ESCUELA SEVILLANA, S. XVII (círculo de Murillo)
Dolorosa and Ecce Homo in fake o…

Description

ESCUELA SEVILLANA, S. XVII (círculo de Murillo) Dolorosa and Ecce Homo in fake ovals. Antique Painting. Pair of oils on canvas. Size: 61 x 51 cm each.

192

ESCUELA SEVILLANA, S. XVII (círculo de Murillo)

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Estim. 800 - 1 000 EUR

Sevillian school; circa 1850. "Saint Elizabeth of Hungary". Oil on canvas. It conserves its period frame. Measurements: 112 x 90 cm; 124 x 103 cm (frame). Saint Elisabeth was the daughter of King Andrew II of Hungary. She married Ludwig IV of Thuringia and when her husband died in 1227 she decided to lead an ascetic life, dedicating herself to charitable works. She built a hospital for the poor and lepers in Marburg and personally cared for the sick. In 1228 she took the habit of a Franciscan tertiary and became its patron saint. In 1235 she was canonised by Gregory IX. Murillo often depicted the saint surrounded by lepers whom she cured with her own hands.

Estim. 2 000 - 2 200 EUR

Spanish school of the XVIII century. Following models of BARTOLOMÉ ESTEBAN MURILLO (Seville, 1618-1682). "The Good Shepherd". Oil on canvas. Relined. Measurements: 61 x 48 cm, 75 x 60 cm (frame). Following models of Bartolomé Esteban Murillo, copy of the original of the Prado Museum. Murillo has gone down in history as one of the great painters of children's themes, and this not only for his famous genre scenes starring children, but also for representations like this one, in which the Child Jesus appears in the biblical metaphor of the good shepherd who feeds and cares for his sheep. This is a type of image of great success among the Sevillian society of the time, and whose devotional effectiveness has remained intact through the centuries. In this type of work, which in many cases was intended for private worship, the author showed himself to be a true master when it came to combining a wise and delicate style with a gentle and sweet content. However, owner as he was of a powerful sense of composition, he endowed them with remarkable monumentality and balance. The ruins of architecture that appear in the background have a double meaning. On the one hand, they are part of a Virgilian tradition that is manifested in literature and the plastic arts and that likes the image of the shepherd among the fallen remains of a splendorous past. On the other hand, Christian iconography frequently used the reference to classical ruins as a symbol of defeated paganism. Relined.

Estim. 500 - 1 000 EUR

Italian school, 17th century Italian school, 17th century - Crucifixion oil painting on canvas 89 x 95 cm

Estim. 1 100 - 2 200 EUR

Italian school, 16th-17th centuries Italian school, 16th-17th centuries - Saint Michael the Archangel crushes the Devil sculpture in carved and polychrome lacquered wood 138 x 43 x 35 cm inscription on the base S. Michael Arch [...] flaws and shortcomings

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