Description
KUNIYOSHI (1797-1861) Four oban tate-e prints, including : . One of the "Sixty-nine stations of the Kisokaidô" series, Kisokaidô rokujûkyû, no. 16, Annaka station, the monk Seigen, praying to the god Fudô, has a vision of Sakura-hime, the woman he loves ; . Right leaf of a triptych, depicting Ku-ome, Yoshibei's wife, in the play of the same name ; . Part of a diptych depicting an actor in the "Miracle of Matabei's Works" (Insolate, worn) ; . Part of a triptych, actor in the role of a samurai beside his horse loaded with boxes. Japan, 19th century (Unstained, worn, soiled, cropped)
17
KUNIYOSHI (1797-1861) Four oban tate-e prints, including : . One of the "Sixty-nine stations of the Kisokaidô" series, Kisokaidô rokujûkyû, no. 16, Annaka station, the monk Seigen, praying to the god Fudô, has a vision of Sakura-hime, the woman he loves ; . Right leaf of a triptych, depicting Ku-ome, Yoshibei's wife, in the play of the same name ; . Part of a diptych depicting an actor in the "Miracle of Matabei's Works" (Insolate, worn) ; . Part of a triptych, actor in the role of a samurai beside his horse loaded with boxes. Japan, 19th century (Unstained, worn, soiled, cropped)
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