Null Hairdressers and barbers. Two Edits du Roi. 1760-1772
Edit du Roi, Portant …
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Hairdressers and barbers. Two Edits du Roi. 1760-1772 Edit du Roi, Portant creation de cent dix Charges de Perruquiers. Donne a Versailles au mois de Fevrier 1771. Paris, P. G. Simon, 1772 4to. 255x190 mm. Pp. 3, 1 blank. Illustrated headpiece with the three lilies of France. Good condition. First edition. The edict establishes that 110 hereditary posts be created in the city of Paris for barbers, hairdressers, masseurs and steam bath workers (Barbiers, Perruquiers, Baigneurs, Etuvistes). Bound with: Edit du Roi, Portant creation de plusieurs Charges de Barbiers-Perruquiers dans differentes villes du Royaume ... Versailles ... Mai 1760.Paris, Imprimerie Royale, 17604to. 252x190mm. Pages 4. Illustrated headpiece. Good condition. First edition. Numerous new hereditary posts of "Barbiers-Perruquiers" are established, the list of which appears in the second Article: 11 in Paris, and 15 in Lyons, Bordeaux, Marseilles and Rouen a large number of cities; six and four respectively in numerous other cities.

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Hairdressers and barbers. Two Edits du Roi. 1760-1772 Edit du Roi, Portant creation de cent dix Charges de Perruquiers. Donne a Versailles au mois de Fevrier 1771. Paris, P. G. Simon, 1772 4to. 255x190 mm. Pp. 3, 1 blank. Illustrated headpiece with the three lilies of France. Good condition. First edition. The edict establishes that 110 hereditary posts be created in the city of Paris for barbers, hairdressers, masseurs and steam bath workers (Barbiers, Perruquiers, Baigneurs, Etuvistes). Bound with: Edit du Roi, Portant creation de plusieurs Charges de Barbiers-Perruquiers dans differentes villes du Royaume ... Versailles ... Mai 1760.Paris, Imprimerie Royale, 17604to. 252x190mm. Pages 4. Illustrated headpiece. Good condition. First edition. Numerous new hereditary posts of "Barbiers-Perruquiers" are established, the list of which appears in the second Article: 11 in Paris, and 15 in Lyons, Bordeaux, Marseilles and Rouen a large number of cities; six and four respectively in numerous other cities.

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19th century school after Ary Scheffer (1795 - 1858) Full-length portrait of Gilbert du Motier, Marquis de La Fayette (1757-1834) Oil on canvas 51.5 x 40 cm Provenance : - An apartment in Isle Saint Louis - Paris Ary Scheffer's painting is in the Collection of the U.S. House of Representatives on Capitol Hill. Another bust portrait is in the National Portrait Gallery, Washington. "The artist Ary Scheffer offered this portrait to the House of Representatives in honor of General Lafayette's American tour from 1824 to 1825. And it wasn't just a beautiful gift, it was a real surprise. In January 1825, the House of Representatives displayed its new work of art in the Capitol Rotunda. Newspapers described the portrait as "as large as life, and... the best portrait we have ever seen. Its fidelity to the venerable original is, indeed, most admirable". The portrait remained in the rotunda during Lafayette's 13-month stay in the United States. Artists from all over the country wanted to paint his portrait. Those who couldn't get the busy general to sit still made copies of the Chamber portrait instead. Easels and pallets of paint cluttered the rotunda. Kentucky native Matthew Jouett was one of these artists. The Kentucky state legislature asked him to paint Lafayette for the Capitol. Jouett arrived in Washington, but too late. The general had already left town, but had left behind a message saying he had a solution. Jouett could paint a copy of the House portrait, and when Lafayette's tour arrived in Kentucky, he would give the young man an hour's time with him to "correct" his version. Lafayette knew how useful the Chamber portrait was. Its availability, combined with the fact that he knew it was his favorite image, made it extremely popular. Lafayette gave it an even wider audience by distributing engravings of the portrait wherever he went. Local printers made pirated copies for every imaginable souvenir. The portrait was even used on coins. All the engravers who supplied American banks had Lafayette's images available to their customers, and the portrait was used by banks in 27 states. Half a century after his revolutionary fervor brought him to America, Lafayette returned to become the first foreign dignitary to address the country's Congress and appear on the country's currency." (https://history.house.gov/Blog/Detail/15032391921) During this trip to the United States in 1824/1825, La Fayette was welcomed on several occasions by the CINCINNATI Society. Bibliography: - August Levasseur (trans. Alan R. Hoffman), Lafayette in America in 1824 and 1825 (Manchester, NH: Lafayette Press, 2006). - Marc H. Miller, "Lafayette's Farewell Tour and American Art", in Lafayette, Hero of Two Worlds (Hanover, NH: University Press of New England, 1989).

COOK (James). * Relation des voyages entrepris par ordre de sa Majesté Britannique, actuellement regnante; pour faire des découvertes dans l'Hémisphère Méridional, et successivement exécutés par le Commodore Byron, le Capitaine Carteret, le Capitaine Wallis & le Capitaine Cook, dans les vaisseaux le Dauphin, le Swallow, & l'Endeavour: rédigée d'après les journaux tenus par les différens commandants & les papiers de M. Banks, by J. Hawkesworth [...] ** Voyage dans l'hémisphère austral, et autour du monde, fait sur les vaisseaux de Roi, l'Aventure & la Résolution, en 1772, 1773, 1774 & 1775. In which we have inserted the relation of Captain Furneaux, & that of Messrs. Forster. *** Cook's third voyage, or voyage to the Pacific Ocean, ordered by the King of England, to make discoveries in the Northern Hemisphere, to determine the position & extent of the West Coast of North America, its distance from Asia, & resolve the question of the passage to the North. Executed under the direction of Captains Cook, Clerke & Gore, on the Vessels the Resolution & the Discovery in 1776, 1777, 1778, 1779 & 1780. **** Life of Captain Cook. Paris, Saillant, Nyon, Panckouke & De Thou, 1774-1789. 14 volumes in-4 uniformly bound in red morocco, ornate ribbed spines, triple gilt fillet framing the boards, double gilt fillet on the edges, inner gilt roulette, gilt edges (period binding). * First edition of the French translation of Cook's first voyage. The narrative was written by John Hawkesworth, based on notes by Byron, Carteret, Wallis and Captain Cook's journal. The illustration includes 52 hors-texte plates, some folded (maps, views etc.) [more details in the catalog]. ** First edition of the French translation illustrated with 67 hors-texte plates, some folding, including 1 portrait of Cook and 15 maps, as well as 2 folding tables. [more details in catalog] *** First edition of the French translation illustrated with 88 copper-engraved plates under Bénard's direction (maps, natural history views) including the famous fold-out frontispiece depicting James Cook's assassination in Kealakekua Bay, a copper-engraved vignette to the title of Volume I, and a fold-out table paginated 520 bis in Volume IV. [more details in the catalog] **** First edition of the French translation by Jean-Henri Castéra. A VERY GOOD AND RARE EXEMPLAIR OF THE ENSEMBLE OF COOK'S THREE JOURNEYS, UNIFORMLY BINDED IN EPOCOQUE LEATHER, of which no other copy has been offered for public sale for nearly half a century. The first volume of the first voyage, probably previously mislaid, has been rebound in pastiche morocco in exact imitation, apart from the special small iron in the center of each of the spine boxes, which is probably impossible to reproduce. Added to the set, in the same binding, is the Life of Captain Cook by Kippis, which is sometimes included with the collection. Some light scattered foxing.