MANUEL CABRAL BEJARANO (Sevilla, 1827-1891)
Fiddler in an interior, 1878. Painti…

Description

MANUEL CABRAL BEJARANO (Sevilla, 1827-1891) Fiddler in an interior, 1878. Painting S.XIX. Oil on panel signed and dated in Seville. Size: 40 x 29 cm

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MANUEL CABRAL BEJARANO (Sevilla, 1827-1891)

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Estim. 3 000 - 3 500 EUR

LUIS JIMÉNEZ ARANDA (Seville, 1845 - Pontoise, France, 1928). "Gentleman. Oil on panel. Signed in the lower right area. Measurements: 20 x 13 cm; 43 x 25 cm (frame). José Jiménez Aranda, brother of Luis and Manuel Jiménez Aranda, was a Spanish painter and illustrator who began his training with Manuel Cabral and Eduardo Cano de la Peña. His talent for drawing helped him to gain admission to the Santa Isabel de Hungría Royal Academy of Fine Arts in Seville in 1851. In 1868 he was in Madrid, where he learned in the Prado Museum from the best masters, feeling a special predilection for Goya and Velázquez. In 1867 he was in Jerez de la Frontera working as a restorer and designer of stained-glass windows and, four years later, he managed to go to Rome, where he met Mariano Fortuny. He returned four years later. Between 1881 and 1890 he lived in Paris, where he produced a series of works, most notably those set in the 18th century, which were greatly influenced by Fortuny, due to the success they brought him. When he returned to Madrid, he devoted himself to works with everyday themes but with a more costumbrist air. In 1892 he returned to Seville, where he taught at the Academy of Fine Arts until his death, in turn teaching leading figures such as Eugenio Hermoso, Manuel González Santos, etc., and frequenting the so-called "landscape circle of Alcalá de Guadaira" towards the end of the 19th century. Although his best-known works are the scenes inspired by 17th-century art, he also dealt with religious themes and landscapes. His work received numerous awards during his lifetime (Honourable Mention at the National Fine Arts Exhibitions of 1864 and 1866; First Medal at the 1890 Exhibition, Medal of Honour at the Munich International Exhibition of 1883...), and is held in important private collections and institutions such as the Museo Carmen Thyssen in Malaga, the Museo de Bellas Artes in Seville, the Museo del Prado in Madrid, etc.

Estim. 2 500 - 3 500 EUR

MANUEL GARCÍA Y RODRIGUEZ (Seville, 1863 - 1925). La carreta" ("The Cart"), 1901. Oil on canvas. With restorations. Signed and dated in the lower right corner. Measurements: 50 x 90 cm: 58 x 105 (frame). Manuel García y Rodríguez executes this work with a wide and doughy brushstroke, applying spots of colour. The treatment of the figures and the contrast between the shaded and sunny areas stand out. He uses a palette rich in polychromy, in which greens predominate in all their shades. García y Rodríguez began his training with José de la Vega Marrugal and then moved on to the Seville School of Fine Arts, where he was a pupil of Eduardo Cano and Manuel Wssel. At first he devoted himself to the figure, but certain circumstances, including the influence and fascination exerted by Marín Rico and Fortuny on young Sevillian artists and the commercial successes of Sánchez Perrier's first trips abroad, led him to turn his attention to landscape painting, which became practically his only subject from that time onwards. He regularly took part in the National Exhibitions of Fine Arts, winning a third medal in 1887 for his work "Orillas del Guadalquivir" ("Shores of the Guadalquivir"). He also won second medals in 1890 for "La tarde" and in 1895 for "Tarde de otoño". He also took part in the Fine Arts Exhibitions in Seville from 1921 until his death. In 1888 he took part in the Universal Exhibition in Barcelona, and the following year in the Universal Exhibition in Paris. In 1891 his work "Entrance to an Orchard in Seville" was acquired by the Barcelona Museum at the 1st General Exhibition of Fine Arts; that same year the State of Prussia acquired his work "Seville" at the Berlin International Exhibition. During the following years he also showed his works at exhibitions in Chicago and Munich. Around 1893 he made a visit to Morocco, recently visited by other Sevillians such as Sánchez Perrier and Gonzalo Bilbao, where he returned in 1904. In 1889 he was appointed a member of the San Fernando Academy in Madrid, and between 1902 and 1903 he was an active member of the Fine Arts Centre of the Seville Athenaeum. He was an illustrator as well as a painter, and in this discipline he collaborated with the weekly magazine "Blanco y Negro" and also with "La Ilustración Artística". García y Rodríguez is currently represented in the Prado Museum (his work is on deposit at the Municipal Museum of Málaga), the National Museum of Havana, the Fine Arts Museum of Seville and the Thyssen-Bornemisza Museum, among others.

Estim. 30 - 60 EUR

CABRAL (2) CABRAL (2) Two bottles of Port wine. Serafim Cabral Ldª.

Estim. 300 - 400 EUR

Spanish tile Coat of arms of Guipuzcoa Spanish tile in glazed ceramic. "Coat of arms of Guipuzcoa." 28 x 28 cm. Made in Seville by J. Manuel Pozo Fernandez.

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