Null TWO WEEKS ELSEWHERE

1962, French poster

Director: Vincnete Minnelli

Cast…

Description

TWO WEEKS ELSEWHERE 1962, French poster Director: Vincnete Minnelli Cast: Kirk Douglas, Edward G. Robinson Studio: MGM Printer : Cinemeto Fold 120 cm x 160 cm

179

TWO WEEKS ELSEWHERE 1962, French poster Director: Vincnete Minnelli Cast: Kirk Douglas, Edward G. Robinson Studio: MGM Printer : Cinemeto Fold 120 cm x 160 cm

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Estim. 250 - 300 EUR

MARINO AMAYA (Astorga, León, 1927-Andalusia, 2014). Untitled. Patinated bronze. Signed in burin at the bottom of the back. Measurements: 12 x 5 x 5 x 5 cm (figure); 3 x 5.5 x 5.5 x 5.5 cm (base). Born in Astorga, Marino Amaya was in his early years shepherd, carpenter and weaver, although with only fifteen years he obtained his first commission as a sculptor, a statue of Santiago Apostle carved in stone. He began his artistic training at the School of Arts and Crafts in Salamanca, where he obtained a scholarship to travel to Madrid in 1945, in order to further his education. Four years later, in 1949, he began a long study trip that took him to France, Italy, Austria, Holland, Denmark, Norway, Sweden, Germany, Greece and, outside Europe, Egypt and Palestine. In 1950 Amaya returned to Spain and participated in the National Exhibition of Fine Arts in Madrid, being awarded a silver medal. This success earned him in 1951 an important commission from the bishopric of León, a grandiose monument dedicated to the Immaculate Conception. The following year he held his first exhibition, which took place at the Association of Writers and Artists of Madrid, and in 1954 he was presented for the first time in León, in an exhibition organized by the Provincial Council. Still in this decade he held exhibitions at the Ateneo de Santander (1956) and the Romantic Museum of Madrid (1957). In the sixties he worked intensely, also holding exhibitions in various Spanish capitals, in centers such as the Círculo de Bellas Artes in Madrid (1962). Also during these years he made the international leap, appearing in 1961 in Rio de Janeiro. He will continue with his exhibition career in the seventies, and in 1974 he is named favorite son of Astorga, a town where a street will also be dedicated to him. In 1981 he held an outstanding exhibition at the Zoma Gallery in New York, where fifteen of his works were acquired by the Rockefeller Foundation. That same year he moved to Marbella, the city where he would live and work from then on, in conjunction with his studio in Madrid. In 1985 Pope John Paul II granted him an interview to see his work "The Right to Life", which was blessed by the Holy Father and is now part of the Vatican collection. This sculpture will initiate the creation of a series of works that Amaya dedicates to the life of children. Also very present in his work are animal figures, especially dogs and cats. He is a sculptor very committed to public sculpture, and today we can find works by his hand in public places all over Spain, as well as in the Mateo Hernández Museum in Béjar and other public and private collections.

Starting price 80 EUR

Albert MARQUET (1875-1947) Washing boats and Pont Neuf, 1960 Lithographed poster (Mourlot workshop) Signed in the plate On paper 75 × 50.5 cm Poster produced for the major "Marquet à Bordeaux" retrospective at the Maison de la Pensée Française in 1960; here an edition without text. INFORMATION: Albert Marquet was a French painter and a close friend of Henri Matisse. His paintings show the quays of Paris in the colors of post-impressionism and the fauve movement. Excellent condition We can arrange shipment of your purchases at the following negotiated rates: - From 1 to 5 lithographs: €18 incl. VAT for France (€20 incl. VAT for Europe / €30 for international) - From 6 to 10 lithographs: €24 / €28 / €40 - Works not available in tubes: on quotation This description has been translated automatically: Albert MARQUET (1875-1947) Wash boats and Pont Neuf, 1960 Lithograph poster (Mourlot workshop) Signed in the plate On paper 75 × 50.5 cm Poster produced on the occasion of the major retrospective "Marquet in Bordeaux" at the Maison de la Pensée Française in 1960; here an edition without the text. INFORMATION: Albert Marquet is a French painter and a great friend of Henri Matisse. In his paintings he shows us the quays of Paris in the colors of post-impressionism and the Fauve movement. Excellent condition We can provide shipping service under demand - For 1 to 5 lithographs : 18 € TTC for France (20 € TTC for Europe / 30 € for international) - For 6 to 10 lithographs : 24 € / 28 € / 40 € TTC - Products that can't be sent in a tube : price under request

Estim. 200 - 350 EUR

ARMEL-BEAUFILS Emile Jean (1882-1952) "The sea wolf" Plaster sculpture of a seated young woman with her arms around her knees. Signed on the base (some chips and dirt). Height 29 cm x Width : 29 cm Irina Vinogradova was the model for this modeled plaster probably produced around 1936, another proof of which is kept at the Mairie de Saint-Briac-sur-Mer (35). The representation of women is central to the work of Armel-Beaufils, a sculptor who also studied at the E.N.S.B.A. in Paris, and who soon exhibited at the Salon des Artistes Français, continuing to do so until 1951. He won a bronze medal in 1914, a silver medal in 1921, and a gold medal in 1924. A prolific artist, he created numerous war memorials (9 between 1917 and 1921) and commemorative statues in Brittany, including the famous tribute to Anatole Le Braz in the Parc des Promenades in Saint Brieuc. Collaborating with Manufacture Henriot from 1929, he produced only 8 models, including "La Pennhérès", "Trois Fillettes de Plougastel" and "Un Jour de Pardon". Bibliography: Devaux Anne-Louise et Yves, "Armel et Zanic Beaufils", Saint-Briac, Editions Namasté, 1996 Philipppe Théallet & Bernard-Jules Verlingue, "Encyclopédie des Céramiques de Quimper", Editions de la Reinette, 2005, Tome IV, pages 21f. for a presentation of the artist.

Estim. 500 - 600 EUR

MUST DE CARTIER, Montre-bracelet modèle "Tank" à boîtier rectangulaire en argent doré 925‰, chiffres romains pour les heures, minuterie "chemin de fer", aiguilles "glaives" en acier bleui, couronne de remontoir ornée d'un cabochon bleu, mouvement à quartz bracelet en cuir de crocodile vert foncé (Crocodylia spp. CITES Annexe II B) signé "Cartier Paris" et "Made in France", boucle déployante en acier doré signée "Cartier Swiss Made Stainless steel", signée au revers "Cartier Paris" et numérotée sur deux lignes "178183 5057001" - D. 20,5 x 28 mm environ - Poids brut 24,15 grammes environ Rapport de condition donné à titre indicatif : - usures visibles sur l'ensemble ; - ne fonctionne pas, mouvement à réviser. NB : afin de respecter la réglementation sur le commerce international des espèces de faune et de flore sauvages menacées d'extinction (CITES), une demande de certificat de ré-exportation sera à réaliser après la vente pour tout acheteur hors U.E. CONTEXTE : inspirée du char Renault FT-17 de la Première Guerre mondiale, la Tank de Cartier a depuis sa création été déclinée sous une multitude de formes : américaine, anglaise, chinoise, française, asymétrique, basculante... Créés au début des années 1970 par Alain-Dominique Perrin et Robert Hocq, la collection les "Must" de Cartier va redorer l'étoile de la maison du 13 rue de la Paix en proposant montres et accessoires de luxe à une clientèle plus jeune et avide de symboles iconiques. "Je ne porte pas une Tank pour lire l’heure, je porte une Tank car c’est la montre à porter » dira d'ailleurs Andy Warhol.

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