Null Circle of Philip Alexius de László, PRBA,
Hungarian/British 1869-1937-

Stu…

Description

Circle of Philip Alexius de László, PRBA, Hungarian/British 1869-1937- Study of a smiling girl, standing half-length; oil on board, 77.5 x 61.4 cm. (unframed).

495

Circle of Philip Alexius de László, PRBA, Hungarian/British 1869-1937- Study of a smiling girl, standing half-length; oil on board, 77.5 x 61.4 cm. (unframed).

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Starting price 700 EUR

Hevesy, IvánFuturista, expresszionista és kubista Festészet. With a linocut by Sandor Bortnyk on the cover, 6 illustrations in the text and 39 illustrations on 20 plates. Budapest, MA, 1919. 30 p., 1 sheet. Gr.-8°. Ill. Softcover (somewhat rubbed and soiled, spine with small defects). Futurism Hevesy, Iván Futurista, expresszionista és kubista Festészet. With a linocut by Sandor Bortnyk on the cover, 6 illustrations in the text and 39 illustrations on 20 plates. Budapest, MA, 1919. 30 p., 1 sheet. Gr.-8°. Ill. Softcover (somewhat rubbed and soiled, spine with small defects). First edition. - In the text cliché prints after Kandinsky, Marc, Derain and Benes, among others. The plates with illustrations of paintings and sculptures by Severini, Russolo, Picasso, Gleizes, Chagall and Hungarian artists, among others. - Rare publication by MA-Verlag and an important overview of avant-garde art movements. Iván Hevesy (1893-1966) was an influential art critic, photographer and film critic. From the end of the 1910s, he took part in the artistic debates of the time, and between 1917 and 1918 he was editor of the magazine "Jelenkor". He associated with Lajos Kassák's circle and was close friends with László Moholy-Nagy, Béla Uitz and Sándor Bortnyik. Most of his art-critical writings were published in the magazines "MA" and "Vörös Lobogó", and later in "Nyugat". The cover design was created by Sándor Bortnyik (1893-1976), a Hungarian painter and graphic designer. He was influenced by Cubism, Expressionism, Constructivism and Bauhaus. - Browned due to paper. Book block cracked. Avantgarde - With a linocut by Sandor Bortnyk on the front cover, 6 illustrations in the text and 39 illustrations on 20 plates. Orig. wrappers(somewhat rubbed and soiled, spine with small defects). - First edition. - In the text cliché prints after Kandinsky, Marc, Derain and Benes, among others. The plates with illustrations of paintings and sculptures by Severini, Russolo, Picasso, Gleizes, Chagall and Hungarian artists, among others. - Rare publication by "MA" and important overview of avant-garde art movements. Iván Hevesy (1893-1966) was an influential art critic, photographer and film critic. From the end of the 1910s he participated in the artistic debates of the time, and between 1917 and 1918 he was editor of the magazine "Jelenkor". He associated with the circle of Lajos Kassák and was close friends with László Moholy-Nagy, Béla Uitz and Sándor Bortnyik. Most of his art critical writings were published in the journals "MA" and "Vörös Lobogó", later in "Nyugat". The cover design was procured by Sándor Bortnyik (1893-1976), Hungarian painter and graphic designer. He was influenced by Cubism, Expressionism, Constructivism and the Bauhaus. - Browned due to paper. Book block cracked. This work is taxed. The hammer price is subject to a 23.95% surcharge and the final invoice amount is subject to 7% (books) or 19% VAT in the European Union. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Estim. 1 500 - 2 000 GBP

Anton PRINNER (1902-1983) Double figure, 1937 Plaster. H. 45 cm Restored accident Related literature: Shepherd & Derom Galleries, Hungarian Modernism, April 29-July 2, 2010, model listed under no. 21; Anton Prinner, cat. exp. exhibition, Les Sables d'Olonne, musée de l'Abbaye Sainte-Croix, Paris, Panama Musées, 2006, plaster model reproduced p. 94, bronze model reproduced p. 132. Of Hungarian origin, Anna Prinner began her artistic training at the Budapest School of Fine Arts before moving to Paris in 1927, where she adopted the first name Anton. She studied sculpture in Stanley William Hayter's studio, where she produced her first reliefs. Close to contemporary artists such as Picasso and Csaky, she exhibited in the Paris galleries of Jeanne Bucher and Pierre Loeb. After the Second World War, Anton Prinner abandoned sculpture for ceramics and painting.

Estim. 200 - 300 GBP

Gyula Aggházy, Girl at the Summer Poppy Bed A midsummer day at the lake, a girl, collecting flowers for a bouquet, walks along a field path past an imposing bed of tall flowering poppies, Impressionist brushstroke, skilfully capturing the summer mood in a friendly colour scheme, Aggházy places the painterly focus on the flowers and leaves of the poppies, which he places impasto and with a pointed brush over an otherwise glazed ground, oil on canvas, around 1900, signed lower right "Aggházy Gy.", on the reverse of the canvas with probably official Hungarian export stamp, on the stretcher old exhibition label from 1922, old restoration, in beautiful gilded moulding, folded dimensions approx. 25.5 x 38.5 cm. Artist information: Hungarian genre painter and art teacher (1850 Dombóvár to 1919 Budapest), attended the academies of fine arts in Vienna and Munich from 1869 to 1874, shortly afterwards moved to Paris, where he studied under Mihály Munkácsy, from 1876 at the artists' colony in Szolnok and in Budapest, there teacher at the Hungarian Royal National School of Arts and Crafts, 1897 professor at the Hungarian University of Fine Arts, famous and sought-after for his genre scenes in the naturalistic style, represented with numerous works in the Hungarian National Gallery, source: Benezit and Internet.

Estim. 600 - 800 GBP

Istvan Fisch (1922-2007) Abstract composition with black circle 1976 Oil on canvas signed and dated lower right 135 x 98 cm Condition report : Baguette frame Like Etienne Beöthy, Etienne Hajdu, Simon Hantaï, Judit Reigl, Alfréd Réth, Árpád Szenes, Nicolas Schöffer, Victor Vasarely... Hungarian-born painter Istvan Fisch moved to Paris in the 1950s after studying at the Beaux-Arts de Budapest and graduating from the Académie des arts de Rome. From this period until his death in 2007, he never ceased to paint, engrave and create tangled lines and forms based on his in-depth knowledge of architecture.

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