Schnurbart-Lockenwickler auf Presentoir mit Petroliumbrenner, Heinrich Schaching…

Description

Schnurbart-Lockenwickler auf Presentoir mit Petroliumbrenner, Heinrich Schachinger, Wien, nach 1867 Material: Silver 800/000, wooden handles, Hallmark: Diana head, master's mark, Dimensions: tray 16 x 7.5 cm, curler 23.5 cm, Weight: total 291 g, Condition: good, Cf: Neuwirth, Vol. III, VIII-2-52a.

610094

Schnurbart-Lockenwickler auf Presentoir mit Petroliumbrenner

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Estim. 50 - 75 EUR

Luigi Kasimir, "Burg Wildegg" View of the rock castle surrounded by trees and located south of Vienna, picturesque-looking print, colour etching, around 1930, signed "Luigi Kasimir" in pencil below the image on the right, slightly browned, matted and framed behind glass, dimensions approx. 29.5 x 28.5 cm. Artist information: actually Luigi Alois Heinrich Kasimir, Austrian painter and graphic artist (1881 Pettau - 1962 Vienna), son of the painter Alois Kasimir, early support from the drawing professor at the Graz University of Technology Heinrich Bank, studied 1900-05 at the Vienna Academy under William Unger and Sigmund L'Allemand, 1906-07 at the Graphische Lehr- und Versuchsanstalt in Vienna and at the Kunstgewerbeschule Graz under Leo Diet, appointed professor by Emperor Franz-Joseph, received numerous honours, including the State Prize in 1910, the Golden and Silver Medal of the City of Graz, member of the Cooperative of Visual Artists of Styria, active in Vienna, source: Thieme-Becker, Vollmer, Saur Bio-Bibliographisches Künstlerlexikon", AKL, Dressler and Wikipedia.

Estim. 120 - 180 EUR

Franz Jung-Isenheim, "Höhlenbär" Scarcely clad prehistoric man encountering a brown bear in front of his cave, mixed media (gouache and watercolour over pencil preparatory drawing) on card, c. 1940, titled "Höhlenbär" (cave bear) lower right and partly signed in ligature "FR Jung-Ilsenheim", tiny losses of colour in places, unframed, dimensions approx. 25 x 31 cm. Artist information: actually Franz Xaver Jung, Austrian hunting and landscape painter, theatre painter, steel cutter, illustrator and postcard designer (1883 Vienna-Hietzing to 1963 Salzburg), initially trained as a hairdresser, early interest in painting, finally studied at the Vienna Academy under Heinrich Streblow, first exhibition of his works in 1910 at the international hunting exhibition in Vienna, active in Seitenstetten in Lower Austria around 1913, worked as a theatre painter in one of the largest theatre painter workshops in Vienna, in the 1st World War as a war painter for illustration. During the First World War, he worked as a war painter illustrating the multi-volume work "Ehrenhalle der k.k. Landwehr, the k.k. Landsturm and the k.k. In 1919 he moved to Steyr, where he learnt the art of steel cutting and spent a year as an assistant in the master studio for steel cutting under Prof. Michael Blümelhuber. Michael Blümelhuber, then professor and drawing teacher at the Steyr Girls' Lyceum and freelance artist, moved to Salzburg in 1924 and worked at Schloss Elsenheim, henceforth called himself "Franz Jung-Elsenheim", which he soon changed to "Jung-Ilsenheim", temporarily worked with the "Wia" artists' card publisher Teplitz-Schönau, member of the Salzburg Artists' Association and the Salzburg association Schlaraffia Juvavia (as a member of which he was nicknamed: "Lug to the Land of the Colourful" and "Knight of the Blue Flower", which is why he signed some of his works "Luginsland-Juvavia" and "Lugland" respectively). "Lugland"), moved to Berlin in 1937 and participated as a painter and artistic designer in the "Great International Hunting Exhibition", returned to Salzburg in 1941, source: Saur "Bio-Bibliographisches Künstlerlexikon", Fuchs, Info der Stadt Salzburg and Wikipedia.

Estim. 1 200 - 1 800 EUR

Emil Strecker, "Junge spielt mit Kind" stille Winkel am Haus mit sitzendem Jungen in Holzpantinen, mit einem Kleinkind Triangel spielen, poetic, glazed, partially slightly impasto genre painting, oil on canvas, signed, inscribed and dated lower left "E. Strecker Df. [Düsseldorf] 1877", various old labels verso, some with biographical annotations such as "Van Emil Strecker, 54 x 66 cm." and "Emil Strecker, Junge spielt mit Kind ...", professionally cleaned, closed losses, somewhat restored and relined, framed in beautiful oak moulding with gold inlay and brass frame label "Emil Strecker", rebate dimensions approx. 66 x 54.5 cm. Artist information: actually Emil Ludwig Strecker, erroneously Strecher, German-Austrian genreAustrian genre, architecture and landscape painter and sculptor (1841 Dresden to 1924 or 1925 Dürnstein), studied at the Dresden Academy from 1855-66, initially sculpting under Ernst Julius Hähnel from 1859, at the same time studying painting under Ludwig Richter, honoured with the Saxon State Prize and a trip to Rome in 1866 for his sculptural work, 1867-69 in Italy, where he mainly worked as a painter, 1870-76 studied at the Düsseldorf Academy under Julius Roeting, Hermann Wislicenus and Wilhelm Sohn, 1875-81 member of the Düsseldorf artists' association "Malkasten", 1883 moved to Vienna, where he trained under Heinrich von Angeli and worked as a freelance artist, from 1884 member of the Vienna Künstlerhaus [official: Genossenschaft bildender Künstler Wiens], from 1900 member of the Hagenbund, finally active in Dürnstein, 1919 founder of the Wachauer Künstlerbund and its honorary president, honorary citizen of Dürnstein, 1904 honoured with the small Golden State Medal, attended exhibitions in Dresden, Düsseldorf, Berlin, Hanover, Vienna and Munich, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", student lists of the Dresden and Düsseldorf academies, ÖBL, Boetticher, Müller-Singer, Seubert, Dressler, Bruckmann "Lexikon der Düsseldorfer Malerschule", Fuchs and Wikipedia.

Estim. 100 - 150 EUR

Almanach. Taschenbuch für das Jahr 1834. Vienna, Heinrich Buchholz, 1834. In-24 (10.3 x 6.7 mm) of 12 ff. n. ch., 132 pp. pink cardboard decorated with embossed floral decoration, black fillet framing the boards, mirror (cracked) on the front cover, gilt edges, cardboard slipcase covered with red and black cat's eye paper (publisher's binding). Viennese Almanac including a frontispiece depicting Eleonora of Nevers-Mantua, stipple-engraved by Krepp after Mezler, 6 color fashion engravings and 6 black figures. Calendar printed in red and black. Spine rebacked, otherwise a fine copy.

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