SANS RESERVE
BAGUE POMPON
En or gris, ornée de perles de topazes bleues facettée…

Description

SANS RESERVE BAGUE POMPON En or gris, ornée de perles de topazes bleues facettées en goutte, de perles de turquoises serties clos d'un petit diamant, et d'une boule pavée de diamants. L'anneau souligné d'onyx. TDD : 54 ; US : 7 (non modifiable). A diamond, 18k gold, blue topaz, turquoise and onyx ring. RC : Poids brut : 38,5 g (18k - 750, dispensé de marque).

308

SANS RESERVE BAGUE POMPON En or gris, ornée de perles de topazes bleues facettées en goutte, de perles de turquoises serties clos d'un petit diamant, et d'une boule pavée de diamants. L'anneau souligné d'onyx. TDD : 54 ; US : 7 (non modifiable). A diamond, 18k gold, blue topaz, turquoise and onyx ring. RC : Poids brut : 38,5 g (18k - 750, dispensé de marque).

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Estim. 200 - 400 EUR

Steve Jobs 1992 NeXTWORLD Expo 'Keynote Presentation' VHS Cassette Tape Uncommon VHS cassette tape of Steve Jobs’s historic keynote presentation at the inaugural NeXTWORLD Expo, which was held at San Francisco's Civic Auditorium and Brooks Hall on January 22-24, 1992. On the second day, Jobs thrilled attendees when he demoed NeXTSTEP Release 3, NeXT's modern operating system and developer platform, and introduced improved NeXTstation systems scheduled for release in 1992. The tape’s label reads: “Steve Jobs / Keynote Presentation / NeXTWORLD Expo, 1/23/92 / 1992 NeXT Computer, Inc. / All rights reserved / 1M4901 / 1:50:49.” Includes its original paper slipcase, which bears wear and stains. In fine condition. Having resigned from Apple in the fall of 1985, Jobs founded the innovative NeXT project, a computer and software company aimed at the markets of business and higher education. The first NeXT Computer was introduced in 1988, and then the smaller NeXTstation two years later. While computers encountered subpar sales, the NeXTSTEP operating system and development environment proved highly influential. Apple purchased NeXT in 1997 for $429 million and 1.5 million shares of Apple stock, with Jobs, as part of the agreement, returning to the company he had co-founded in 1976.

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LAOS Beautiful feminine costume consisting of a full sarong skirt, jacket and bag. The thick, indigo-dyed cotton skirt, sewn at the ends, features a reserve (batik) decoration of latticework that stands out in lighter blue against the background (77 x 130). The small indigo jacket in thick indigo-dyed cotton with stand-up collar is darker in color; it closes with a flap on the right side by two cotton ligatures, appliqué decoration with printed fabric patches (collar, trim). On the shoulder bag in cotton and fiber, appliqués, woven stripes (red, indigo) and light pink wool pompons (66 x 37 flat). Phunoi population, Phongsaly region, in Phongsaly, Northern Laos. n°621

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DANIEL VÁZQUEZ DÍAZ (Nerva, Huelva, 1882 - Madrid, 1969). "The bathers". Oil on canvas. Signed in the lower right margin. Measurements: 57,5 x 68,5 cm; 70 x 82 cm (frame). This painting belongs to the Parisian stage of Daniel Vázquez Díaz, initial period of his career in which he knows the main protagonists of the avant-garde. However, he remains faithful to himself. He seeks his own heartbeat in the reality that surrounds him. The joy of living, the sensuality of young bodies harmonizing with nature, are themes that interest him at that time because they express his own feelings. The bathers by the river of crystalline waters have been resolved with a precise drawing, conjugated with luminous ranges. Daniel Vázquez Díaz began to paint in his student years, after discovering the work of Zurbarán and El Greco. In 1903 he moved to Madrid to focus on painting and copy the masters of the Prado, and there he became friends with Juan Gris, Solana and Dario de Regoyos. Three years later he settled in Paris, where he worked with the sculptor Antoine Bourdelle and met Picasso, Braque, Modigliani and Max Jacob, among others, and assimilated a certain avant-garde spirit. During these years he began to develop his personal style, which mixed the constructive brushstrokes of Cézanne with the geometric structure and planes of cubism. Upon his return to Spain in 1918, he began teaching, first in his studio and later at the San Fernando School of Fine Arts, where he obtained the chair of mural painting in 1932. Through his classes, Vázquez Díaz will spread a cubism of architectural monumentality, and that serves as a bridge to the young artists with the trends that were developing in the rest of Europe. In addition to being an excellent landscape painter, Vázquez Díaz stood out as an illustrator and portraitist of some of the most important figures of his time. Among his mural works, it is worth mentioning those made for the monastery of La Rábida in Huelva, between 1927 and 1930, which consecrated him as a painter. In 1968, a year before his death, he was appointed member of the Academy of San Fernando. He is currently represented in the Reina Sofía National Museum, the museum that bears his name in Nerva, the Patio Herreriano in Valladolid, the Telefónica Foundation and the Fine Arts Museums of Bilbao and Seville, among others.

Starting price 120 EUR

Arman ARMAN Spells & Gris-Gris, 2002 Original lithograph signed in pencil by the artist, justified HC and numbered Dimensions: 33 x 24 cm Edition: 114 copies (99 copies numbered I/IC to IC/IC and 15 copies numbered HC 1/15 to HC 15/15, reserved for the artist). Mandatory shipping, up to 5 lithographs in your parcel for €14.76 incl. VAT in Metropolitan France, and €29.64 incl. VAT for Europe (shipping insurance not included, see CGE).

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