Null bonbonnière "fennec" by edouard marcel Sandoz porcelain maker Théodore Havi…

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bonbonnière "fennec" by edouard marcel Sandoz porcelain maker Théodore Haviland 1920

156

bonbonnière "fennec" by edouard marcel Sandoz porcelain maker Théodore Haviland 1920

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Estim. 10 - 20 EUR

[autographs] Lot of approx. 52 L.A.S. (and a few miscellaneous documents) addressed to the Porcher-Prudhommeaux banknote rights agency, sent by various people, notably around the theater (directors, writers, etc.) including Dumaine, Hippolyte Hostein, Gustave Claudin, Gustave Vulpian, Charles de La Rounat, Montjoy, H Lemonier, Edouard Plouvier, Georges Duval, Arthur Byl, Marcel Donon, A Delaporte, , some letters and documents around Sardou, Kock, etc. Interesting batch of documents to study. This agency provided financial assistance to artists in return for royalties or a share of admission tickets.

Estim. 20 - 40 EUR

Pierre-Antoine Perrod, L'Affaire Peytel. Paris, Hachette, 1958. In-8, 606p. First edition, press copy, preface by Marcel Bouteron. Paperback. Important work on this affair. Edgar Everston Saltus, Balzac. Boston, Houghton, Mifflin and Company, 1884. In-12, 199-16p. First edition, on laid paper. Frontispiece portrait of Balzac, bibliography from p.165. Bookplate of C.F. Libbie in Boston. Full percaline, title page. Vicomte de Spoelberch de Lovenjoul, Un roman d'amour [on Balzac and mme Hanska]. Paris, Calmann-Lévy, 1896. In-12, 248p. First edition of this work on Balzac and Madame Hanska. Half-percaline, title page. A good copy. Vicomte de Spoelberch de Lovenjoul, Un roman d'amour [on Balzac and mme Hanska]. Paris, Calmann-Lévy, 1899. In-12, uncropped. Les lundis d'un chercheur. 1894, paperback, without covers. Not about Balzac, but about all his friends. Louis de Royaumont, Pro Domo (La Maison de Balzac) - Histoire et description - museum catalog. Paris, Figuière, 1914. In-12 square, 140p. Paperback, in half-chagrin folder and half-chagrin slipcase. Defects to cover. Marcel Bouteron, Le culte de Balzac. Paris, Les amis d'Edouard, 1924. In-12 square, 57p. First edition printed in an edition of 200, one of 6 copies on Madagascar paper. Paperback, filled cover, half-chagrin cardboard folder, half-chagrin slipcase (spine faded). A fine copy. Paul Bourget, Aux maisons de Barbey d'Aurevilly et de Balzac. Paris, Les amis d'Edouard, 1924. One of 190 on arches with a dispatch from Edouard to Jacques Boulenger. Léon Gozlan, Balzac en pantoufles. Paris, Lemercier, 1926. In-8, XX-[11-237]p. One of 500 copies on vellum, illustrated with color woodcuts by Maximilien Vox. Paperback, covers lined. A fine copy, uncommon despite the print run.

Estim. 20 - 40 EUR

Emile Henriot, Romanesques et Romantiques. Paris, Plon, 1930. In-8, 318p. First edition, one of 25 copies on hollande (tirage de tête), ours unjustified. Paperback, wide margins, untrimmed, almost entirely uncut. Minor flaws to cover. Uncommon in large paper Marcel Bouteron, Par ordre de M. de Balzac. Paris, December 14, 1933. In-8, [10]p. Offprint of 100 copies of Bouteron's speech at the dinner of the Cercle artistique et littéraire de la rue Volney. N°47, "exemplaire balzacien" with dispatch to the Balzacian bookseller Georges Courville. Stamped, filled cover, untrimmed. From the same source, Les égaremens de madame Birotteau ou le rêve d'une honnête femme. 1933, in-8, 13p, limited edition of 100 copies, mailing to Courville. Les bibliophiles du papier. 1933. Edition of 100 copies, ours unnumbered. Les égarements de madame Birotteau is published in this volume. Enriched with a letter from Bouteron to Courville. Les cahiers aurevilliens - 2nd year, n°4, December 1936. Issue devoted in particular to Barbey d'Aurevilly and Balzac (two articles covering half the volume). Edition of 350 numbered copies, copy on laid paper (arches), paperback. Bouvier et Maynial, Les comptes dramatiques de Balzac. Paris, Sorlot, 1938. In-8, 521p. First edition enriched with a fine letter from Edouard Maynial to the Balzac bookseller Georges Courville. Enriched copy with a letter from Sorlot to Courville asking him to use the enclosed insert for his catalog (the insert is still present). Enriched copy with a second letter from Sorlot to Courville requesting a press service for M. Bergues. Enriched with pencil notes in the margins. Of particular note is the title note: "May the kind Mr. Maynial forgive me, but the 'climate' of this work is far from corresponding to what I know and think of Balzac's life". Paperback, minor flaws to binding. André Billy, Vie de Balzac. Paris, Flammarion, 1944. 2 vol. in-8, 327p & 328p. Edition of 550 copies on fine vellum (N° 216). Provenance: Count Fernand Caillard d'Aillières (1916-1985), Chamberlain to the Prince of Monaco and Head of Protocol, with his armorial bookplate. Paperback, very fresh, uncut. A good copy.

Estim. 6 000 - 8 000 EUR

Georges-Lucien GUYOT (1885-1973) "Lioness Rare bronze sculpture with brown patina Signed "Guyot", founder's stamp Susse Frères Éditeurs Paris and annotated "Cire perdue". Cire perdue" (lost wax) Circa 1930 H: 29 cm - W: 54 cm - D: 12.5 cm Bibliography: "Mobilier et Décoration", year 1930, model reproduced on page 17. GEORGES-LUCIEN GUYOT Georges-Lucien Guyot was a French sculptor born in Paris on December 10, 1885. Paris. Despite his modest background, Guyot showed an obvious talent for art, but his financial situation prevented him from pursuing artistic studies. financial situation. He was apprenticed to a wood sculptor, but his passion for art for art led him to study nature on his own, drawing the animals animals at the Jardin des Plantes. At the age of 17, his father gave him the option of training for a year before joining the army. Guyot spent this year studying at the d'Histoire Naturelle, where he closely observed wild animals and their anatomical details. In 1904, he joined the army while attending evening classes evening classes at the École des Beaux-Arts in Rouen. In 1906, when a ceramic kiln was installed at the École des Beaux-Arts, Guyot creates a clay bear that attracts the attention of a teacher. This sculpture is exhibited at the Salon des Artistes Français and marks the beginning of artistic career. After the war, Guyot settled in Montmartre and enjoyed creative period, exhibiting his sculptures, Cubist-influenced paintings Cubist-influenced paintings and animal drawings in numerous galleries. In 1931, he joined the Douze Animaliers Français group and regularly and regularly exhibited his work at art fairs. He received numerous commissions for monumental sculptures from the French state and municipalities. At the same time, Guyot worked for the Manufacture nationale de Sèvres from 1929 to 1950. In 1950, he was named Chevalier, then Officier de la Légion d'Honneur, and in 1972, he became the first sculptor to receive the Prix Edouard Marcel Sandoz Prize. The end of his life was marked by the fire in his studio at the Bateau Lavoir in 1970, destroying much of his work. Guyot died three years later, on December 31, 1972. Furniture and decoration January 1930

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