Null Painting "ROMAN SIBILLA"
Oil painting on canvas depicting "ROMAN SIBILLA." …

Description

Painting "ROMAN SIBILLA" Oil painting on canvas depicting "ROMAN SIBILLA." 17th century. In lacquered and gilt frame. Already patched and re-tinted. Restoration. 131x92 cm approx.

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Painting "ROMAN SIBILLA" Oil painting on canvas depicting "ROMAN SIBILLA." 17th century. In lacquered and gilt frame. Already patched and re-tinted. Restoration. 131x92 cm approx.

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Estim. 1 400 EUR

Richard Wilson (Montgomeryshire 1714-Denbighshire 1782) - Roman Landscape with the Temple of the Sibyl H cm 50x67.5 in frame H cm 62.5x80 Oil on canvas Signed lower right

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Cumia Sibyl - Venice, Italian School of the late 17th century With cornucopia frame of the time. Oil on canvas measurements: 76 x 55 cm, external frame measurements: 90 x 66 cm

Estim. 1 400 - 1 800 EUR

Italian school; 17th century. "Sibyl". Oil on canvas. Relined. Measurements: 61 x 47 cm; 79 x 65 cm (frame). Within the Italian school it was common, from the Renaissance, the representation of Sibyls in compositions similar to those of the contemporary portrait, as ladies richly dressed in the fashion of the time. In fact, there are known examples of works in which important aristocrats are depicted as sibyls, both in Italy and in other countries. In this Baroque-era painting, particular attention should be paid to the depiction of the sumptuous attire with gold and pearl brooches. The almond-shaped eyes convey melancholy. The flush of the cheeks harmonises with the carmine of the beautifully shaped lips. In ancient Greek mythology, the Sibyl was a prophetess, sometimes inspired by Apollo, whose powers were of divine origin. However, the number of these women soon increased from three to twelve, in all cases without knowing their names, but knowing them only by the name of the place where they lived. It was the Renaissance that revived this figure, considering them to be heralds of Christ in the pagan tradition in order to give value to it and "Christianise" it. Of all the works in which they appear, the best known is probably Michelangelo's Sistine Chapel Vault, which shows the five most representative of the time (Eritrea, Persica, Libyan, Cumaean and Delphic).

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I. DUVIVIER (1758-1832), Sibylline grotto of Cumae, Watercolor Ignace Duvivier (1758 Rians (Var) / Marseille - 1832 Paris): Sibyl Grotto of Cumae near Naples, 19th century, Watercolor Technique: Watercolor over Pen drawing on Paper, mounted on Paper Inscription: lower left inscribed by the artist's hand: "La grote de la Sibile a Cume près de Naples". numbered: "15.", "66)" und "96". Date: 19th century Description: View in front of the entrance to the cave with some men with walking stick and dog. One of the men ventures into the cave while the other two rest on the path. Provenance: Sammlung Ritter von Pfeiffer, Wien; Boerner, Leipzig, 1914 Keywords: Italy, Naples, Cumae, Oracle, Sibyl of Cumae, Romans, Street, Place, Play, Watercolour, Ruin, Drawing, France, 19th century, Romanticism, Landscape, Italy, Size: Paper: 25,6 cm x 40,9 cm (10,1 x 16,1 in)

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