CÍRCULO DE JUAN DE ARELLANO (Santorcaz, Madrid, 1614-Madrid, 1676)
Allegory of s…

Description

CÍRCULO DE JUAN DE ARELLANO (Santorcaz, Madrid, 1614-Madrid, 1676) Allegory of smell . Antique Painting . Oil on canvas. Size: 99 x 89 cm

1158

CÍRCULO DE JUAN DE ARELLANO (Santorcaz, Madrid, 1614-Madrid,

Auction is over for this lot. See the results

You may also like

Estim. 3 500 - 3 700 EUR

JOSÉ LUIS ALEXANCO (Madrid, 1942-2021). "Boscuman", 1991. Acrylic on cotton canvas. Signed and dated on the back. Titled and dated on the stretcher frame. Measurements: 150 x 150 cm; 154 x 154 cm (frame). Alexanco studied drawing and engraving with Manuel Castro Gil at the Casa de la Moneda, in Madrid, and in 1960 he enters the School of Fine Arts. Between 1968 and 1974 he collaborated with other artists at the University's Calculus Center, where he worked on sculptural generation programs, in collaboration with the American company IBM. During this period he met the mathematician José Barbera, and together they developed the software MOUVNT, designed to generate automatic forms that would later materialize in anthropomorphic sculptures. In 1970, together with Luis de Pablo, he created the acoustic plastic show "Soledad Interrumpida", trained in Buenos Aires. In the following years he would continue to work with the same author on various projects, including the organization of the Pamplona Encounters of 1972. In 1978 he designed the prince edition of the Spanish Constitution for the Editora Nacional, and in 1998 he presented an important retrospective exhibition at the Centre d'Art Santa Mònica in Barcelona (later at the Círculo de Bellas Artes in Madrid). A referent of late Francoist painting and a technological innovator, his work is part of collections such as those of the Victoria & Albert Museum in London, The Chase Manhattan Bank in New York, MNCARS, Madrid; MACBA, Barcelona or the Juan March Foundation.

Estim. 7 000 - 9 000 EUR

Attributed to JOSE DE ARELLANO (Madrid, doc. 1665 - 1710). "Floreros". Oil on canvas. Relined in the 19th century. They present restorations in the pictorial surface and damages in the frame caused by xylophages. Measurements: 53 x 96 cm (x2); 71 x 87 cm (frames, x2). Pair of still lifes of flowers perfectly framed within the full Spanish baroque, with a magnificent treatment of the qualities, the colors and, especially, the effective tenebrist illumination, which endows the flowers with a presence and a three-dimensional aspect that reaches an illusionist level, almost trompe l'oeil. The flowers, worked in both paintings in shades of red, ochre and white, emerge from the shadows of the surroundings. In both cases the vase is placed on a pedestal of irregular profiles, with a stony appearance, worked in the same neutral tones as the background, indeterminate, we do not know if it is interior or exterior. The parapet stands out against the background as it is somewhat more illuminated, reinforcing the spatial construction in a naturalistic way. Aesthetically the work is close to the precepts of José de Arellano, a painter specialized in the subject of the still life of flowers, José de Arellano was a disciple of his father, Juan de Arellano, one of the most outstanding specialists in flower painting of the Spanish Baroque. He was also the brother of the painters Manuel and Julián de Arellano. He faithfully followed his father's style, to the point that several of his works have been attributed to him. However, his language differs from that of Juan de Arellano in his drier brushstrokes and more muted palette. We know little about his biography, although we do know the date of his baptism, which took place in the parish of San Ginés in Madrid in 1653, his godfather being the painter Juan Fernández de Laredo. He is currently represented in the Prado Museum (works on deposit at the City Hall and the Casa de Colon in Las Palmas de Gran Canaria and the Spanish Embassy at the UN in New York). While during the first half of the century the still life is orderly and clear, with a classicist aesthetic, the works of the second half of the century present very different characteristics, the result of the stylistic evolution towards the full baroque, leaving behind the dominant classicism of the beginning of the century. In works such as the pair of vases presented here, the taste for extreme naturalism is maintained, which leads the author to meticulously describe not only the details of the flowers and vases, but also to convey their different tactile qualities. They present restorations in the pictorial surface and damages in the frame caused by xylophages.

Estim. 320 - 440 EUR

Ramirez de Arellano, Garcia, Marquis of Arellano - Instruction of tactics and discipline for the Spanish cavalry. Volume I and II - [Madrid] - In the Office of Antonio Marín - 1767 - 28 cm - on parchment Number of pieces: 2 Pages: TI: [8], XXXXVIII + 302 + [1]; TII: 352 pp. - Contains Ex-Libris of Luis Bardón, antiquarian bookseller. TI: 2 engravings and 13 folding plates + table. TII: 2 engravings and 5 folding plates. Intaglio portrait of Charles III in dedication. The plates are intaglio engravings of maneuvers and military training. of maneuvers and military training: T. López sculp. Engraved by Juan Ant. Salvador Carmona.

Estim. 270 - 370 EUR

Mariana, Juan de - General History of Spain - Madrid - Joachin de Ibarra - 1780 - 34 cm - hardcover Number of pieces: 2 Pages: T1: [48] + 917; T2: [6] + 927 + [32] pp. + 917; T2: [6] + 927 + [32] pp. -

Online payments are secured by Ingenico and encrypted transactions.

Each lot has been authenticated and appraised by an Auction House.

Consult our FAQ or contact us

Composed of several subsidiaries, the Drouot Group is a major player in the art market. Hôtel Drouot, located in the heart of Paris, has been the world's largest public auction center since 1852. 15 salerooms are available to more than 70 auction houses. The emulation generated by an annual offer of 230,000 artworks from 21 major specialities - from Antiquity to street art - attracts some 3,000 visitors every day. The Group's digital platform, Drouot.com, offers digital sales - Live auctions (live broadcasting and participation in auctions), Online-only auctions (dematerialised auctions) and Buy Now sales (sales of lots at fixed prices). Nearly 2 million items are offered annually by 600 auction houses. Auction news is reported every week in La Gazette Drouot, the leading weekly magazine for the art market and culture published by Auctionspress.

More about Drouot

Drouot certified auction houses

Contacts

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]