Null Zuckerzange / Silver sugar tongs, UDSSR, nach 1958
Material: Silver 875/000…

Description

Zuckerzange / Silver sugar tongs, UDSSR, nach 1958 Material: Silver 875/000, gold-plated on the inside, Hallmark: Star with sickle and 875, cyrillic mark, Decoration: simple, straight design, Length: 11 cm, Weight: 38 g, Condition: good, used

613094

Zuckerzange / Silver sugar tongs, UDSSR, nach 1958 Material: Silver 875/000, gold-plated on the inside, Hallmark: Star with sickle and 875, cyrillic mark, Decoration: simple, straight design, Length: 11 cm, Weight: 38 g, Condition: good, used

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Starting price 300 EUR

Sammlung von 120 Original-Photographien mit architektonischen Aufnahmen von Berlin. 1957-1958. Vintages, Silbergelatine. Maße je ca. 8 x 8,5 cm. Je 4-6 Photographien auf losen Kartonseiten kaschiert. Berlin Sammlung von 120 Original-Photographien mit architektonischen Aufnahmen von Berlin. 1957-1958. Vintages, Silbergelatine. Maße je ca. 8 x 8,5 cm. Je 4-6 Photographien auf losen Kartonseiten kaschiert. Sammlung eines äußerst versierten Amateurphotographen mit zahlreichen architektonischen Aufnahmen von Berlin in den 1950er-Jahren. Enthält Ansichten des Flughafens Tempelhof, Gedächtniskirche, Bahnhof Zoo, Zoologischer Garten, Kurfürstendamm, Hansa-Viertel, Kaiser-Friedrich-Gedächtniskirche, Oscar-Niemeyer-Haus, Kirche St. Canisius und Kongresshalle (Haus der Kulturen der Welt). Auf den Kartons mit einem oder mehreren typographischen Schildern, die die Photographien textlich begleiten. - Einige wenige etwas fleckig. Insgesamt äußerst wohlerhalten, sehr kontrastreiche Abzüge. Interessante Sammlung zu Berliner Nachkriegs-Architektur. Berlin - Collection of 120 original photographs with architectural images of Berlin. 1957-1958. Vintages, silver gelatine. Mounted in 4-6 photographs on loose cardboard pages. - Collection of an extremely accomplished amateur photographer with numerous architectural photographs of Berlin in the 1950s. Includes views of see above. With one or more typographical labels on the cartons accompanying the photographs. - A very few somewhat stained. Overall extremely well-preserved, very high-contrast prints. Interesting collection on post-war Berlin architecture.

Starting price 200 EUR

Sammlung von über 100 Presse-Photos von Ausstellungen dänischer Produkte in Großbritannien. 1950er und 1960er-Jahre. Verschiedene Techniken, überwiegend Silbergelatine. Maße von 16 x 11,5 cm bis 29,5 x 23 cm. Verso mit verschiedenen Copyright Stempeln. Großbritannien - Schottland - Dänemark Sammlung von über 100 Presse-Photos von Ausstellungen dänischer Produkte in Großbritannien. 1950er und 1960er-Jahre. Verschiedene Techniken, überwiegend Silbergelatine. Maße von 16 x 11,5 cm bis 29,5 x 23 cm. Verso mit verschiedenen Copyright Stempeln. Enthält u.a. Aufnahmen der Scotland Food Exhibition (u.a. 1964 und 1965) und der British Food Fair (u.a. 1954 und 1958). Dabei Bilder der Eröffnung der dänischen Sektion, zahlreiche Abbildungen der Stände, Besucher und geladene Persönlichkeiten bei der Verköstigung etc. - Verso mit Stempeln verschiedener britischer Photographen bzw. Presse-Agenturen, darunter: Keystone Press, Fox Photos, Francis Thompson Ltd., London News Agency, A.G. Ingram Ltd. (Edinburgh), Veever's Photo Press (Leeds), Studio Swain (Glasgow), Caters Photographic (Birmingham). - Teils mit leichten Gebrauchsspuren. Einige wenige mit Defekten. Insgesamt sehr gut erhalten. - Dabei: Eine Einladung zu der Ausstellung "From Denmark with Profit" in Cardiff, ohne Datum. Great Britain - Scotland - Denmark - Collection of over 100 press photos from exhibitions of Danish products in Great Britain. 1950s and 1960s. Various techniques, mainly silver gelatin. With various copyright stamps on verso. - Contains, among others, photographs of the Scotland Food Exhibition (e.g. 1964 and 1965) and the British Food Fair (e.g. 1954 and 1958). Including images of the opening of the Danish section, numerous images of the stands, visitors and invited personalities at the tasting, etc. - With stamps of various British photographers and press agencies on verso, including: Keystone Press, Fox Photos, Francis Thompson Ltd, London News Agency, A.G. Ingram Ltd (Edinburgh), Veever's Photo Press (Leeds), Studio Swain (Glasgow), Caters Photographic (Birmingham). - Some with slight signs of use. A few with defects. Overall very well preserved. - Included: An invitation to the exhibition "From Denmark with Profit" in Cardiff, no date.

Starting price 350 EUR

Stöcker, AlexSammlung von zwei Original-Photographien. 1928 u. 1931. Vintages, Silbergelatine. Maße je 16,5 x 12 cm. Verso je mit Copyright-Stempel und montiertem, typographischen Etikett. Luftfahrt Stöcker, Alex Sammlung von zwei Original-Photographien. 1928 u. 1931. Vintages, Silbergelatine. Maße je 16,5 x 12 cm. Verso je mit Copyright-Stempel und montiertem, typographischen Etikett. Enthält: Rhönsegelflug 1928. Zeigt wie versucht wird, das Flugzeug, nachdem es beim Start wieder zu Boden sinkt, erneut in die Höhe zu leiten. - Deutschlandflug. August 1931. Zeigt die Brüder Hellmuth und Wolf Hirth, beides Flugpioniere. - Eines mit leichtem Materialverlust im oberen und rechten Rand. Das andere mit minimalen Aussilberungen. Insgesamt sehr gut. Aviation - Collection of two original photographs. Vintages, silver gelatin. Each with copyright stamp and mounted typographic label on verso. - Contains: Rhön gliding flight 1928, showing how an attempt is made to guide the aircraft upwards again after it has sunk to the ground during take-off. - Deutschlandflug. August 1931. Shows the brothers Hellmuth and Wolf Hirth, both aviation pioneers. - One with slight loss of material in upper and right margin. The other with minimal silvering out. Overall very well preserved.

Estim. 4 000 - 5 000 EUR

JOSEP GUINOVART (Barcelona, 1927 - 2007). Untitled, 1977. Oil and collage on uralite. Signed and dated on the lower left. Measurements: 105 x 114 x 9 cm. Josep Guinovart was a born experimenter with forms, textures, supports and languages. This is evident in this composition in which the play of waves in the material is used by the artist to emphasise the effect of collage and fragmentary figures (a head, the wounded body of a bull...) The forms seem to compose and decompose themselves between blinks of an eye, in an orchestrated composition that appeals to the surrounding space. Josep Guinovart trained at the Escuela de Maestros Pintores, at the Escuela de Artes y Oficios and in the classes of the FAD. He had his first solo exhibition at the Syra galleries in Barcelona in 1948. He soon acquired solid prestige, collaborated with Dau al Set and took part in the October, Jazz and Eleven Salons. In the 1950s, thanks to a grant, he lived in Paris, where he became deeply acquainted with the work of Cézanne and Matisse, who, together with Miró and Gaudí, were to be his most important influences. In 1955, together with Aleu, Cuixart, Muxart, Mercadé, Tàpies and Tharrats, he formed the Taüll group, which brought together the avant-garde artists of the time. Around 1957 he began an informalist and abstract tendency, with a strong material presence both through the incorporation of various elements and objects (burnt wood, boxes, discarded objects) and through the application of techniques such as collage and assemblage. From the 1960s onwards he moved away from the poetics of Informalism and began to produce works full of signs and gestures, which contain a strong expressive charge in the lines and colours. During the 1970s he systematically used materials such as sand, earth, clay, straw and fibre cement, and in the following decade he focused on experimenting with the three-dimensional projection of his works, which took the form of the creation of environments or spatial settings such as the one entitled Contorn-extorn (1978). Guinovart's artistic output is very varied: mural paintings, theatre sets and scenographies, such as the one made for Federico García Lorca's Blood Wedding, book illustrations, poster design, tapestries and sculptures. He took part in the Biennials of São Paulo (1952 and 1957), Alexandria (1955) and Venice (1958, 1962 and 1982), and his prizes include the City of Barcelona in 1981, the National Plastic Arts Prize in 1990 and the Generalitat's Plastic Arts Prize in 1990. In 1994 the Espai Guinovart, a private foundation with a permanent exhibition of the artist's work, was opened in Agramunt, Lérida. He is represented in the Museums of Contemporary Art in Barcelona, Madrid and Mexico City, the Museum of Open Air Sculpture in Santa Cruz de Tenerife, the Museo Nacional Centro de Arte Reina Sofía, the Museo de Bellas Artes in Bilbao, the Museo San Telmo in San Sebastián, the Museo Eusebio Sempere in Alicante, the Museo de Navarra in Tafalla, the Casa de las Américas in Havana, the Bocchum Museum in Germany, the Museo de Bellas Artes in Long Island, New York, and the Museo Patio Herreriano in Valladolid.

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