Null PIRANESI. Prospettiva della Nuova Piazza in Padova.
Etching, 1550x600 mm. M…

Description

PIRANESI. Prospettiva della Nuova Piazza in Padova. Etching, 1550x600 mm. Margins. I/III state. Drawn by Giuseppe Subleyras. Brownings and small defects..

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PIRANESI. Prospettiva della Nuova Piazza in Padova. Etching, 1550x600 mm. Margins. I/III state. Drawn by Giuseppe Subleyras. Brownings and small defects..

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Estim. 80 - 120 EUR

Giovanni Battista Piranesi (copia da) Part of the Forum of Nerva etching, 151 x 282 mm, counterpart copy of Piranesi's etching from the 'Antichità Romane' series, one of the series of copies published by Francis Vivares in the second half of the 18th century. Printed on laid paper. In good condition. With frame and double glass (30 x 42.5 x 1 cm)

Estim. 100 - 150 EUR

Fredo Bley, Hof Dr. Polster Mylau Damp backyard with old woman and laundry hung up to dry, according to the previous owner probably motif "Hof Dr. Polster" from Bley's hometown of Mylau, the motif was captured by Fredo Bley in 1956 from a different perspective, impasto painting in restrained colours, oil on plywood and chipboard, monogrammed and dated "FB [19]60" lower left, unframed, dimensions approx. 29.5 x 23.5 cm. Artist information: actually Fredo Robert Bley, German painter and graphic artist. Painter and graphic artist (1929 Mylau in Vogtland to 2010 Reichenbach), 1943-46 together with Wolfgang Mattheuer trained as a lithographer with Carl Werner in Reichenbach in order to avoid compulsory service in the Wismut uranium mines, 1946-48 worked as a farm and forestry labourer in Thuringia, 1948-56 apprenticeship and work as a decorative and lettering painter, inspired by the painter Walter Löhner, largely self-taught, Member of the Association of Visual Artists (VBK) of the GDR since 1952, worked in parallel as a brickmaker and construction worker from 1957-64 due to material constraints, freelance from 1966, worked in parallel for a time under a contract with VEB Baumechanik Lengenfeld and until 1990 as a circle leader for painting at "NEMA" Netzschkau, organised numerous exhibitions, including in 2002 in the new Federal Chancellery in Berlin, worked in Mylau, from 1960 in his own home in Buchwald, source: AKL, Eisold "Künstler in der DDR", Frank Weiß "Malerei im Vogtland" and Wikipedia.

Estim. 4 500 - 5 500 EUR

JAUME PITARCH (Barcelona, 1963). "Entropía de Jackson".2009. Mixed media (collage on cardboard". Provenance: Gallery dels Àngels of Barcelona. Measurements: 77 x 107 cm. This piece was part of an exhibition of the same name by Jaume Pitarch at the Àngels Barcelona gallery, in which the theme of time was treated from a new perspective both as a concept and as a plastic development. As the press release read: "Pitarch transforms mundane objects and work rituals into instruments for critical reflection. Frequently, his work consists of obstinate actions that lead to apparently absurd, unproductive, invisible or unimaginable results. This absurdity is not, however, self-indulgent: it questions the identity, socializing, and behavioral relations between man and his material production. For Pitarch, this is simply the consequence of the angst of a man lost in a web of constantly mutating social structures to which he derives all his energy in a failed attempt to belong, "to insert himself into them". The theme of time (time as that which constantly leaves us out of the game) is therefore a constant in his work. A Virilian time that is sometimes alluded to, stopped or converted into an invisible ally called process". Currently based in Barcelona, Jaume Pitarch studied Fine Arts at the Chelsea College of Art and the Royal College of Art in London. His language is based on the decontextualization of man-made elements, which he dismantles and reconstructs in a completely different way, stripping them of their original meaning and value. Throughout his career as an artist, Jaume Pitarch has held numerous exhibitions nationally and internationally, highlighting: Àngels Barcelona (2013, 2009, 2004,1997); Galería Fúcares, Madrid (2013, 2008); Spencer Brownstone Gallery, New York (2013, 2009, 2006) or in Galerija Vartai, Lithuania, 2011. Likewise, his work has been selected for group exhibitions in international galleries and institutions. His work is part of public and private collections such as the MACBA collection, the Vila Casas Foundation, the La Caixa collection, Artium, the Bergé collection, the Patio Herreriano Museum or the collection of the Royal College of Art in London, among others.

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