Description

Archaeology. CEÁN-BERMÚDEZ, Juan Agustín. "Sumario de las Antigüedades Romanas que hay en España, en especial las pertenecientes a las Bellas Artes". . Books . Madrid, Imprenta de D

2118

Archaeology. CEÁN-BERMÚDEZ, Juan Agustín. "Sumario de las Antigüedades Romanas que hay en España, en especial las pertenecientes a las Bellas Artes". . Books . Madrid, Imprenta de D

Auction is over for this lot. See the results

You may also like

Estim. 180 - 200 EUR

GUSTAVO FERNÁNDEZ CABRERA (Montevideo, 1958). "Guitar". Sculpture with stones, metal and wooden base. Without visible signature. In methacrylate urn with wooden base. Measurements: 8 x 17,5 x 7 cm (sculpture); 12 x 24 x 11 cm (urn). Gustavo Fernández was trained in drawing, woodcut and ceramics at the Barradas workshop under Salomón Azar and in archaeology at the Centro de Estudios de Ciencias Naturales of Francisco Oliveras. Also in the field of gobelin tapestry and hand made with the tapestry maker and designer Carlos Bermudez and in metal engraving with David Finkbeiner. Throughout his career he has exhibited in galleries in Brazil, Uruguay, Germany, Chile and Panama.

Estim. 4 600 - 4 800 EUR

Circle of JUAN SARIÑERA, (Spain, c. 1545 - 1619). "The venerable Domingo Anadón delivering the guilds of the statutes of the Pila de San Vicente Ferrer". Oil on canvas. Relined. Measurements: 110 x 135 cm, 125 x 147 cm (frame). This canvas is a copy of the painting made by Juan Sariñena and is in the Notarial College of Valencia. This work is referenced in the catalog "Juan Sariñena. Painter of the Counter-Reformation in Valencia", published by the Generalitat Valenciana in 2008. Juan Sariñena was a Spanish painter, probably of Aragonese origin, active in Valencia in the late sixteenth and early seventeenth centuries. He was key in the acceptance of the new naturalistic language, replacing the mannerist and idealizing formulas of Juan de Juanes. In 1570 he was in Rome, influenced by painters of the late counter-mannerism and by the Academy of San Lucas. From 1580 he lived in Valencia, excelling in portraiture with Venetian technique. His first documented work is a portrait of King James I in 1580, followed by a portrait of St. Louis Beltran. In 1584, Sariñena began receiving commissions from Archbishop Juan de Ribera, including portraits of saints and a series of naturalistic portraits. In 1591, he directed the decoration of the Sala Nova of the Palacio de la Generalidad Valenciana, for which he was named Pintor de la Ciudad in 1595. He continued to work for Ribera and other important clients, including the remodeling of the cell of San Vicente Ferrer and several religious paintings. In his later years, he collaborated with Francisco Ribalta and adopted a more vivid color palette. In 1607, he was a member of the board of directors of the Colegio de Pintores and, although his output declined, he still undertook important commissions until his death in 1619 in Valencia. He was succeeded by his disciple Agustín Ridaura as painter of the city.

Estim. 4 000 - 5 000 EUR

Attributed to GABRIEL DE LA CORTE (Madrid, 1648 - 1694). Spanish school, XVII century. "Vase". Oil on canvas. Measurements: 87.5 x 74 cm: 98 x 83.5 cm (frame). This painting follows a compositional scheme that knew great boom during the Spanish Baroque: The still lifes of flowers. In the way of resolving the varied bouquets of cheerful colors, in which a dense brushstroke of bright pigment has been used, the hand of Gabriel de la Corte is recognizable. The chromatic juiciness of the floral piece advances rococo solutions, which break symmetry and tend to horror vacui. The painter has frozen the moment of maximum maturity of the flower, prior to its decay. The dark background highlights the light of the still life, extracting a wide range of shades. The freedom of execution and vigorous brushstroke are reminiscent of the work of the master from Madrid. Specializing in the execution of vases, Gabriel de la Corte was the son of another painter from Madrid, Lucas de la Corte, although his paternity has been the subject of debate among important scholars such as Antonio Palomino and Cean Bermúdez. During his lifetime, De la Corte's success was scarce, which led him to eke out a meager living by painting at low prices and even completing the works of other artists by inserting flowers in his works. He was known for the use of an overloaded composition in which the freedom of the workmanship and the spontaneous and vigorous touch of the brush loaded with matter prevail. De la Corte's style is influenced by those of Arellano and anticipates the flower still lifes that, later on, would be crowded with complicated compositions on tremendously elaborated cartouches. Some important works by De la Corte are preserved in the Prado Museum, among other important institutions.

Estim. 98 - 130 EUR

JUAN AGUSTIN LAGUNA (20th century) "Lucifer asleep", 1976 Ink on paper Signed and dated in the lower right corner. On the back titled, signed and dated Measurements: 23 x 9 cm

Online payments are secured by Ingenico and encrypted transactions.

Each lot has been authenticated and appraised by an Auction House.

Consult our FAQ or contact us

Composed of several subsidiaries, the Drouot Group is a major player in the art market. Hôtel Drouot, located in the heart of Paris, has been the world's largest public auction center since 1852. 15 salerooms are available to more than 70 auction houses. The emulation generated by an annual offer of 230,000 artworks from 21 major specialities - from Antiquity to street art - attracts some 3,000 visitors every day. The Group's digital platform, Drouot.com, offers digital sales - Live auctions (live broadcasting and participation in auctions), Online-only auctions (dematerialised auctions) and Buy Now sales (sales of lots at fixed prices). Nearly 2 million items are offered annually by 600 auction houses. Auction news is reported every week in La Gazette Drouot, the leading weekly magazine for the art market and culture published by Auctionspress.

More about Drouot

Drouot certified auction houses

Contacts

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]