Null ALIGHIERO BOETTI
Turin 1940 - Rome 1994
Fagus, 1983
Industrial paint on met…

Description

ALIGHIERO BOETTI Turin 1940 - Rome 1994 Fagus, 1983 Industrial paint on metal (original Alfa Romeo color), 70 x 70 cm. Signed and numbered on the back HC/65 The work is registered at the Alighiero Boetti Archive, no. 6666 Provenance: Rinaldo Rossi Collection, Genoa Genoa, Boetto Auctions, April 12, 2011, lot 1258 Private collection Acquired there by the current owner in 2014 Bibliography: Alighiero Boetti Archive, Alighiero Boetti. General Catalogue, Milan, 2022, vol. III/2b, no. 2446 (listed), p. 679

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ALIGHIERO BOETTI Turin 1940 - Rome 1994 Fagus, 1983 Industrial paint on metal (original Alfa Romeo color), 70 x 70 cm. Signed and numbered on the back HC/65 The work is registered at the Alighiero Boetti Archive, no. 6666 Provenance: Rinaldo Rossi Collection, Genoa Genoa, Boetto Auctions, April 12, 2011, lot 1258 Private collection Acquired there by the current owner in 2014 Bibliography: Alighiero Boetti Archive, Alighiero Boetti. General Catalogue, Milan, 2022, vol. III/2b, no. 2446 (listed), p. 679

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Estim. 26 000 - 27 000 EUR

PER BARCLAY (Oslo, 1955). "The slaughter house", 1996. Type C photograph of the installation created. Provenance: private collection. Formerly Oliva Arauna Gallery (Inver-Kalis SA). Measurements: 205 x 165 cm. With the installation "The Slaughterhouse", Per Barclay played with the reflective effect of the blood of the cattle, making the floor shine. In the same way that in other installations he deployed symbolisms of the disturbing effects of spilled oil in uninhabited spaces, here the references are multiplied: nods to the history of art, but also to the idea of sacrifice and violence. Per Barclay is a sculptor, photographer and art historian. His art installations have been seen in museums all over the world. Per Barclay's work combines concepts of tension and drama, which he works with the influence of the Norwegian artist Edvard Munch. After studying art history in Bergen, in 1979 he left Norway to find new artistic references in Italy. In Florence he studied design and photography, then moved to the Academy of Bologna in 1981 and two years later to Rome. After spending time in Naples, he moved to Turin, where he came into direct contact with the artists of Arte Povera. From then on, the artist used oil and water as pictorial elements, and steel and glass as structural materials for his pieces. In 1994 he moved to Paris, where he lives and develops his projects. His works can be found, among others, in the National Museum of Art, Architecture and Design, the Henie-Onstad Art Centre, in the museum of contemporary art "Kiasma" in Helsinki and in different museums in Spain (Koldo Mitxelena Kulturunea, Museo Nacional Centro de Arte Reina Sofía), Italy and France (Centre de Création Contemporaine). He participated in the Venice Biennale in 1990, in the Lillehammer Art Museum during the Winter Olympics in Lillehammer in 1994, in the Bergen International Festival in 2001 and the Northern Norwegian Festival in 2009, and has contributed to the international project Skulpturlandskap Nordland.

Estim. 8 000 - 10 000 EUR

WILLIAM KLEIN (New York, 1926- Paris, 2022) . "Simone + Nina, Piazza di Spagna, Rome," 1960. Gelatin silver print. Signed, titled, dated in pencil (on reverse). Provenance: private collection Solomon New York. Measurements: 45 x 37 cm (image); 51 x 40,8 cm (paper). The photograph "Simone + Nina, Piazza di Spagna, Rome" by William Klein, taken in 1960, shows his innovative style and his commitment to street photography, his desire to take fashion photography out of the studio. On this occasion, he plays with the rhythmic and contrasting line of the zebra crossing. The composition is elaborate but pretends to be casual, which results in a great visual achievement: the vespa (iconic element of Italian streets), the agitation of this neuralgic square of Rome, the elegant silhouettes of Nina and SImone... compose a kind of film still. Such is the spontaneous impression and the narrative richness it conveys. William Klein was an American photographer and film director. Although born in New York and educated at the City College of New York, Klein's activity was mainly in France. He had directed a number of feature films (including the 1966 film "Qui êtes-vous, Polly Maggoo" and the anti-American satire "Mr. Freedom"). In the photographic field, Klein won the Nadar Award in 1956. In 1947, while in the army, he traveled for the first time to Paris and since then lived and worked in this city, with which he fell in love. In 1948 he enrolled at the Sorbonne University, where he was a student of Fernand Léger, among others. His best known works revolve around fashion and street photography, of which he was considered one of the creators and masters. Awards: In 1988 he was awarded the culture prize of the German photography association. In 1990 he received the International Award of the Hasselblad Foundation. In 2005 he received the PhotoEspaña award. Photography books: 1956. Life Is Good & Good for You in New York: Trance witness revels, Éditions su Seul, Paris. 1959. Rome: the City and its People, Feltrinelli, Milan. 1964. Tokyo, Zokeisha Publications, Tokyo. 1964. Moscow, Zokeisha Publications, Tokyo. 1989. Close up, Thames and Hudson, London, New York and Paris. KLEIN, W. (1990). Torino '90, Federico Motta, Milan. 1994. In and Out of Fashion, Random House, New York and London.

Estim. 8 000 - 10 000 EUR

WILLIAM KLEIN (New York, 1926- Paris, 2022) . "Simone + Sophia Loren, Rome," 1960. Gelatin silver print. Signed, titled, dated in pencil (on reverse). Provenance: private collection Solomon, New York. Measurements: 46 x 34.5 cm (image); 51 x 41 cm (paper). A shopkeeper holds with both hands a large cut-out poster with a life-size image of Sophia Loren. Simone looks sideways at the grande dame of Italian cinema, and behind her float a wall clock and a traffic sign. This is a sidewalk scene in which the chaotic spontaneity of human life and the calculating eye of William Klein, one of the most "cinematic" photographers of his time , coincide. William Klein was an American photographer and film director. Although he was born in New York and educated at the City College of New York, Klein's activity developed mainly in France. He had directed a number of feature films (including the 1966 film "Qui êtes-vous, Polly Maggoo" and the anti-American satire "Mr. Freedom"). In the photographic field, Klein won the Nadar Award in 1956. In 1947, while in the army, he traveled for the first time to Paris and since then lived and worked in this city, with which he fell in love. In 1948 he enrolled at the Sorbonne University, where he was a student of Fernand Léger, among others. His best known works revolve around fashion and street photography, of which he was considered one of the creators and masters. Awards: In 1988 he was awarded the culture prize of the German photography association. In 1990 he received the International Award of the Hasselblad Foundation. In 2005 he received the PhotoEspaña award. Photography books: 1956. Life Is Good & Good for You in New York: Trance witness revels, Éditions su Seul, Paris. 1959. Rome: the City and its People, Feltrinelli, Milan. 1964. Tokyo, Zokeisha Publications, Tokyo. 1964. Moscow, Zokeisha Publications, Tokyo. 1989. Close up, Thames and Hudson, London, New York and Paris. KLEIN, W. (1990). Torino '90, Federico Motta, Milan. 1994. In and Out of Fashion, Random House, New York and London.

Estim. 12 000 - 16 000 EUR

WILLIAM KLEIN (New York, 1926- Paris, 2022) . "Model + Graffiti (photo décor)". Paris (Vogue), 1961. Gelatin silver print. Signed, titled, dated in pencil (on reverse). Provenance: Claudio Poleschi Arte Contemporanea Gallery, San Marino, Italy. Measurements: 39.5 x 30.8 cm (image). William Klein developed an innovative and experimental style in the field of fashion photography, as we see in this photograph he took in Paris in 1961 for Vogue magazine. The woman's dress partially mimics the graffiti wall through a play of light and texture. In contrast, the fine shoes and gold earrings create an interesting visual tension. Klein explores the contrast between the exclusivist glamour of fashion and the rawness of street graffiti using artistic techniques that expand the grammar of fashion photography. In the 1960s, fashion photography was dominated by polished, carefully composed images. Klein broke with these conventions by introducing a sense of spontaneity and realism. His photographic work was influenced by art, urban culture and the language of film (in whose field he also developed). Seeking the fleeting and the authentic, he took photography out of the studio and placed it in real, and often chaotic, settings. William Klein was an American photographer and film director. Although he was born in New York and educated at City College there, Klein's work was primarily in France. He had directed a number of feature films (including the 1966 film "Qui êtes-vous, Polly Maggoo" and the anti-American satire "Mr. Freedom"). In the photographic field, Klein won the Nadar Award in 1956. In 1947, while in the army, he traveled for the first time to Paris and since then lived and worked in this city, with which he fell in love. In 1948 he enrolled at the Sorbonne University, where he was a student of Fernand Léger, among others. His best known works revolve around fashion and street photography, of which he was considered one of the creators and masters. Awards: In 1988 he was awarded the culture prize of the German photography association. In 1990 he received the International Award of the Hasselblad Foundation. In 2005 he received the PhotoEspaña award. Photography books: 1956. Life Is Good & Good for You in New York: Trance witness revels, Éditions su Seul, Paris. 1959. Rome: the City and its People, Feltrinelli, Milan. 1964. Tokyo, Zokeisha Publications, Tokyo. 1964. Moscow, Zokeisha Publications, Tokyo. 1989. Close up, Thames and Hudson, London, New York and Paris. KLEIN, W. (1990). Torino '90, Federico Motta, Milan. 1994. In and Out of Fashion, Random House, New York and London.

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