Null CANALETTO. Le Procuratie Nuove e San Giminiano.
Etching, 209x143 mm. Small …

Description

CANALETTO. Le Procuratie Nuove e San Giminiano. Etching, 209x143 mm. Small margins. Bottom center: 'The Procuratie niove and S. Ziminian V'. Bottom left: 'A. Canal f'. State I/II. Good condition. It is part of the splendid series of 31 views that Canaletto engraved between 1740 and 1746.Succi: "The artist's eye dwells carefully on the architectural elements, carefully captured, and on the picturesque crowd that animates the piazza."

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CANALETTO. Le Procuratie Nuove e San Giminiano. Etching, 209x143 mm. Small margins. Bottom center: 'The Procuratie niove and S. Ziminian V'. Bottom left: 'A. Canal f'. State I/II. Good condition. It is part of the splendid series of 31 views that Canaletto engraved between 1740 and 1746.Succi: "The artist's eye dwells carefully on the architectural elements, carefully captured, and on the picturesque crowd that animates the piazza."

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F. HOGENBERG (*1535), Siege of St Quentin, around 1610, Etching Franz Hogenberg (1535 Mechen - 1590 Cologne): Siege plan of St Quentin on 27 February 1557, c. 1610, Etching Technique: Etching on Paper Inscription: Inscribed in the printing plate: "S. QVINTIN belagert S. Quintin nach gehaltener schlacht, Belagert und mit herzes muth. Die hugenott das schlisse wurth, Den adel hat einbisirt. Die furnemblichsten herugen sich hautt. So zenthlich wuthen auß gefalten. Wann die Burgundische rechter S. Quintin helffen awfegethern, Wirt zetter zaichen bestendigen hartt, Ein sturm gern weren worden. Darunder vil jren getrachten wurde. Henlich darzu durch ihrer rn kümet, Mit gwalt und glück die Stadt gewunnen, Ao. 1557. 27. July". Date: c. 1610 Description: Before us is a skilfully crafted historical engraving depicting a cartographic representation of the besieged town of S. Quentin. The scene is richly detailed, with the topographical features of the surrounding landscape, military camps and defences carefully depicted. In the foreground, tiny figures animate the scenario, and the depiction of the city's architecture demonstrates the artist's craftsmanship and spatial understanding. The artwork serves as documentation of a historical event with a military background. Source: Franz Hogenberg (1535 Mechen-1590 Cologne) Warhaftige deschription und beschreibung der Stadt Neus mitt beiligende Stetten Schlosser Dörffer und Schantzen, um 1586 | Book, Politics Keywords: Engraving; cartography; siege; S; QVINTIN; city view; topography; landscape; military camp; defences; figures; urban architecture; artistry; spatial understanding; historical event; military background; attention to detail; scene depiction; craftsmanship;, 17th century, Baroque, Military, France, Size: Paper: 23,4 cm x 29,9 cm (9,2 x 11,8 in), Plate: 21,0 cm x 27,3 cm (8,3 x 10,7 in)

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J. LAVALLÉE (19th) after GAMELIN (*1738), Anatomy, femur, 1778, Etching Jacques Lavallée (19th century) after Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.): "Diseased and broken thigh bones", from the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' (A New Collection of Bones and Muscles) from 1779, 1778, Etching Technique: Etching on Laid paper Watermark: Undeterminable watermark Date: Date: 1778 Description: From: "Nouveau recueil d'ostéologie et de myologie dessiné d'après nature par Jacques Gamelin de Carcassonne, ..pour l'utilité des sciences et des arts divisé en deux parties dédié à M. le baron de Puymaurin". Signed "Gravé a l'eau forte par Lavalée d'apres le dessein de M. Gamelin a Toulouse" in the lower plate margin, dated "1778" to the right. Jacques GAMELIN was a French painter, draughtsman, engraver and etcher of early classicism. Gamelin first studied at the Royal Academy of Arts in Toulouse under Jean-Pierre Rivalz. His artistic training continued in Paris and Rome, where he worked as a professor at the Accademia di San Luca from 1771. One year later, Pope Clement XIV appointed him court painter. Gamelin also met the painter Anton Raphael Mengs in Rome. From the estate of the antiquarian Rosenthal Munich / Amsterdam. | Watermark: lettering and crown Keywords: 18th century, Realism, Technology, France, Size: Laid paper: 50,0 cm x 36,1 cm (19,7 x 14,2 in), Plate: 43,0 cm x 29,5 cm (16,9 x 11,6 in)

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