Null Follower of Jean-Michel Diéboldt,
French 1779-c.1825-

Coastal scene, with …

Description

Follower of Jean-Michel Diéboldt, French 1779-c.1825- Coastal scene, with fisherfolk on the shore and sailing vessels beyond; oil on canvas, indistinctly signed with initials 'A[?] B' (lower edge), bears old label inscribed '55. JEAN DIEBOLT - Vue de la méditerrannée avec personnages et grotte de rochers' attached to the upper stretcher bar, bears stamp for 'A. Blaye, Papeterie Francaise & Anglais' verso, 32.2 x 46.2 cm. Provenance: Property from a European Private Collection.

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Follower of Jean-Michel Diéboldt, French 1779-c.1825- Coastal scene, with fisherfolk on the shore and sailing vessels beyond; oil on canvas, indistinctly signed with initials 'A[?] B' (lower edge), bears old label inscribed '55. JEAN DIEBOLT - Vue de la méditerrannée avec personnages et grotte de rochers' attached to the upper stretcher bar, bears stamp for 'A. Blaye, Papeterie Francaise & Anglais' verso, 32.2 x 46.2 cm. Provenance: Property from a European Private Collection.

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J. GAMELIN (1738-1803), Anatomical muscle study, 1779, Copper engraving Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.): Anatomical muscle study of a man, leaning on a wall in supine view, full body, from the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' (A New Collection of Bones and Muscles), 1779, Copper engraving Technique: Copper engraving on Paper Date: 1779 Description: Watermark with the inscription "PC" at the bottom and a vine at the top. Jacques GAMELIN was a French painter, draughtsman, engraver and etcher of early classicism. Gamelin first studied at the Royal Academy of Arts in Toulouse under Jean-Pierre Rivalz. His artistic training continued in Paris and Rome, where he worked as a professor at the Accademia di San Luca from 1771. One year later, Pope Clement XIV appointed him court painter. Gamelin also met the painter Anton Raphael Mengs in Rome. The sheet was created in connection with the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' | Watermark: "PC" and grapevine Keywords: 18th century, Realism, Technology, France, Size: Paper: 52,8 cm x 34,0 cm (20,8 x 13,4 in), Plate: 47,8 cm x 26,6 cm (18,8 x 10,5 in), Depiction: 43,0 cm x 23,0 cm (16,9 x 9,1 in)

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J. GAMELIN (1738-1803), Anatomy, foot, hand, chest, 1779, Copper engraving Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.): Anatomical studies: human foot, hand and ribcage, from the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' (A New Collection of Bones and Muscles), 1779, Copper engraving Technique: Copper engraving on Laid paper Watermark: Undeterminable watermark Date: Date: 1779 Description: From: "Nouveau recueil d'ostéologie et de myologie dessiné d'après nature par Jacques Gamelin de Carcassonne, ..pour l'utilité des sciences et des arts divisé en deux parties dédié à M. le baron de Puymaurin". Signed "Gamelin f. / Martin inc." below the image within the printing plate. Jacques GAMELIN was a French painter, draughtsman, engraver and etcher of early classicism. Gamelin first studied at the Royal Academy of Arts in Toulouse under Jean-Pierre Rivalz. His artistic training continued in Paris and Rome, where he worked as a professor at the Accademia di San Luca from 1771. One year later, Pope Clement XIV appointed him court painter. Gamelin also met the painter Anton Raphael Mengs in Rome. From the estate of the antiquarian Rosenthal Munich / Amsterdam. | Watermark: "Fin de.." and crown Keywords: 18th century, Realism, Technology, France, Size: Laid paper: 45,0 cm x 32,0 cm (17,7 x 12,6 in), Plate: 37,7 cm x 24,8 cm (14,8 x 9,8 in)

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