Null After Horace Vernet,
French 1789-1863-

The Lion Hunt;

pastel on canvas, 7…

Description

After Horace Vernet, French 1789-1863- The Lion Hunt; pastel on canvas, 71.3 x 104.3 cm.

263

After Horace Vernet, French 1789-1863- The Lion Hunt; pastel on canvas, 71.3 x 104.3 cm.

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Estim. 15 000 - 20 000 GBP

J. PURDEY & SONS A PAIR OF LIGHTWEIGHT HUNT-ENGRAVED 12-BORE SELF-OPENING SIDELOCK EJECTORS, serial no. 27511 / 2, for 1967, 26in. nitro chopperlump barrels, the ribs engraved 'J. PURDEY & SONS. AUDLEY HOUSE. SOUTH AUDLEY STREET. LONDON. ENGLAND.' and gold-inlaid '1' and '2' at the breech ends, 2 1/2in. chambers, bored approx. imp. cyl. and 1/2 choke, toplevers gold-inlaid '1' and '2', wear to bluing, removable striker discs, automatic safeties with gold-inlaid 'SAFE' details, cocking-indicators, slightly rounded bar actions and furniture carved in high relief with 'large scroll' scrolling acanthus on a matted background, the lockplates with game scenes signed 'K.C. HUNT', No. 1 left lockplate with a brace of pheasant, the right with a nye of pheasant, both in woodland settings, the underside with an oval cartouche engraved 'LONDON. J. PURDEY & SONS. ENGLAND', the No. 2 left lockplate with a pack of grouse, the right with a covey of French partridge in flight, both in scrubland settings, the underside with an oval cartouche engraved 'LONDON. J. PURDEY & SONS. ENGLAND', 14 5/8in. figured stocks, each gold inset with three sets of initials, No.1 with 'ELC', 'CCC' and MEC', No.2 with 'ELC', 'CCC' and 'DCC', weight 6lb. 3oz., in their lightweight leather motor case with canvas and leather outer cover and some accessories in red leather pouches. S2 - Sold as a Section 2 Firearm under the 1968 Firearms Act

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Orientalist school 2nd half 20th century The halt after hunting Oil on canvas Signed lower right 92 x 120 cm

Estim. 1 500 - 1 800 GBP

Italian school, second half of the 18th century. "Mythological scene". Oil on canvas. Measurements: 41 x 113 cm; 47,5 x 119 cm (frame). The corpulent personage who presides this composition seems to identify Hercules. Although he is not covered by the lion skin with which he often appears wrapped (a skin that he wore after killing the beast of Nemea), his bearded face, as well as the mace that he wields in his left hand and his vigorous physical condition are characteristic of the representations of the son of Zeus and Alcmene. The presence of fire leads us to think of the last of his works, his incursion into the underworld, where he will have to confront the Cancerberus. However, the iconography is ambiguous here, as it seems to speak more of a fire than of the mouth of the underworld. Three figures, dressed in tunics and cloaks fluttering in the wind, try to warn him of the danger of his mission. The architectural elements are a mixture of Egyptian and Greek references, set in a landscape through which a river meanders. Stylistically, the painting belongs to the transitional period between late Baroque and Neoclassicism.

Current bid 11 EUR

20th century French school, after François BOUCHER "Scène galante Oil on canvas Unsigned H 26 x W 40 cm Restorations Expertise Cabinet Millet

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