in various galleries. He progressively eliminated from his works any expressionist trait until he reduced the work to a serial repetition of a popular element from mass culture, the world of consumerism or the media. This evolution reached its maximum level of depersonalization in 1962, when he began to use a mechanical silkscreen printing process as a working method, by means of which he systematically reproduced myths of contemporary society, the most representative examples of which are the series dedicated to Marilyn Monroe, Elvis Presley, Elizabeth Taylor or Mao Tse-tung, as well as his famous treatment of Campbell's soup cans, all works produced during the fruitful decade of the 1960s. This appropriationism, a constant in the works of the proponents of pop art, extended to works of art of a universal nature. By means of mass reproduction, he managed to strip the media fetishes he used of their usual referents and turn them into stereotyped icons with a merely decorative purpose. In 1963 he created the Factory, a workshop in which numerous figures from New York's underground culture gathered around him. The frivolity and extravagance that marked his way of life eventually established a coherent line between his work and his life's trajectory. He is currently represented in the most important contemporary art museums in the world, such as the MoMA, the Metropolitan and the Guggenheim in New York, the Fukoka Museum in Japan, the Kunstmuseum in Basel, the National Art Museum of the 21st century in Rome, the MUMOK in Vienna, the SMAK in Ghent and the Tate Gallery in London, as well as in the museums that bear his name in Pittsburgh and Medzilaborce (Slovakia).

Estim. 4 000 - 6 000 EUR

PANHARD DYNA Z 16, 1959 1st registration: 19/06/1959 Type : VP Body : CI Serial number : 1203874 Fiscal power : Energy: ES Displayed mileage : 54 287 km (not guaranteed) With its "dolphin-nosed face", the Dyna Panhard is a concentrate of innovations. With a body made of Duralinox (a blend of aluminum, copper and manganese), it weighs no more than 650 kg, and its curvaceous shape, designed by Louis Bionier, favors aerodynamics. It features a curved windscreen (a feat of engineering by Saint-Gobain), and a unique fog lamp is fitted to the air-intake cover that doubles as the front grille. Nearly 155,000 examples were produced, all front-wheel drive, powered by an 850 cm3 air-cooled flat-twin. Our 1959 model features a steel body, the Duralinox alloy having been abandoned for economic reasons. This 1959 Panhard Dyna Z is not just a car, it's a piece of French automotive history. It embodies the craftsmanship and technical innovation for which the brand is renowned. Every line, every component transports you back to a time when driving was an art and cars were handcrafted with meticulous attention to detail. Technical specifications Engine : - Type: flat-twin, air-cooled - Displacement: 851 cm³ - Power: approx. 42 hp Performance : - Top speed: approx. 130 km/h - Acceleration: 0 to 100 km/h in around 27 seconds - Fuel consumption: approx. 5 to 6 liters per 100 km Drivetrain : - Type: front-wheel drive - Gearbox: 4-speed manual Dimensions : - Length: approx. 3.90 m - Width: approx. 1.55 m - Height: approx. 1.40 m - Wheelbase: approx. 2.35 m The engine could not be restarted, but is not blocked. Immobilized for several years in the dry, the car will need to be completely overhauled, including a check of its safety features. The paintwork has a few flaws, but is in perfect condition. Structural elements show little visible corrosion. The chromes show some pitting. The upholstery is in good condition. Belgian registration document, FFVE file to be completed. With technical inspection.

Estim. 400 - 600 EUR

Judy Garland Document Signed for I Could Go On Singing DS, 22 pages, 8.5 x 11, September 26, 1961. Agreement between Judy Garland and Millar/Turman Productions in which she agrees to "render her services as an actress to portray the role of Jenny Bowman in the motion picture photoplay tentatively entitled 'The Lonely Stage'" for fixed compensation of $200,000 plus 10% of gross receipts in excess of $3,000,000. Signed at the conclusion in blue ballpoint by Judy Garland, and countersigned by the producer. In fine condition, with light creasing and the last page detached from the staple. I Could Go On Singing stars Judy Garland in her final film performance alongside Dirk Bogarde and Jack Klugman. Directed by Ronald Neame, the 1963 musical drama was originally titled The Lonely Stage, but renamed so that audiences would know that Garland sings in it—she had not sung in a film since 1954's A Star Is Born. Reviewing the film in the New York Herald Tribune, Judith Crist wrote: 'You'll see her in close-up...in beautiful, glowing Technicolor and striking staging in a vibrant, vital performance that gets to the essence of her mystique as a superb entertainer. Miss Garland is—as always—real, the voice throbbing, the eyes aglow, the delicate features yielding to the demands of the years—the legs still long and lovely. Certainly the role of a top-rank singer beset by the loneliness and emotional hungers of her personal life is not an alien one to her.'

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