Description

Religion-Education. CORSINI, Eduardi. "Institutiones Philosophicae ac Mathematicae ad usum scholarum piarum." . Books . Vol. I. Venetiis, Typographia Remondiniana, 1764. 8º. 316 p. Folded plate. Parchment period labeled on spine.

2008

Religion-Education. CORSINI, Eduardi. "Institutiones Philoso

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Estim. 1 100 - 1 200 EUR

Italy - BARTOLI (Pietro Santi). Columna cochlis M. Aurelio Antonino augusto dicata ejus rebus gestis in Germanica atque Sarmatica expeditione insignisex S.C. Romae ad viam Flaminiam erecta, Ac utriusque belli imaginibus anaglyphice insculpta, Brevibus notis io Petri Bellorii illustrata et a Petro sancte Bartolo. Rome, De Rossi, 1704-1708. Oblong folio, blond half calf, smooth spine decorated (19th c. binding). Engraved title, 1 dedication leaf and 77 plates numbered 1 to 77. Bound in suite: Stylobates columnae antoninae nuper ruderibus campi martii. 1708: 3 plates. Second edition of this beautiful fully engraved work. The beautiful plates illustrate each portion of the reliefs on Marcus Aurelius' column, while the last 3 show the lettering at the base of the Antonine column. Pietro Santi Bartoli was a painter and etcher. He engraved a considerable number of ancient monuments from his own drawings, which are generally very accurate. (Brunet I, 758.) A very fine, fresh copy of a good edition (slight wetness in the lower margin of the last 2 plates, without affecting the subject).

Estim. 4 500 - 5 000 EUR

HOLBEIN (Hans). Icones historiarum veteris testamenti. Ad Viuum expressae extremaque diligentia emendatiores factae, Gallicis in expositione homoeotelentis, ac versuum ordinibus (qui prius turbati, ac impares) suo numero restitutis. Lyon, Jean Frellon, 1547. In-12, cream vellum, smooth spine, horizontal title (later binding). Magnificent suite of woodcuts by Hans Lutzelburger, after drawings by Hans Holbein. The most complete edition, containing 98 figures, 6 more than the first of 1538. Each woodcut is accompanied by a Latin text and a French quatrain by Gilles Corrozet. The engravings are in an excellent edition. There are 2 types of copies of this book with French and Latin text, dated 1547. The first, whose proofs are pale but beautiful, was printed on the original woodcuts; the second, with the same date, was printed on clichés. This copy conforms in all respects to Brunet's III-253 description of the original woodcut. Bound with the GAY-LUSSAC supra-libris, probably by Jules Gay-Lussac son of Louis-Joseph Gay-Lussac famous French chemist and physicist, known for his studies on the properties of gases. A very fine, fresh copy, with a few leaves a little short of margin.

Starting price 190 EUR

J. GRIGNON (1640) after KLÖCKER (1628), Portrait of Palatinate-Zweibrücken-Kleeburg, around 1680, Jacques Grignon (1640 - 1698 ) after David Klöcker (1628 Hamburg - 1698 Stockholm): Portrait of Adolf Johann I of Pfalz-Zweibrücken-Kleeburg (1629 Stegeborg Castle - 1689 Stegeborg Castle), c. 1680, Copper engraving Technique: Copper engraving on Paper Inscription: At the lower part signed in the printing plate: "D. Klööker pinxit. / Grignon sculp.". At the lower part inscribed in the printing plate: "Serenissimus Princeps ac DNS: DN: Adolphus Ioannes Comes Palatinus ad Rhenu Bavariae, Iuliaci, Cliuiae ac Montium Dux, Comes Veldentzij, Spanhemij Marcoe et Ra= *Vensburgi, Dominus Rauensteinij et Mörsi &e.". Date: c. 1680 Description: The portrait of Adolf John I (1629-1689) is full of special compositional features. The landscape in the background is characterised by battle scenes. In the foreground, the bust of the sitter is enthroned on an antique column base, surrounded by 17th century weapons. The heavy brocade drapery with the tassel is a reference to his high lineage. However, the sitter's head is not chiselled from marble as might be expected, but is enthroned on the column in flesh and blood surrounded by Roman military attributes. Person: Adolf Johann I. von Pfalz-Zweibrücken-Kleeburg (1629 Stegeborg Castle - 1689 Stegeborg Castle) Duke of Stegeboprg and Pfalz-Kleeburg; Swedish Imperial Marshal Keywords: 17th century, Baroque, Portraits, Germany, Size: Paper: 33,9 cm x 20,3 cm (13,3 x 8 in), Plate: 30,2 cm x 19,0 cm (11,9 x 7,5 in), Depiction: 28,0 cm x 18,0 cm (11 x 7,1 in) Condition: Good condition. Minimally browned, a small wormhole in the lower white margin.

Estim. 1 500 - 1 800 EUR

SWEET, Lodovico. Dialogue... of the institution of women. Vinegia, Giolito De Ferrari, 1545. 8vo; 155x100 mm.; full vellum binding. Manuscript title to spine. Typographic mark on title page. 80 cc. Xyl initials. Small lack at spine. Traces of moisture at margin of some papers. Good copy. Rare first edition of this treatise on female conduct, which aimed to define the nature of women, their role in society and their behavior in daily life. The work draws its inspiration from the work of Spanish humanist Luis Vives, the well-known "De Institutione feminae Christianae" published in 1524, one of the first works to deal exclusively with the education and good conduct of women but also with the nursing of children, clothing and makeup, as well as the praise of some famous women of the time.Dolce knew how to personalize his work both in terms of the formal aspect, making it fluent and discursive, and by integrating some parts left in the margin by Vives. 8vo; 155x100 mm.; Full vellum binding. Handwritten title on the spine. Printer's mark on the title page. Leaves 80. Woodcut initials. Small lacking on the spine. Sign of humidity on the margins of some leaves. Good specimen. Rare first edition of this treatise on female conduct, which aimed to define the nature of women, their role in society and their behavior in daily life.The work draws inspiration from the work of the Spanish humanist Luis Vives, the well-known "De Institutione feminae Christianae" published in 1524, one of the first works that deal exclusively with the education and good conduct of women but also with the breastfeeding of children, clothing and makeup, as well as the praise of some famous women of the time.Dolce was able to personalize his work both from a formal point of view, making it fluent and discursive, and by integrating some parts left in the margin by Vives.

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