Null After Raffaello Sanzio, called Raphael,
Italian 1483-1520-

Venus and Cupid…

Description

After Raffaello Sanzio, called Raphael, Italian 1483-1520- Venus and Cupid; black chalk on paper, 33.4 x 25.8 cm. Provenance: Private Collection, UK. Note: The present drawing interprets a detail of the frescoed decoration of the loggia at the Villa Farnesina, Rome, which Raphael and his workshop completed circa 1517-8.

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After Raffaello Sanzio, called Raphael, Italian 1483-1520- Venus and Cupid; black chalk on paper, 33.4 x 25.8 cm. Provenance: Private Collection, UK. Note: The present drawing interprets a detail of the frescoed decoration of the loggia at the Villa Farnesina, Rome, which Raphael and his workshop completed circa 1517-8.

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Starting price 600 EUR

Goltzius - after, HendrikVenus and Cupid. Circa 1630. copperplate engraving on laid paper. 19.5 x 15 cm. Mounted in spots on support, framed freestanding under glass in passepartout. - Trimmed to the platemark. Barely noticeable tear in upper right. Sporadically with inconspicuous stains. Old art - graphic Goltzius - after, Hendrik Venus and Cupid. Circa 1630. Copper engraving on laid paper. 19.5 x 15 cm. Mounted in spots on support, framed freestanding under glass in passepartout. - Trimmed to the platemark. Barely noticeable tear in upper right. Sporadically with inconspicuous stains. Rare. - With unidentified collector's stamp on verso (Lugt 538). - Cf. Hollstein Dutch 73 B (under Saenredam). - Early, laterally inverted and anonymous copy after the copper engraving by Jan Saendredam (ca. 1595) based on a drawing by Goltzius. Copper engraving on laid paper. Mounted in spots on mat, framed under glass in passepartout. - Trimmed to the platemark. Barely noticeable missing part in upper right margin. Sporadically with inconspicuous stains. - Rare. - With unidentified collector's stamp on verso (Lugt 538). - Cf. Hollstein Dutch 73 B (under Saenredam). - Early, laterally reversed and anonymous copy after the engraving by Jan Saendredam (ca. 1595) based on a drawing by Goltzius. This work is taxed. A premium of 23.95% will be added to the hammer price and the final invoice amount will be subject to 7% (books) or 19% VAT in the European Union. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Starting price 360 EUR

Zwinger, Gustav PhilippScuola d' Athene (after Raphael). 1801. watercolor wash in sepia with outlines in black and grey pen, on laid paper (with watermark "C & I Honig"). 53.2 x 26.5 cm. Signed, dated, titled and inscribed "Gez. n. Caneig (?) v. G. P. Zwinger d. 15. Jan. 1801". Signed again verso and with inscriptions by another hand in pencil. Mounted under passepartout in spots. - Margins slightly irregularly trimmed and verso with traces of former mounting. With a diagonal crease at the top and several marginal tears (up to approx. 5 cm), these partially backed verso. Occasional brown stains. Good overall. Powerful scene focusing on a detail from Raphael's "School of Athens". Early Art - Drawings Zwinger, Gustav Philipp Scuola d' Athene (after Raphael). 1801. watercolor wash in sepia with outlines in black and grey pen, on laid paper (with watermark "C & I Honig"). 53.2 x 26.5 cm. Signed, dated, titled and inscribed "Gez. n. Caneig (?) v. G. P. Zwinger d. 15. Jan. 1801". Signed again verso and with inscriptions by another hand in pencil. Mounted under passepartout in spots. - Margins slightly irregularly trimmed and verso with traces of former mounting. With a diagonal crease at the top and several marginal tears (up to approx. 5 cm), these partially backed verso. Occasional brown stains. Good overall. Powerful scene focusing on a detail from Raphael's "School of Athens". Zwinger was a Nuremberg etcher and painter who worked from the end of the 18th to the beginning of the 19th century. He was initially trained by his father, the artist Johann Eberhard Ihle (1727-1814), and then at the Academy of Fine Arts in Vienna under Heinrich Füger from 1799-1801. Created in the same year as his graduation, our work is from his early period, although it is also conceivable that it was created during his student days. The motif after Raphael, which Zwinger chose, may speak in favor of this. The study of the Old and New Masters was usually obligatory when studying painting, and the scene from Raphael's fresco could be an exercise as well as a homage to the Italian master or the great ancient philosophers. According to current research, the men Zwinger chose for his scene from Raphael's fresco have not yet been clearly attributed to any philosopher. Watercolor, with lavage, in sepia with outline drawings in black and grey feather, on laid paper (with watermark "C & I Honig"). Signed, dated, titled and inscribed. On the verso signed again and inscribed by another hand in pencil. Spot-mounted to mat. - Margins slightly irregularly cut and on the verso with traces of former mounting. With a diagonal crease at the top and several marginal tears (up to approx. 5 cm), some closed on the verso. Occasional brown stains. Good overall. Powerful scene focussing on a detail from Raphael's "School of Athens".

Estim. 600 - 800 GBP

Raphael (1483-1520) after. Madonna of the Chair, Oil on panel. 19th century. Diameter at sight : 23.5 cm Frame size : 53 x 53 cm Based on the original work painted around 1514 and now in the Palatine Gallery of the Pitti Palace, Florence.

Estim. 800 - 1 200 GBP

16th century ITALIAN school Allegory of Justice, after Andrea del Sarto Black pencil and stump. Rousseurs. Annotated lower right Themis by J. Goujon and in the lower center margin. 38.3 x 19.8 cm Our drawing is based on an Allegory of Justice by Andrea del Sarto, executed in Florence in the Scalzo cloister.

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