Bohnenkamp, Ralf
1966 Essen. Works in Mühlheim an der Ruhr. Trained as a theater…

Description

Bohnenkamp, Ralf 1966 Essen. Works in Mühlheim an der Ruhr. Trained as a theater painter. Oil/panel. Abstract color composition in red, white and blue. Verso signed and 'Untitled' inscribed studio stamp. (Min. color loss). 120 x 99 cm. (130 x 108 cm). R. Lit.: 1.

916

Bohnenkamp, Ralf

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Estim. 110 - 165 EUR

Hans Paap, Hafenpartie View of a harbour with boats landing, in front of it two cottages with thatched roofs, in whose front gardens magnificent red flower bushes bloom, minimally impasto study in friendly colours, oil on canvas, mid 20th century, signed "HANS PAAP" lower right, early shrinkage cracks and retouches, folded dimensions approx. 35.5 x 43 cm. Artist information: German painter (1894 Hamburg - 1966 Pacific Island), initially worked for the film industry in Berlin for two years, after World War I emigrated to South America and the Pacific. Emigrated to South America after World War I and worked in Brazil and Argentina for 13 years, moved to Hollywood in 1928, worked in Southern California in the 1930s, later moved to New Mexico and became a member of the Taos artists' colony, known for his portraits of the Native American inhabitants of Taos Pueblo, worked for a time in Mallorca and Santo Domingo, exhibited in Los Angeles and at the Pasadena Art Institute, source: Internet.

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Jeremy Deller, British b.1966- Thank God for Immigrants; Tax Avoidance Kills; Let them eat Bass; three screenprints on paper, the largest: 77 x 105 cm, (unframed) (ARR) (3)

Estim. 8 500 - 17 000 EUR

Max Esser (1885 Barth - 1945 Berlin) "Beaver". Original title Bronze, black-brown patina. Signed "MAX ESSER", foundry mark "GUSS BARTH RINTELN". One of probably only a few examples, cast in 1970 or shortly thereafter by order of the son of the artist Wolfram Esser (1924 - 2013) and his wife Lilli Esser after Esser's original model from 1939 for the Staatliche Porzellanmanufaktur (KPM ) Berlin. The modern sculpture, reduced to the essentials and designed to be dynamic and omnidirectional with a slight rotation of the body, reflects the great creative mastery of the important animal sculptor. Esser had already had a beaver cast in bronze around 1927, which he reworked as a figure for a fountain in 1936/37 and also showed at the Great German Art Exhibition in Munich in 1937; the model of the beaver for the Staatl. Porzellanmanufaktur (KPM) Berlin (model no. 16.149) finally followed in 1939. Max Esser studied from 1900-1903 at the renowned teaching institute of the Kunstgewerbemuseum and at the Kunstakademie in Berlin under August Gaul, who became his father-in-law and had a lasting influence on him. From 1906, Esser exhibited regularly at the major Berlin art exhibitions. From 1908, he worked as a modeller for the Schwarzburger Werkstätten in Unterweißbach; in 1920, he moved to Meissen, where he was employed at the porcelain manufactory until 1931, from 1924 as head of a master studio. He then produced models for the Berlin porcelain manufactory, Rosenthal and Hutschenreuther, among others. In 1937, the figure of an otter from the Meissen manufactory, comparable to a beaver, was awarded a gold medal at the World Exhibition in Paris. Approx. 56 cm x 36 cm x 42 cm. Cf. cat. Große Deutsche Kunstausstellung München 1937, no. 160 ("Biber", bronze); Margarete Jarchow: "Berliner Porzellan im 20. Jahrhundert", p. 293; Tim Gronert: "Porzellan der KPM Berlin", vol. III, pp. 100-101. Black brown patinated bronze. Signed "MAX ESSER", foundry stamp "GUSS BARTH RINTELN". Cast in a small edition, commissioned by the artist's son Wolfram Esser and his wife Lilli Esser in 1970 or shortly after, based on the original model by Max Esser for the State Porcelain Manufactory Berlin (KPM) from 1939.

Estim. 6 750 - 9 000 EUR

Julia Heaney Oil on Canvas Desired to eat, destined to be eaten 36 x 48 in oil on canvas

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