Null Bing Speisewagen
S1. International Sleeping Car Company. Removable roof. (P…
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Bing Speisewagen S1. International Sleeping Car Company. Removable roof. (Paint damage). L. 32 cm.

334 

Bing Speisewagen S1. International Sleeping Car Company. Removable roof. (Paint damage). L. 32 cm.

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Set of 4 studies on Balzac: Jean Paris, Balzac. Paris, Balland, 1986, 356p, paperback. Léon Levrault, Le Roman (évolution du genre). Paris; Delaplane, sd, 118p, paperback. Ferdinand Brunetière, Honoré de Balzac. Nelson, 1907, 283p, half-basane with corners, spines rubbed. Joelle Gleize, Honoré de Balzac - bilan critique. Paris, Nathan, 1994, 128p, paperback. Set of 5 studies on Balzac, published by GIRB (Groupe International de Recherches Balzaciennes): Balzac et la crise des identités. Edited by Emmanuelle Cullmann, José-Louis Diaz, Boris Lyon-Caen. 2005, 197p. Balzac avant Balzac. Edited by Claire Barel-Moisan and José-Luis Diaz. 2006, 197p. Balzac et le politique. Edited by Boris Lyon-Caen and Marie-Ève Thérenty. 2007, 235p. Balzac, l'aventure analytique. Edited by Claire Barel-Moisan and Christèle Couleau. 2009, 272p. Thinking with Balzac. Edited by José-Luis Diza and Isabelle Tournier. 2003, 350p. Paperback set, soft covers. New condition. Set of 8 studies on Balzac: Olli Vâlikangas, Les termes d'appellation et d'interpellation dans la Comédie humaine d'Honoré de Balzac. Helsinki, Société néophilologique, 1965. Lucien Maury, Opinions sociales et politiques de Balzac. Paris, Stock, 1941. F Vial & L Denise, Idées et doctrines littéraires du XIXe. Paris, Delagrave, 1918. Comte de Gobineau, Etudes critiques (1841-1848). Paris, Kra, 1927. Exemplaire HC sur rives. Georges Grappe, Dans le jardin de Sainte-Beuve. Paris, Jonquière, 1929. N°115 on riverbanks. Ramon Fernandez, Balzac. Paris, Stock, 1943. Hélène Altszyler, La Genèse et le plan des caractères dans l'oeuvre de Balzac. Paris, Alcan, 1928. Andrew Oliver & Stéphane Vachon, Réflexions sur l'autoréflexivité balzacienne. Center d'études du XIXe siècle, 2002.

JAUME PLENSA (Barcelona, 1955). "Estellés", 2017. Artist's book (homage to the poet Vicent Andrés Estellés). The book consists of an etching, twenty-three diptychs and six triptychs on handmade paper accompanied by six copper transparencies. These six pieces can be assembled as a sculptural set. In copper case designed by Jaume Plensa. Exemplary 734/999 copies Signed and numbered. Numbered copper box with Jaume Plensa's signature laser engraved. Publisher: Enciclopèdia Art, Barcelona. Deluxe edition. Measurements: 38.9 x 28.3 x 6.9 cm (copper case); 38.5 x 28 x 6.4 cm (cardboard case lined with black cloth); 25.5 x 35 cm (each engraving); 22.5 x 32 cm (copper transparencies). This Artist's Book is a tribute to the poet Vicent Andrés Estellés. Deluxe edition. The book consists of one etching, twenty-three diptychs and six triptychs on handmade paper accompanied by six copper transparencies. The book is presented in a copper case designed by Jaume Plensa. Diptychs and triptychs: texts printed with metallic magnesium etching on 120 gr. handmade paper, made of cotton and eucalyptus fibers. Etching based on Jaume Plensa's drawing, on 300gr handmade paper by Molí Paperer de Ca l'Oliver, made of cotton and eucalyptus fibers. Jaume Plensa studied at the Escuela de La Llotja and the Superior de Bellas Artes de Sant Jordi, both in Barcelona. He excelled in sculpture, drawing and engraving. His work focuses on the relationship between man and his environment, often questioning the role of art in society and the position of the artist. He currently lives in Paris, and has recently been awarded an honorary doctorate degree by the School of the Art Institute of Chicago. Plensa began his career working with wrought iron mixed with polyester. Between 1983 and 1984 he began to mold iron with the casting technique, and developed a sculptural concept based on zoomorphic elements. His work evolved gradually, and he is now considered a precursor of Spanish neo-expressionism. In the nineties he introduced modifications in his work, both materially and formally, and began to use different materials such as scrap metal, polyester and resins. During these years he elaborated series of walls, doors and architectural constructions, seeking to give space an absolute protagonism. Between 1999 and 2003 Plensa became one of the pillars of world scenography, reinterpreting with "La Fura dels Baus" four classical operas by Falla, Debussy, Berlioz and Mozart, and alone a contemporary theatrical production, "La pareti della solitudine", by Ben Jelloun. He has had solo and group exhibitions all over the world, including a retrospective at the Museo Nacional Centro de Arte Reina Sofía in 2000. In June 2008 he inaugurated in London, at the BBC headquarters, his work "Breathing", a monument dedicated to journalists killed in the exercise of their profession. Throughout his career he has received numerous distinctions, such as the Medal of the Knights of Arts and Letters in 1993, awarded by the French Ministry of Culture, or the National Prize for Plastic Arts in 1997, from the Generalitat of Catalonia. Considered one of the leading representatives of the new Spanish art of expressionist tendency, his work is present in the best national and international galleries and art fairs, as well as in the main museums of Europe and the United States, such as the MOMA in New York, the Kemper in Kansas, the Museo Patio Herreriano in Valladolid, the Palazzo Forti in Verona, the MACBA or the Museo Reina Sofía in Madrid.