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AGUSTÍN REDONDELA Madrid 1922-2015 Working in the field Ink and wash on paper Measurements 20 x 35 cm BIBLIOGRAPHY Antonio María Campoy, "Agustín Redondela. Cuadernos de Arte", Ed. Ibérico European Editions, Madrid 1970, s/p

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AGUSTÍN REDONDELA Madrid 1922-2015 Working in the field Ink and wash on paper Measurements 20 x 35 cm BIBLIOGRAPHY Antonio María Campoy, "Agustín Redondela. Cuadernos de Arte", Ed. Ibérico European Editions, Madrid 1970, s/p

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For sale on Tuesday 02 Jul : 17:00 (CEST)
madrid, Spain
Subastas Segre
+34915159584
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AGUSTÍN REDONDELA (Madrid, 1922 - 2015). "The olive grove (Guadalajara)", 1978. Oil on canvas. Presents label on the back of the Biosca Gallery (Madrid). It has faults in the frame. Signed and dated in the lower right corner. Signed, dated, titled and located (Madrid) on the back. Measurements: 46 x 55 cm; 70 x 79 cm (frame). In this work Redondela offers us a sober landscape, typically Castilian, dominated by an atmosphere of great evocative power, based on the contrast of the tonalities of the foreground with the sky. The painter leaves aside the narrative description of the landscape to build it using only the color, very worked and studied, and a synthetic, expressive and emphatic line based on thick black strokes. Guadalajara was a prolific scene in Agustín Redondela's painting, becoming the protagonist of many of his works. A mainly self-taught painter, considered one of the most original Spanish landscape painters of the 20th century, Agustín González Alonso trained with his father, the painter and scenographer José González "Redondela". After the civil war he attended classes at the School of Arts and Crafts in Madrid with the landscape painter José Ordoñez, and in 1945 he sent for the first time a painting to the National Exhibition of Fine Arts, signed with the pseudonym Redondela. That same year he held his first personal exhibition at the Estilo Gallery in Madrid. It was at this time when he came into contact with the Madrid School, and in 1947 he was selected to exhibit at the Salón de los Once de la Academia Breve e Crítica de Arte de Eugenio d'Ors. In the fifties Redondela obtained a grant from the Catherword Foundation of Philadelphia (1954), the National Painting Prize (1953) and the first medal at the National Exhibition (1957). Throughout his career he combined painting with stage design, working for plays by Jacinto Benavente, Joaquín Calvo Sotelo, Dodie Smith and Peter Ustinov, among others. He also did some work as an illustrator, including a luxurious edition of Cela's "Viaje a la Alcarria" in 1978. In 1996 the Real Academia de Bellas Artes de San Fernando awarded him the José González de la Peña prize, and two years later the Centro Cultural de la Villa de Madrid dedicated an important anthological exhibition to him. He is currently represented in the Museum of Fine Arts in La Coruña, the Museum of Contemporary Spanish Landscape in Priego de Córdoba, the Museum of Fine Arts in Bilbao, the Camón Aznar Museum in Zaragoza, the museums of Buenos Aires, Caracas and Havana, and the Oswaldo Guayasamín House-Museum in Quito, among other public and private collections. Presents label on the back of the Biosca Gallery (Madrid). It has faults in the frame.