Null Art. PALOMINO DE CASTRO Y VELASCO, Antonio. "The Pictorial Museum and optic…

Description

Art. PALOMINO DE CASTRO Y VELASCO, Antonio. "The Pictorial Museum and optical scale". . Books . First edition. Volumes I-III (Complete works). Madrid, Lucas Antonio de Bedmar, 1715-1724. 3 volumes in 2 vols. in folio. Frontispiece + title page + 16 h. + 306 p. + 4 plates + 23 h.; Frontispiece + title page + 13 h. + 498 p. + 13 plates, 3 of them folded + 9 h. Parchment period lettered on spine, rubbed. Some leaves restored. Slight traces of rust and moisture.

2069

Art. PALOMINO DE CASTRO Y VELASCO, Antonio. "The Pictorial Museum and optical scale". . Books . First edition. Volumes I-III (Complete works). Madrid, Lucas Antonio de Bedmar, 1715-1724. 3 volumes in 2 vols. in folio. Frontispiece + title page + 16 h. + 306 p. + 4 plates + 23 h.; Frontispiece + title page + 13 h. + 498 p. + 13 plates, 3 of them folded + 9 h. Parchment period lettered on spine, rubbed. Some leaves restored. Slight traces of rust and moisture.

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Estim. 12 000 - 15 000 EUR

Immaculate Virgin, in the manner of Acisclo Palomino y Velasco (Córdoba, 1655 - Madrid, 1726), Cordoba school of the 17th century Oil on canvas. Measurements: 228 x 164 (framed), 205 x 145 (canvas). Provenance: important private collection, Spain. Acisclo Palomino y Velasco (Bujalance, Córdoba, 1655-Madrid), 1726 Cordovan painter and initially trained in Córdoba under the direction of Juan de Valdés Leal while studying humanities. With the help of Juan de Alfaro, a disciple of Velázquez, who was working at the Madrid court, in 1678 he traveled to Madrid. There he was introduced to the circle of Juan Carreño de Miranda and Claudio Coello, who facilitated contact with the royal collections and gave him the opportunity to collaborate on some works, such as the decoration of the room of Queen María Luisa de Orleans, first wife of Carlos II, and the gallery of the cierzo, both of the Real Alcázar. These works allowed him to obtain the title of painter to the king in 1688. The arrival of Luca Giordano in Madrid in 1692 made him interested in learning the technique of fresco, becoming one of the most important Spanish fresco artists of the second half 17th century. He collaborated in the preparation of the vaults of El Escorial and those of the old oratory of the Madrid City Council. Between 1697 and 1701 he worked in Valencia, painting the vaults of the church of Santos Juanes and the basilica of Nuestra Señora de los Desamparados. In 1705, he traveled to Salamanca where he executed the Triunfo de la Iglesia for the choir of the church of San Esteban (in situ). Between 1712 and 1713, He painted eight canvases with scenes and saints related to the history of the city of Córdoba for the chapel of Cardinal Salazar and for the main altar of the cathedral, both in that city. Between 1723 and 1725, he worked on his last work before his death, the decoration of the sacrarium of the Carthusian monastery of El Paular in Granada. Ordained a priest when he became a widower ...

Estim. 750 - 850 EUR

Mariano Millan Velasco (Spain, 1871-?) Navy. Oil on canvas. Signed. 56 x 88 cm. It has small old restorations on the back.

MARIA DE LOURDES CASTRO (1934) (Attrib.) - Modernist ceramic vase Fábrica de Loiça de Sacavém, ceramic vase with polychrome decoration. Marked and numbered 9308 on the base. Signs of use. Dim.:18cm.

. PEREZ DE TUDELA Y VELASCO, Maria Isabel "MADRID, CASTLES AND FORT SQUARE" - Texts by María Isabel Pérez de Tudela y Velasco. Alicante: Rembrandt ed., 1989. Larger folio, ex. in branch, without case ed. Illustrated by Daniel Merino, in text; full and double-page color lithographs and etchings (each one, numbered and signed by the artist). numbered tyr. lim. at 199.

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