Null Heilmann, Karl
1881 Neustadt/Orla - 1935 Freiburg. Oil/painting board. Melt…

Description

Heilmann, Karl 1881 Neustadt/Orla - 1935 Freiburg. Oil/painting board. Melting snow in the Black Forest with sunny view of the Feldberg. Signed lower left. 22 x 28 cm. (30 x 37 cm). R. Lit.: 1.

912

Heilmann, Karl 1881 Neustadt/Orla - 1935 Freiburg. Oil/painting board. Melting snow in the Black Forest with sunny view of the Feldberg. Signed lower left. 22 x 28 cm. (30 x 37 cm). R. Lit.: 1.

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Estim. 120 - 180 EUR

Hermann Lindenschmit, attr., The Letter Two seated gentlemen at a pub table, one pensively drawing on his pipe, a second, wearing a hat and blue anorak, reading a letter, genre painting with concise brushwork and skilful use of light, probably a preliminary study for a larger painting with an identical motif, cf. L&B Auctions Essen, 23 April 2010, oil on cardboard, early 20th century, on the reverse in lead and on an adhesive label with annotations to the artist, extensive retouching, minor marginal defects due to framing, frame partially gilded and contemporary, folded dimensions approx. 20 x 32 cm. Artist information: actually Karl Heinrich Hermann Lindenschmit, German painter (1857 Frankfurt am Main). Painter (1857 Frankfurt am Main - 1939 Munich), grandson of the painter Wilhelm Lindenschmit the Elder (1806-1848) and son of the painter Wilhelm Ritter von Lindenschmit the Younger (1829-1895), from 1863 childhood and school years in Munich, studied at the Munich Academy from 1875-83 under Alexander Strähuber (1877-78), Ludwig von Löfftz (1878-81) and his father Wilhelm von Lindenschmit (1881-83), travelled to Italy, Tyrol and South Tyrol as well as the Bavarian mountains from 1883-84, Member of the Munich Artists' Cooperative, the "Künstlergruppe 48", the Munich Artists' Exhibition Association and the Reich Association of Visual Artists in Germany, exhibited at the Munich Glaspalast and the Munich Kunstverein from 1883-1930, the Berlin Academy Exhibitions and the Great Berlin Art Exhibitions as well as the Great German Art Exhibition in the House of German Art in Munich in 1937 and 1938, honoured with the Gold Medal of the Munich International Art Exhibition in 1913, active in Munich, source: Thieme-Becker, Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Matrikel der Münchner Akademie, Dressler, Boetticher, Müller-Singer, Bruckmann "Münchner Maler des 19./20th century", Bénézit, Busse, Ries and Internet.

Estim. 80 - 120 EUR

Ernst te Peerdt, Monk Study Monk kneeling in prayer in a summer meadow against a forest backdrop, impasto painting, oil on panel, signed and dated "E. te Peerdt [18]92", remains of seal, number label "737" and handwritten annotations "Ernst te Peerdt 1892" and later artist's address from 1893 "Düsseldorf Gneisenau Str. 12" on the reverse, in gilded frame, folded dimensions approx. 34 x 23.5 cm. Artist information: actually Ernst Carl Friedrich te Peerdt, German painter, writer, artist. Painter, writer, art and painting theorist and monument designer (1852 Tecklenburg to 1932 Düsseldorf), grew up in Wesel, studied 1868-69 at the Düsseldorf academy under Eduard Bendemann, Karl Müller and Andreas Müller, from 1870 in Munich, under the influence of Pál Szinyei Merse turned to impressionist plein air painting, from 1873 further training at the Munich Academy under Ferdinand Piloty and Wilhelm von Dietz, influenced by Wilhelm Leibl, 1874-75 studies at the Berlin Academy under Ludwig Knaus, 1874-79 intermittent member of the Düsseldorf artists' association "Malkasten", 1878-81 study trips to Italy (Venice, Ravenna, Rome, Capri, southern Italy), 1879 in Berlin, 1880 in Wesel, 1881-84 back in Düsseldorf, 1884-92 based in Munich, moved to Düsseldorf in 1893 and worked almost exclusively as a writer until 1905, member of the Düsseldorf artists' group "Sonderbund" from 1909, honorary member in 1911, exhibited at the Dresden, Vienna and Berlin art exhibitions and the Munich Glaspalast, among others, the exhibitions of the Düsseldorf Kunstpalast, the Kunsthalle Düsseldorf, the Cologne Werkbund exhibition and the Kölnischer Kunstverein, 1918 awarded the title of professor by the Prussian Ministry of Culture, from 1919 honorary member of the Düsseldorf artists' group "Das Junge Rheinland", 1925 honorary doctorate from the University of Bonn, 1927 honorary member of the Düsseldorf Academy, source: Thieme-Becker, AKL, Saur "Bio- Bibliographisches Künstlerlexikon", Boetticher, Müller-Singer, Bruckmann "Lexikon der Düsseldorfer Malerschule", Deutsche Biographische Enzyklopädie, Matrikel der Münchner Akademie, Schülerlisten der Düsseldorfer Akademie and Wikipedia.

Estim. 600 - 900 EUR

Claus Bergen, "Teaclipper Nightingale" Depiction of the American cargo sailing ship "Nightingale", built in 1851, which initially sailed between Shanghai and London as a so-called "tea clipper", later it was used as a mail ship, slave ship and finally as a coal and supply ship, slightly impasto marine painting, oil on hardboard, around 1950, signed "Claus Bergen" lower right, unframed, dimensions approx. 32 x 49 cm. Depiction of the American cargo sailing ship "Nightingale", built in 1851, which initially sailed between Shanghai and London as a so-called "tea clipper", later it was used as a mail ship, slave ship and finally as a coal and supply ship, slightly impasto marine painting, oil on hardboard, around 1950, signed "Claus Bergen" lower right, unframed, dimensions approx. 32 x 49 cm. Artist information: German landscape and marine painter and illustrator (1885 Stuttgart - 1964 Lenggries), son of Fritz Bergen, private pupil of Peter Paul Müller, Hans von Bartels, Otto Strützel and Moritz Weinhold, from 1904 studied at the academy in Munich under Carl von Marr, for the Freiburg publishing house Fehsenfeld he produced between 1907-12 approx. 450 illustrations for Karl May, several study visits to Polperro/Cornwall, artistic collaborator for the Illustrierte Zeitung, intensive artistic involvement with the Battle of the Skagerrak, member of the NSDAP from 1922, participated in the Great German Art Exhibition several times, included in the "Gottbegnadeten-Liste" in 1944, sources: Vollmer, registers of the Munich Academy and Wikipedia.

Estim. 80 - 120 EUR

Otto Scheinhammer, Sommerliche Deichlandschaft View along a dyke with trees and a guard's cottage, glazed, partially slightly impasto landscape painting, oil on canvas, c. 1930, signed "Otto Scheinhammer" lower left, in need of cleaning, framed, folded dimensions approx. 64.5 x 74 cm. Artist information: German painter and sculptor (1897 Munich - 1982 Augsburg), initially trained as a carpenter from 1912 and worked in the profession until 1922, 1916-18 military service as an aerial radio operator in WW1, from 1922 self-taught. He studied at the Munich Academy under Karl Johann Becker-Gundahl and Franz Klemmer from 1923-26, travelled to Italy in 1924 with private sponsorship and to Dalmatia in 1925, to Holland in 1926, travelled to Ceylon and Egypt from 1927-29, special exhibition at the International Glass Palace Exhibition in Munich in 1931 and lost 35 works as a result of the Glass Palace fire, after making the acquaintance of a Ceylonese plantation owner, 1927-30 stays in Ceylon and 1932-35 in Egypt with special exhibitions in Colombo and Cairo, 1935 return to Germany, participated in numerous exhibitions in Munich, Cologne, Berlin and Düsseldorf, active in Munich, 1938-44 the Great German Art Exhibition in the House of German Art in Munich, 1940-45 military service in the Second World War, 1944 destruction of the Munich Art Gallery, 1944 destruction of the Munich Art Gallery. World War II, 1944 destruction of the Munich studio in World War 2. World War II, moved to Ammersee in 1946, moved to Augsburg in 1948, travelled to Italy, Spain, Greece and Morocco, member of the Reichsverband Bildender Künstler Deutschlands, the Münchner Künstlergenossenschaft and the Neue Münchner Künstler-Genossenschaft, sources: Thieme-Becker, Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Munich Academy register, Bruckmann "Münchner Maler des 19./20. Jh." and Internet.

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