Gardens-Versailles, Armorial Binding. SILVESTRE – LEPAUTRE – FÉLIBIEN. 104 Large…
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Gardens-Versailles, Armorial Binding. SILVESTRE – LEPAUTRE – FÉLIBIEN. 104 Large copper Engraved Plates. Folio. 500x345 mm. Magnificent binding contemporary with the coat of arms of the Marquis of Mereville, full marbled brown leather, giltcoat of arms in the center of the plates, six ribs on spine with gilt title on red morocco insert, rich gilt decoration on the compartments, gilt edges. The volume contains:- 1 plan of Versailles, published by G. Demortain.- 12 plates drawn and engraved by Israel Silvestre, with plans, perspectives, views of the gardens and buildings, dated between 1664 and 1684.- 3 plates engraved by J. Lepautre.- 9 plates published by Jean Le Blond regarding the orangery and the stables, including a plan of the orangery garden with moving parts.- 1 small view of the large stable published by Langlois, glued on a support sheet.- 21 plates of sculptures, engraved by Gerard Audran or Gerard Edelinck, dated between 1679 and 1681.- 18 plates of fountains, engraved by J. Lepautre dated between 1673 and 1679.- 2 large plates of fountains, one by Charles-Louis Simonneau from a painting by Jean Cotelle, 1689, the other drawn and engraved by Louis de Chastillon, 1683.- 9 plates of busts on columns, by J. Lepautre, 1674.- 6 plates of flower vases and 2 of sphinxes, by Lepautre, 1672-1673.- FÉLIBIEN, André. Déscription de la Grotte de Versailles, Paris, Imprimerie Royale, 1679, Title page with large engraved typographic brand and royal coat of arms, 11 pages, 20 plates engraved by Lepautre, Picart, Chauveau.- 2 unsigned plates, depicting the interior and cross-section of the Royal Chapel. Very rare and important source of art on the Palace of Versailles. Volume in splendid contemporary binding with coat of arms of the Marquis of Merenville. Among the works in this collection we highlight:- The 'Description' of Felibien, particularly valuable as a pictorial testimony since the Grotto was demolished in 1684 to make way for the new southern wing of Versailles. The Grotte de Thétys, designed by Charles Perrault, was an integral part of the iconography of the palace and gardens of Versailles. The twenty plates are: a plan, an external view and some plates detailing the statuary and shell and coral decoration of the interior. Millard: "It was designed to represent the climax of the astrological myth of the entire garden, the completion of Apollo's solar course and his return to rest in this underwater cave. The grotto was a marvel of technical innovation. Félibien considered it to be a completely successful imitation of nature by art. The creation lasted only twenty years. It was destroyed in 1684 to be replaced by Mansart's north wing of the palace. However, its unique beauty is preserved with this recording by Félibien."- The statues depicted by J. Le Pautre, 1618 - 1682, older brother of the architect Antoine Le Pautre and father of Jacques Le Pautre: among these we mention 'Persée; Andromède' located in the gardens of Versailles.- The large plate 'Marais Artificiel, entouré de Joncs d'airain, et de Jets d'eau', designed and engraved by Isr. Silvestre in 1680. I. Silvestre, 1621 - 1691, prolific French engraver, teacher, publisher and designer, left many drawings and over a thousand engravings. Among these precious testimonies of Versailes' architecture and sculptures as well as the famous parties that were held in the palace.Volume of prestigious provenance, which belonged to the Marquis of Mereville, councilor in the Paris Parliament, whose emblem, with the pelican and 2 suns moving from the corners, is printed in gilt in the center of the plates.

250 

Gardens-Versailles, Armorial Binding. SILVESTRE – LEPAUTRE – FÉLIBIEN. 104 Large copper Engraved Plates. Folio. 500x345 mm. Magnificent binding contemporary with the coat of arms of the Marquis of Mereville, full marbled brown leather, giltcoat of arms in the center of the plates, six ribs on spine with gilt title on red morocco insert, rich gilt decoration on the compartments, gilt edges. The volume contains:- 1 plan of Versailles, published by G. Demortain.- 12 plates drawn and engraved by Israel Silvestre, with plans, perspectives, views of the gardens and buildings, dated between 1664 and 1684.- 3 plates engraved by J. Lepautre.- 9 plates published by Jean Le Blond regarding the orangery and the stables, including a plan of the orangery garden with moving parts.- 1 small view of the large stable published by Langlois, glued on a support sheet.- 21 plates of sculptures, engraved by Gerard Audran or Gerard Edelinck, dated between 1679 and 1681.- 18 plates of fountains, engraved by J. Lepautre dated between 1673 and 1679.- 2 large plates of fountains, one by Charles-Louis Simonneau from a painting by Jean Cotelle, 1689, the other drawn and engraved by Louis de Chastillon, 1683.- 9 plates of busts on columns, by J. Lepautre, 1674.- 6 plates of flower vases and 2 of sphinxes, by Lepautre, 1672-1673.- FÉLIBIEN, André. Déscription de la Grotte de Versailles, Paris, Imprimerie Royale, 1679, Title page with large engraved typographic brand and royal coat of arms, 11 pages, 20 plates engraved by Lepautre, Picart, Chauveau.- 2 unsigned plates, depicting the interior and cross-section of the Royal Chapel. Very rare and important source of art on the Palace of Versailles. Volume in splendid contemporary binding with coat of arms of the Marquis of Merenville. Among the works in this collection we highlight:- The 'Description' of Felibien, particularly valuable as a pictorial testimony since the Grotto was demolished in 1684 to make way for the new southern wing of Versailles. The Grotte de Thétys, designed by Charles Perrault, was an integral part of the iconography of the palace and gardens of Versailles. The twenty plates are: a plan, an external view and some plates detailing the statuary and shell and coral decoration of the interior. Millard: "It was designed to represent the climax of the astrological myth of the entire garden, the completion of Apollo's solar course and his return to rest in this underwater cave. The grotto was a marvel of technical innovation. Félibien considered it to be a completely successful imitation of nature by art. The creation lasted only twenty years. It was destroyed in 1684 to be replaced by Mansart's north wing of the palace. However, its unique beauty is preserved with this recording by Félibien."- The statues depicted by J. Le Pautre, 1618 - 1682, older brother of the architect Antoine Le Pautre and father of Jacques Le Pautre: among these we mention 'Persée; Andromède' located in the gardens of Versailles.- The large plate 'Marais Artificiel, entouré de Joncs d'airain, et de Jets d'eau', designed and engraved by Isr. Silvestre in 1680. I. Silvestre, 1621 - 1691, prolific French engraver, teacher, publisher and designer, left many drawings and over a thousand engravings. Among these precious testimonies of Versailes' architecture and sculptures as well as the famous parties that were held in the palace.Volume of prestigious provenance, which belonged to the Marquis of Mereville, councilor in the Paris Parliament, whose emblem, with the pelican and 2 suns moving from the corners, is printed in gilt in the center of the plates.

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RIGAUD (Jacques). [Recueil choisi des plus belles vues des palais, des châteaux et maisons royales de Paris et des envions]. Paris, chez l'auteur, [xviiiesiècle]. 31 plates mounted on strong paper sheets in an oblong folio volume, burgundy chagrin, smooth spine cold-stamped, framed with cold-stamped and gilt fillets with large corner fleurons, gilt title in the center of the first board and gilt coat of arms in the center of the second; plates trimmed a little short, worn binding with detached upper board, lower headpiece missing, upper flyleaf torn (binding circa 1840). A collection of suites engraved successively over a period from around 1720 to 1752, the original edition of which was published around 1738, and the plates of which could also be sold individually. Different editions, and even copies of the same edition, therefore show fluctuating collations (cf. Berlin Katalog, Millard, Cohen-Seymour de Ricci). The present copy includes the following plates, listed in order of binding: Diverses vues du château de Versailles. 1 View taken from the grand avenue between the two stables. 2 View of the Versailles stables from the second gate. 3Special view of the chapel at the Château de Versailles. 4 View of the Château de Versailles. Taken from the terrace opposite the chapel. 5.view of the château and part of the town of Versailles. From the estang side. [6] View of the Château de Versailles from the Orangerie. Taken beyond the large lake known as the pièce des Suisses. -Remarkable places in the garden and park of Versailles. 7 View of the Orangerie at Versailles. Taken from the balustrade at the edge of the château terrace. 8.view of the Bassin de Latone taken from the edge of the château terrace. [1] View of the groves in the Versailles garden. The ballroom. [5] Apollo's basin. 6] Enceladus' basin. 8] The water theater. 9] View of Neptune's basin in the garden of Versailles. 10.view of Trianon in the Versailles park from the avenue side. 11.three fountains. -Various views of the Château Royal de Marli, near Versailles. 1 This first view is taken at the main entrance near the gate on the way in from Paris. 2 View of the Château de Marli from the petit parterre. 3 View of Château de Marli taken from the bottom of the grand parterre. -Various views of Château de Chantilli. 1739. [1] View from the main entrance. [Veue particulière des écuries de Chantilli du côté du manège. [View of the Chantilli waterfall. [110] Veue du grand canal de Chantilli prise à sa source. -Various veues of the Château de Seaux belonging to monseigneur le Duc du Maine. 1736. [1] Veue du château de Seaux du côté de la grande avenue prise à la première grille. [Veue du château de Seaux prise du haut de l'allée de la Diane. [View of the Château de Seaux from the distance opposite the Châtenay side. [View of the Seaux waterfall. [View of the Seaux flowerbeds and the Grand Canal from a distance. -Various views of St-Cloud. [Paris], chez le srDuChange et chez l'auteur, 1730. 1] View of the Château de St-Cloud from the grand avenue to the second gate. 4. View of the St-Cloud waterfall. -[...remarkable places in Paris]. ÀParis, chez le SrDuchange, et chez l'auteur, 1729. [4]. Les promenades du palais des Thuilleries. [7]. Les promenades du Luxembourg. Provenance: Comtes d'Antioche (gilded coat of arms on lower cover, armorial vignette ex-libris on first flyleaf; handwritten ex-dono from Charles de Brotty d'Antioche, dated 1880, to his son Adhémar, on second flyleaf).

Soulès (François). Histoire des troubles de l'Amérique anglaise. ÀParis, chez Buisson, 1787. 4 vols. in-8, (8)-379-3 [misfigured 3 to 6]-(uneblanche)+ (4)-365-(uneblanche)+ (4)-420+ (4)-272-43-(uneblanche)pp. in marbled fawn calf, spine ribbed, cloisonné and fleuronné with title-pieces; spines a little faded and slightly rubbed, corners a little worn (period binding). First edition. 3 out-of-text copper-engraved folding maps, 2 of which are lightly enhanced with color: a map of the eastern half of North America, a plan of the siege of Yorktown in 1781, and a map of the coast from Williamsburg to Boston (Sabin, t.XXII, n°87290). History of the American Revolutionary War, from the stamp tax affair in 1765 to the Treaty of Versailles in 1783. A man of letters and a historian who embraced new ideas, François Soulès (1748-1809) was sympathetic to the principles on which the American Revolution was founded, but he also undertook the work of a true historian, gathering first-hand information in the form of handwritten memoirs and first-hand accounts from French, English and American actors. Chapters are devoted to the operations that pitted French and English against each other in India during this conflict. Thomas Jefferson's admiration: François Soulès submitted his manuscript to Thomas Jefferson, ambassador to France at the time, who wrote to the diplomat Louis-Guillaume Otto in January 1787 that he had seen this History, concluding with a clear judgment: "I [consider it] the best I have ever leafed through". François Soulès would publish many other works, including translations from English by Thomas Paine, Ann Radcliffe, Arthur Young, historians and travelers such as William Bligh... Provenance: the Marquis d'Arcy Michel-François-Louis Larcher (ex-libris vignettes of his father Michel Larcher on the first flyleaves), then the Counts of Antioche (armorial ex-libris vignettes covering two other earlier ex-libris, including those of the Marquis d'Arcy).