Null Staeck, Klaus
1938 Pulsnitz. Guest lecturer at the Düsseldorf Art Academy, …

Description

Staeck, Klaus 1938 Pulsnitz. Guest lecturer at the Düsseldorf Art Academy, president of the Berlin Academy of Arts, writes for the Berliner Zeitung and the Frankfurter Rundschau. Twelve postcards. 'Ordnung muss sein', 'Unser täglich Gift gib uns heute', Ich sehe fern, deshalb bin ich' et al. Each signed. Approx. 15 x 10 cm. (51 x 61 cm). R. Lit.: 1.

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Staeck, Klaus 1938 Pulsnitz. Guest lecturer at the Düsseldorf Art Academy, president of the Berlin Academy of Arts, writes for the Berliner Zeitung and the Frankfurter Rundschau. Twelve postcards. 'Ordnung muss sein', 'Unser täglich Gift gib uns heute', Ich sehe fern, deshalb bin ich' et al. Each signed. Approx. 15 x 10 cm. (51 x 61 cm). R. Lit.: 1.

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Estim. 110 - 165 EUR

Three reference books on porcelain and ceramics consisting of: Markenlexikon Porzellan und Keramik Report 1885-1935, vol. 1 by Dieter Zühlsdorff; Keramik und Bauhaus, Ausstellung Berlin/Düsseldorf 1989, edited for the Bauhaus Archive by Klaus Weber; Villeroy & Boch, Mettlacher Steinzeug 1885-1905, by Anton Post Saarwellingen 1976; format max. lex. 8°, well-read copies.

Estim. 20 - 30 EUR

Klaus Fußmann, "Große Figur (Hella K.)" figure looking at the viewer in front of an implied forest and grey nuanced sky, catalogue raisonné Fussmann 42, colour etching on light cardboard, signed and dated "Fußmann (19974" in pencil below the depiction on the right and inscribed "e.a." on the left, framed behind glass, dimensions approx. 45.5 x 48.5 cm. Artist information: German painter and graphic artist (born 1938 in Velbert), 1957-61 studied at the Folkwangschule in Essen, 1962-66 studied at the HBK Berlin, received various honours, including the Villa Romana Prize in 1972 with a stay in Florence, 1974-2005 professor at the HBK Berlin, from 1989 member of the Freie Akademie Hamburg, active in Berlin and Gelting/Schleswig-Holstein, source: Wikipedia and Internet.

Estim. 20 - 30 EUR

Cornelius Wagner, Das Bergkirchli in Arosa View from an elevated position of the famous Bergkirchli in the Graubünden climatic health resort of Arosa, completed in 1493, next to farmhouses, against a sublime high mountain backdrop in deep snowy splendour and bright sunlight, The atmospheric, impasto impressionist landscape painting in finely tuned colours, initially adhering to heavy academic painting, Wagner soon found his way to a light, sometimes colour-intensive impressionism, Although he was inclined towards the depiction of seascapes and river landscapes throughout his life, the artist's enthusiasm for his own experiences on his travels rarely resulted in beautiful landscape depictions such as the present motif from Arosa, where Wagner probably stayed several times between 1917 and 1919 - due to the dating of the motifs he created there, oil on canvas and stretcher, signed, inscribed and dated "Cornelius Wagner Arosa 19.", minor craquelure, stretcher somewhat showing through, minor restoration required, unframed, dimensions approx. 45.5 x 65 cm. Artist information: named Corny Wagner, German landscape and marine painter. Landscape and marine painter (1870 Dresden - 1956 Söcking near Starnberg), childhood in Dresden, first taught by his father, the painter Karl Ludwig Friedrich Wagner, studied 1886-95 at the Düsseldorf academy under Peter Janssen, Heinrich Lauenstein and Hugo Crola, here 1892-95 master student of Eugen Dücker, travelled to India in 1897, to Argentina in 1904, to Italy (Capri, Ischia), repeatedly to England (Cornwall) and Scotland, Holland, Belgium, the Baltic Sea and around 1917-19 stayed in Arosa in Graubünden in Switzerland, worked in Düsseldorf-Kaiserswerth from 1906-55, friend of Wilhelm Degode and Max Clarenbach, 1935 painting of the Duisburg railway station concourse, 1955 moved to Söcking on Lake Starnberg, organised exhibitions in Düsseldorf, Zurich and 1938-44 the Great German Art Exhibition at the Haus der Deutschen Kunst in Munich, member of the artists' group "Laetitia", of the "Sonderbund" as well as in the Allgemeine Deutsche Kunstgenossenschaft, the Reichsverband bildender Künstler Deutschlands, the Düsseldorfer Künstlerunterstützungsverein, the Freie Vereinigung Düsseldorfer Künstler and 1898-1919 and 1924-1956 in the Düsseldorfer Künstlerverein "Malkasten", source: Thieme-Becker, Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Bruckmann "Lexikon der Düsseldorfer Malerschule", Müller-Singer, Dressler and Wikipedia.

Estim. 600 - 900 EUR

Wilhelm Dietzel, "Norddeutschland" Bow of a mighty sailing ship landing at a jetty in the harbour, in the background the silhouettes of the city, in front of it on the jetty further ships, glazed painting in muted colours in the style of magical realism, attractive horizontal format, signed ""W DIETZEL"" and dated "1942" on the lower left, signed and titled again by the artist on the reverse, retouched and soiled, framed, folded, dimensions approx. 46.6 x 88.5 cm. Artist information: German painter of New Objectivity and Magic Realism (1898 Schrick to 1954 Kaiserswerth), 1919-23 studied at the Munich and Düsseldorf academies, including under Thorn-Prikker, 1928-36 lecturer at the Humboldt University in Berlin, during the Third Reich internal emigration, then teacher at the textile engineering school in Krefeld through Georg Muche, source: Saur.

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