Null Thangka Kalachakra Mandala, Tibet, 20. Jh.
Technique: fine painting on canv…

Description

Thangka Kalachakra Mandala, Tibet, 20. Jh. Technique: fine painting on canvas, behind glass, framed, Dimensions: 75 x 51.5 cm, frame 80 x 56.5 cm, Condition: good

564394

Thangka Kalachakra Mandala, Tibet, 20. Jh. Technique: fine painting on canvas, behind glass, framed, Dimensions: 75 x 51.5 cm, frame 80 x 56.5 cm, Condition: good

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Estim. 500 - 600 EUR

Tibetan thangka, 19th century. "The wheel of life". Mixed technique on fabric. It has slight flaws in the paint and wear on the side borders. Measurements: 71 x 51 cm.; 81 x 61 cm. (frame). Tibetan thangka with representation of the wheel of life or mandala, with representation of Indo-Buddhist divinities. The thangka is a type of Tibetan painting used by Buddhists for meditation, also known as “walking temples” due to the nomadic life of the Tibetans and considered one of the best expressions of Tibetan art. Buddhism maintains that there are Six Realms of Samsara or Existence in which consciousness is confined in a cycle of successive births from which it only emerges when it reaches Enlightenment.

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19th century Tibetan thangka. "Padmasambhava and consorts." Mixed technique on fabric. It has slight flaws in the paint and wear on the side borders. Measurements: 75 x 53 cm; 80 x 61 cm (frame). Thangka with the representation of Padmasambhava, from Tibet. Padmasambhava was the great Buddhist teacher of Uddiyana, in present-day Pakistan, introducer of Buddhism in Tibet during the 8th century AD. He is depicted flanked by his two wives, the Bengali princess Mandarava (right) and the Tibetan Yeshe Tshogyal (left). In the background, a landscape with small villages has been represented. Tibetan thangkas are Buddhist banners, painted or embroidered on silk, other fabrics or paper, which can be rolled. They were hung in monasteries and family altars, and occasionally carried by monks in religious processions. Originally, thangka paintings became popular among itinerant monks, as scroll paintings were easy to transport from one monastery to another. They were also important teaching instruments, as they showed scenes from the life of Buddha, prominent lamas and bodhisattvas.

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Thangka. Tibet, 19th century. Mixed technique on fabric. The wooden frame has some Chips. It has slight flaws in the paint and wear. Measurements: 84 x 59 cm; 92 x 61 cm (frame). Tibetan thangka with a central representation of a boddhisattva surrounded by a rich genealogy of worshipers. The central figure could be Padmasambhava, the great Buddhist teacher of Uddiyana, in present-day Pakistan, introducer of Buddhism in Tibet during the 8th century AD. Tibetan thangkas are Buddhist banners, painted or embroidered on silk, other fabrics or paper, which can be rolled. They were hung in monasteries and family altars, and occasionally carried by monks in religious processions. Originally, thangka paintings became popular among itinerant monks, as scroll paintings were easy to transport from one monastery to another. They were also important teaching instruments, as they showed scenes from the life of Buddha, prominent lamas and bodhisattvas.

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Tibetan Thangka of the 19th century. "Padmasambhava and consorts". Oil on canvas. The canvas is damaged. Measurements: 100 x 75 cm; 111 x 85 cm (frame). Thangka with the representation of Padmasambhava, from Tibet. Padmasambhava was the great Buddhist master of Uddiyana, in the present Pakistan, introducer of Buddhism in Tibet during the VIII century AD. He is depicted flanked by his two wives, the Bengali princess Mandarava (right) and the Tibetan Yeshe Tshogyal (left). In the background, a landscape with small villages has been depicted. Tibetan thangkas are Buddhist banners, painted or embroidered on silk, other fabrics or paper, which can be rolled up. They were hung in monasteries and family altars, and occasionally carried by monks in religious processions. Originally, thangka paintings were popular with itinerant monks, as scroll paintings were easy to transport from one monastery to another. They were also important teaching tools, depicting scenes from the life of the Buddha, prominent lamas and bodhisattvas.

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