Null Impressionistische Gartenszenerie / Impressionistic garden scenery, Turri, …

Description

Impressionistische Gartenszenerie / Impressionistic garden scenery, Turri, Italien, 1. Hälfte 20. Jh. Technique: Oil on canvas, later frame, Mark/signature: Turri, gallery certificate on the reverse, Dimensions: 40 x 50 cm, frame 55.5 x 65.5 cm, Condition: good

403394

Impressionistische Gartenszenerie / Impressionistic garden scenery, Turri, Italien, 1. Hälfte 20. Jh. Technique: Oil on canvas, later frame, Mark/signature: Turri, gallery certificate on the reverse, Dimensions: 40 x 50 cm, frame 55.5 x 65.5 cm, Condition: good

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Estim. 280 - 420 EUR

Max Merker, "Walkmühle bei Weimar" View of the Walkmühle situated on the Ilm on a spring day, exceptionally fine landscape painting, in the skilful depiction oscillating between naturalistic and impressionistic conception, this work is on a par with those of Adolf Lin, Carl Arp, Paul Baum or Paul Wilhelm Tübbecke, the Walkmühle near Oberweimar was first mentioned in a document in 1252, making it one of the oldest mills in Thuringia. Today it is home to the KGC 66 Weimar e. V. canoe club.V., Oil on canvas, c. 1920, signed "M. Merker" lower left, inscribed in lead on the reverse of the frame "Max Merker Weimar, Gartenstr. 21" and titled "Walkmühle bei Oberweimar", labelled again in ink with the same inscription, fragment of label on the stretcher "Thüringer Ausstellungsverein bildender Künstler. Zentrale Weimar.", in original condition, somewhat in need of cleaning, framed in attractive shellac moulding of the period, folding dimensions approx. 81.5 x 65.5 cm. Artist information; German painter and graphic artist (1861 Weimar to 1928 Weimar), 1881-89 studied at the Weimar art school under Alexander Struys and Woldemar Friedrich, 1886-89 master student under Theodor Hagen, travelled to Italy (including Rome, Capri and Sicily), participated in the Berlin academy exhibitions, member of the Allgemeine Deutsche Kunstgenossenschaft, the Freie Vereinigung Weimarischer Künstler and the Thüringer Ausstellerverband Bildender Künstler, active in Weimar, sources: Thieme-Becker, Scheidig "Die Weimarer Malerschule", Boetticher, Dressler, Saur, Müller-Singer, catalogues of the Berlin academy exhibition and Wikipedia.

Estim. 180 - 270 EUR

Gertrud Fredrich, Steg am Wasser wide summer lakeside landscape with jetty in the silted shore, impasto, impressionistic landscape painting with characterful brushstroke, partly in spatula technique, oil on canvas, around 1900, signed and probably indistinctly dated lower right "G. Fredrich ...", craquelure, old tear closed, retouching, somewhat in need of cleaning, frame and stretcher woodworm stained, originally framed, rebate dimensions approx. 46.5 x 48 cm. wide summer lakeside landscape with jetty in the silted shore, impasto, impressionistic landscape painting with characterful brushstroke, partly in spatula technique, oil on canvas, around 1900, signed and probably indistinctly dated lower right "G. Fredrich ...", craquelure, old tear closed, retouching, somewhat in need of cleaning, frame and stretcher woodworm stained, originally framed, rebate dimensions approx. 46.5 x 48 cm. Artist info: erroneously also Gertrud Frederich, German painter, colour woodcut artist and graphic artist (1874 Lissa in Posen [Polish: Leszno] to 1963 Berlin?), studied at the Königliche Kunstschule Berlin, further training with Lovis Corinth, Käthe Kollwitz and Martin Brandenburg, socialised in the circle of the Berlin artists' association "Vereinigung der XI" and the Berlin Secession, undertook study trips to Bavaria and Italy, 1902 on Sylt, 1915-63 member and 1927 and 1933 board member of the Verein der Künstlerinnen zu Berlin, whose exhibitions she organised 1918-58, member of the Freie Vereinigung der Graphiker zu Berlin, the Reichsverband bildender Künstler Deutschlands and the Schleswig-Holsteinische Künstlergesellschaft, organised the Große Berliner Kunstausstellung, active in Berlin-Schöneberg, mentioned in Eisenach in 1921, due to the war 1943-53 in Ballenstedt am Harz, later back in Berlin, source: Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, files of the Reichskammer der bildenden Künste Berlin, Wolff-Thomsen and "Käthe, Paula und der ganze Rest".

Estim. 1 800 - 2 700 EUR

Anshelm Schultzberg, Mondnacht Nightly rocky summer landscape with birch trees by the lake in the moonlight, atmospheric impressionist nocturne, mixed media (oil and chalk) on coarse canvas, signed and indistinctly dated lower right "A. Schultzberg 1908", various indistinctly legible, partially fragmentary labels and annotations to the reverse of the stretcher and inscribed "Schultzberg Hälsinggården 1908" to the canvas, backed losses to the canvas, slightly restored, somewhat in need of cleaning, framed in a magnificent gilt stucco frame (traces of age) with brass frame label "Anshelm Schultzberg 1862-1945", folded dimensions approx. 112 x 150 cm. Artist information: actually Anshelm Leonard Schultzberg, Swedish landscape painter (1862 Falun/Bergslagen to 1945 Stockholm), 1881-82 pupil of Edvard Perséus in Stockholm, studied at the Stockholm Academy 1882-86, with scholarship from the Stockholm Academy 1889-90 study visit to Paris, here pupil of Fernand Cormon, 1891-92 study trip to Italy with scholarship from the Stockholm Academy, from 1900 member of the Stockholm Academy, attended the 1904 St. Louis World's Fair in the USA, from 1920 President of the Stockholm Academy, from 1920 President of the Stockholm Academy, from 1904 member of the Stockholm Academy. Louis in the USA in 1904, president of the Association of Swedish Artists from 1920, active in Stockholm, source: Thieme-Becker, Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon" and English Wikipedia.

Estim. 1 500 - 2 000 EUR

Italy - GODBY (James) & BUONAIUTI (B. Serafino). Italian scenery; representing the manners, customs, and amusements of the different states of Italy. London, Thomas McLean (Howlett & Brimmer, Columbian Press), 1823. In-folio (35.5 x 26 cm) of 45 ff. n. ch., plum long-grained morocco, wide gilt and cold-rolled bands framing the boards, spine with 4 false nerves, gilt title, fine inner border, gilt edges (English binding of the period). Second edition of this rare suite of 32 aquatint-engraved plates by James Godby after drawings by van Lerberghi (picturesque scenes) + one music plate. The plates still bear Edward Orme's address and the date 1806, and may be a first edition. Explanatory text by Buonaiuti in English and French. Restorations, edges rubbed, first few pages partially detached, otherwise a fine copy in contemporary English binding. (For the first edition: Brunet, II, col. 1639; Colas, no. 2970).

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