Illustrated Phra Malai Manuscript. A Buddhist Saint’s Journeys to Heaven and Hel…
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Illustrated Phra Malai Manuscript. A Buddhist Saint’s Journeys to Heaven and Hell. This classic Thai Theravada Buddhist text recounts the experiences of the Sinhalese monk, Malai, on his journey to hell and to heaven. In the form of a poem, it serves as a moralising tale in which the consequences of one's deeds in this life impact on one's fate in the next. The story is one of the most popular subjects of 19th-century illuminated Thai manuscripts. In 19th-century Thailand, it became a very popular chanting text for weddings and funerals. The legend describes Phra Malai's visits to heaven and hell by the powers he achieved through meditation and great merits. Afterwards he teaches the laity and fellow monks about the karmic effects of human actions, which he learned about when meeting Buddha Maitreya in heaven. It was through these narratives that the Buddha's message of hope for a better rebirth and for attaining nirvana was conveyed. Phra Malai manuscripts were frequently produced and donated to Buddhist monasteries asacts of merit. By the mid-19th century the representation of celestial androyal figures in Thai painting was entirely stylised complete with its own iconography. However, the corruptible individual, still motivated by his/her own desires, such as the two adulterers located in an earthly landscape were depicted in a naturalistic manner that demonstrates an awareness of European pictorial devices.

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Illustrated Phra Malai Manuscript. A Buddhist Saint’s Journe

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Collection of four very rare works from the 1500s, all in Original edition. 4to picc.; 200x155 mm; 18th c. bind. p. stiff vellum, tit. mss. on spine; in order: 1. MATURANZIO, Francesco. De Componendis carminibus opusculum [continued:] Nicolai Perotti Sypontini de generibus metrorum; Eiusdem de Horatii Flacci ac Severini Boetii metris; Omni boni Vicentini de Arte metrica libellus; Servii Mauri honorati Grammatici Centimetrum.Venezia, Gulielmus de Fontaneto Montisferati 1512 cc. 40 nn.; Iniz. ornate on black ground, car. round; marginalia by contemporary hand. Woodworm holes on A1 paper with loss of text, some moisture glazing and traces of use. On versification. F. Maturanzio (1443-1518) Perugian humanist, in 1471 undertook a journey to Greece whence he returned carrying many codices. He succeeded his master L. Ognibene in Vicenza, present here with his third work on metrics. British Lib. Cat. 215-290. 2. SULPIZIO, John. Scansiones Sulpitii. Venice, Gulielmus de Fontaneto Montisferati 1511 cc. 32 nn. ult. b.; Iniz. ornate on black ground, car. round; marginalia by contemporary hand. 3. SCAURI, Terentius. Terentij Scauri gramatici nobiliss. orthographia... Pesaro, Hier. Soncino 1511cc. 40 nn.; car. round; marginalia of coeval hand.Collection of miscellaneous works on language.Manzoni, Annali Soncino, 66. This is Var. B present in SBN: cf. Manzoni, cit., p. 294-295. Mark: a-g⁴ A-C⁴. 4. PALAEPHATI. Palaephati fragmenta a hyeronimo Soncino nuc primu pisauri publica luce condonati.At c. 13 v.: Pesaro, Hier. Soncino 1511 cc. 16.; in the first c. the heading is in Gothic car., followed in c. 2 by the title:Fragmenta Palaephati De historiis incredibilibus ex graeco in latinum traslata. First Latin edition of fragments on Palaephati's fantastic stories, an important work in which the pupil of Aristophanes proposes a rational interpretation of myths.Manzoni, Annali Soncino, 65; Fumagalli 299.; Graesse, V, 103; No Adams. Four works of considerable rarity, particularly the last two printed by Soncino in Pesaro: of these the fragments of Palefato are of special importance since this is the first edition in Latin. 4 rare works of the 16th century. Small 4to, 200x155 mm; 18th century in full stiff vellum binding, title written on the spine. 1. MATURANZIO, Francesco. De Componendis carminibus opusculum [follow:] Nicolai Perotti Sypontini de generibus metrorum; Eiusdem de Horatii Flacci ac Severini Boetii metris; Omni boni Vicentini de Arte metrica libellus; Servii Mauri honorati Grammatici CentimetrumVenezia, Gulielmus de Fontaneto Montisferati 1512 Leaves 40 nn.; illustrated initials, Round type; manuscript notes. On versification. F. Maturanzio (1443-1518) humanist from Perugia, in 1471 undertook a trip to Greece from which he returned carrying many codices. It succeeded in Vicenza to his master L. Ognibene, present here with the third work on metrics. Woodworm holes on the A1 paper of the first work with loss of text, some humidity veils and traces of use.British Lib. Cat. 215-290. Bound with: 2. SULPIZIO, Giovanni. Scansiones Sulpitii.Venice, Gulielmus de Fontaneto Montisferati 1511. Leaves 32 nn. last blank; illustrated initials, Round type; manuscripts notes. Bound with:3. SCAURI, Terentius. Terentij Scauri gramatici nobiliss. orthographia...Pesaro, Hier. Soncino 1511Leaves 40 nn.; Round type; Manuscripts notes. Collection of different works on the language.Manzoni, Annali Soncino, 66. Var. B SBN: cf. Manzoni, cit., p. 294-295. Mark: a-g⁴ A-C⁴. Bound with:4. PALAEPHATI. Palaephati fragmenta a hyeronimo Soncino nuc primu pisauri publica luce condonatiOn leaf 13 verso: Pesaro, Hier. Soncino 1511 Leaves 16;first leaf with heading, leaf 2 bears title:Fragmenta Palaephati De historiis incredibilibus ex graeco in latinum traslata. First edition in Latin of the fragments on the fantastic stories of Palephati, an important work in which the pupil of Aristophanes proposes a rational interpretation of the myths.Manzoni, Annali Soncino, 65; Fumagalli 299; Graesse, V, 103; No Adams. Four works of notable rarity, particularly the last two printed by Soncino in Pesaro: of these the Palefato fragments are of special importance since it is the first edition in Latin.

EULER, Leonhard. Introductio in Analysin Infinitorum. Lausanne, Bousquet, 1748. 2 tomes in 1 vol. in-4to, mm. 250x200; Bound in full coeval vellum, gusset on spine, red boards; pp. 4 nn., XVI, 320, Antip. allegorical inc in r. by Soubeyran, Portrait inc. by Ficquet, a fold-out f.t. table; pp. 4 nn., 398, 2 nn., the first blank paper; 40 fold-out f.t. tables numbered. I-XL, inserted within volumes, drawn at the time with watermark and countermark "AHF with lion." Ownership note in mss. to Front. by former possessor "Zangiacomi Gius. Val. Cav. Opiterginum." Fresh and handsome copy. First edition of Euler's most famous work. Honeyman: "The first appearance of the definition of mathematical function, one of the fundamental concepts of modern mathematics." PMM: "In his 'Introduction to Mathematical Analysis' Euler did for modern anlysis what Euclid had done for ancient geometry. It contains an exposition of algebra, trigonometry and analytical geometry, both plane and solid, a definition of logarithms as exponents, and important contributions to the theory of equations. He evolved the modern exponential treatment of logarithms, including the fact that each number has an infinity of natural logarithms. In the early chapters there appears for the first time the definition of mathematical function, one of the fundamental concepts of modern mathematics." Cajori: "A work that caused a revolution in analytical mathematics, a subject which had hitherto never been presented in so general systematic manner." Honeyman, no. 1065; P.M.M., 196; Cajori, p. 233; Norman 732. 2 tomes in 1 vol. 4to, mm. 250x200; contemporary full vellum binding, label on the back, red edges; pp. 4 not numbered, XVI, 320, illustrated Frontispiece engraved by Soubeyran, portrait by Ficquet, 1 folded table out text; pp. 4 nn, 398, 2 nn., first sheet blank; 40 manuscript folded plates out text numbered I-XL, at the time included within the volumes, not as states by the publisher at the end of the work, for normal printed copies. Watermark "AHF with lion." On the title-page note of possession of "Zangiacomi Gius. Val. Cav. Opiterginum." Nice and fresh specimen. First edition of the most famous work of Euler. Honeyman: "The first appearance of the definition of mathematical function, one of the fundamental concepts of modern mathematics." PMM: "In his 'Introduction to Mathematical Analysis' Euler did for modern anlysis what Euclid had done for ancient geometry. It contains an exposition of algebra, trigonometry and analytical geometry, both plane and solid, a definition of logarithms as exponents, and important contributions to the theory of equations. He evolved the modern exponential treatment of logarithms, including the fact that each number has an infinity of natural logarithms. In the early chapters there appears for the first time the definition of mathematical function, one of the fundamental concepts of modern mathematics." Cajori: "A work that caused a revolution in analytical mathematics, a subject which had hitherto never been presented in so general systematic manner. "Honeyman, no. 1065; P.M.M., 196; Cajori, p. 233; Norman 732.

BROCHERO, Julián José. Patent of nobility of Don Luis Bermudo Soriano and Dona Antonia Ortiz De Espinosa. Membranous manuscript, Madrid, May 5, 1774. Membranous manuscript in 4to, mm. 300 x 200. Binding in full red morocco with very rich gold decorations on the plates and on the six-nerved spine, in the center of the plates the arms of King Charles III of Spain. Guard sheets in polychrome marbled paper. Interior consists of 68 vellum papers with text within red double linear frame, at corners arabesque decoration in blue. Text in Spanish, crisp chancery script, brown ink. In the opening two large illuminated folios: the first with two large coats of arms, the second, which serves as the Frontispiece, with the seal-stem of King Charles III surmounted by crown and the Author's name, within architectural composition with the two columns of the Royal House and the motto "Plus Ultra." In text, large illuminated Initials with landscapes, Figured headpieces with titles, Endpapers with coats of arms illuminated in bright colors and gold. Interleaved with coeval silks protecting the illustrations. Outside text a very large family tree dating from Don Ignacio Bermudo Soriano, fold-out. Beautiful, perfectly preserved specimen. Spanish heraldic manuscript from the 18th century, beautifully illuminated. The document is officially compiled and attested by Don Julian Joseph Brochero, first king of arms of Spain. The noble origins of the Bermudo Soriano, Medina Mejorada, La Cadena, Escovar and Ortiz de Espinosa lineages are described. The chapter devoted to each house depicts, in garish and vivid colors, the respective coat of arms, with rich gold embossing. The king of arms, the chief rank among those of the officers of arms, was the chief of the heralds and had the task of guarding the coats of arms granted, making any changes or additions that resulted from new concessions or marriage alliances. To this end, he also saw to recording and correcting the family trees of families. At the end of the volume, the Patente de Noblesse is guaranteed and countersigned by Felipe López de la Huerta, Oficial Real Contador del real Tribunal de Cuentas de Madrid en el Reyno de España.A similar manuscript by Brochero, "Certificación de nobleza y escudo de armas de Bernardo Ballerino," with the same title page, but without binding to the Arms, at the Archivo Histórico Nacional, CODICES, L.1415; digitized in: http://pares.mcu.es/ParesBusquedas20/catalogo/show/2610353. Parchment manuscript in 4to, mm. 300 x 200. Binding in full red morocco with rich gold decoration on the covers and on the ribbed back, in the middle of the plates the coat of arms of King Charles III of Spain. Endpapers in polychrome marbled paper. Interior consists of 68 vellum leaves with text within red double linear frame, at corners arabesque decoration in blue. Text in Spanish, crisp chancery script, brown ink. In the opening two large illuminated folios: the first with two large coats of arms, The second, which serves as the Title-page, with the seal-stem of King Charles III surmounted by crown and the Author's name, within architectural composition with the two columns of the Royal House and the motto "Plus Ultra." In the text, large illuminated Initials with landscapes, illustrated headpieces with titles, Tailpieces with coats of arms illuminated in bright colors and gold. Interleaved with coeval silks protecting the illustrations. Outside text a very large family tree dating back to Don Ignacio Bermudo Soriano, folded. Beautiful specimen. Spanish heraldic manuscript from the 18th century, beautifully illuminated. The document is officially drawn up and attested by Don Julian Joseph Brochero, first king-at-arms of Spain. The noble origins of the Bermudo Soriano, Medina Mejorada, La Cadena, Escovar and Ortiz de Espinosa lineages are described. The chapter devoted to each house depicts, in garish and vivid colors, the respective coat of arms, with rich gold embossing. The king of arms, the principal rank among those of the officers of arms, was the chief of the heralds and had the task of guarding the coats of arms granted, making any changes or additions that resulted from new concessions or marriage alliances. Because of this he also saw to recording and correcting the family trees of families. At the end of the volume, the Patent of Nobility is guaranteed and countersigned by Felipe López de la Huerta, Oficial Real Contador del real Tribunal de Cuentas de Madrid en el Reyno de España.A similar manuscript by Brochero, "Certificación de nobleza y escudo de armas de Bernardo Ballerino," with the same titlepage, but without Armorial binding of the King, at the Archivo Histórico Nacional, CODICES, L.1415; digitized in: http://pares.mcu.es/ParesBusquedas20/catalogo/show/2610353.