Tableau aborigène
Aboriginal painting
Serval Collection
Naradawallu in the great…

Description

Tableau aborigène Aboriginal painting Serval Collection Naradawallu in the great sand desert, 1992 Nyula Mutji Nungurayi Acrylic on cotton canvas 120 x 85 cm

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Tableau aborigène Aboriginal painting Serval Collection Naradawallu in the great sand desert, 1992 Nyula Mutji Nungurayi Acrylic on cotton canvas 120 x 85 cm

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Estim. 800 - 1 200 EUR

Victoria, Australia Lil Lil club" Mid-19th century Carved hardwood, old patina Traces of aboriginal restoration with red vegetable wax (spinifex) H. 66 cm L. 8 cm Provenance: > Belgian collection > Private collection Netherlands Condition report: Some cracks and knots

Starting price 1200 EUR

TJAMITJINPA Ronnie (1943-2023) Tingari cycles acrylic on canvas prepared in black signed lower center 92 x 122 cm PROVENANCE: Number 1 Company Ply Ltd - African Muse Gallery - Private collection This lot is presented by Stéphane Jacob-Langevin Ronnie Tjampitjimpa (c.1940-2023) is one of the great names in Aboriginal desert painting. Originally from Kintore, west of Papunya in the central desert, he has been painting since 1971, in other words, since the beginnings of "contemporary" Aboriginal painting, when under the impetus of Geoffrey Bardon - an art teacher based in the region - Aborigines began to reproduce on their school walls, then on plywood sheets and finally on canvas, the paintings they had previously produced for ritual purposes. Ronnie draws his inspiration from the myths associated with the Tingari Men, the great ancestors of the Dreamtime that the Pintupi still celebrate today. These mythical men roamed the Australian territory accompanied by their wives and young apprentices. They would initiate them as they went along. The initiations took place at sites they created, which still exist today: it is here that the Aborigines commemorate their memory during ceremonies in which they paint motifs on the ground evoking the Dreamtime. More often than not - and this is the case here - the works inspired by the Tingari ancestors retrace in stylized form the paths they once followed in the desert. Highly geometric in inspiration, these "tracks" often have the appearance of more or less complex labyrinths that structure the clan territories of central desert communities. They are depicted as if seen from the sky, but there is no particular way of reading such canvases: neither right nor left, neither up nor down. Collections:- Musée du Quai Branly, Paris- Aboriginal Art Museum, Utrecht, Holland- National Gallery of Australia, Canberra - National Gallery of Victoria, Melbourne - Museum & Art Gallery of the Northern Territory, Darwin - Art Gallery of Western Australia, Perth, etc.

Estim. 90 - 150 EUR

Collectable minerals. Amazing zebra stone from Australia. Polished edge. L. 13cm. Reddish-brown sedimentary rock with white bands (kaolinite, quartz, mica). Original mineral formation and sacred stone of the East Kimberley Aborigines. Its natural graphism evokes the Dreamtime. Sought-after in lithotherapy.

Starting price 200 EUR

Butcher Joe Nangan (1900 - 1989) Mother-of-pearl riji pendant, engraved on one side with ochre-colored geometric motifs, braided human hair on the other side. Australia, Broome region (Kimberley) H. 17 cm Riji pendants are aboriginal sex covers from the pearling town of Broome in northern Australia. They are reserved for men and are given to them as part of a ceremony marking their passage into adulthood. The engravings on them often depict sacred Aboriginal motifs. Butcher Joe Nangan is one of the few Aboriginal artists currently known. His artistic output consists of pencil drawings, as well as shells and nuts, which he incises with the traditional motifs of his people. He is said to have made this riji for its current owner, Jean-Pierre Cardinaux, then an anthropologist in the Broome region (Kimberley, Australia). Provenance: Jean-Pierre Cardinaux's personal collection. Jean-Pierre Cardinaux is a Belgian-Swiss artist currently based in Burgundy, formerly an anthropologist who studied in Perth at the University of Western Australia. From 1964 to 1974, he worked for the Department of Native Welfare, a government organization whose mission was to protect and integrate aboriginal populations into society (schooling for children, health, professional integration, etc.). He held the position of "welfare officer" and obtained his first post in the village of Moora, north of Perth, before being sent to Broome in the Kimberley region, in the north of the state, an area encompassing the La Grange and Beagle-bay reserves, where a large number of Aborigines still lived in the "traditional" way. In addition to his work as a welfare officer, he carries out anthropological recording, in which he collaborates with Professor Ronald Berndt, a renowned anthropologist and founder of the anthropology department at the University of Western Australia.

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