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ALBERTO KORDA (Havana, 1928- 2001). "Che Guevara", c.1960. Photograph, original negative. Signed and dedicated in the upper left part. Measurements: 30 x 21 cm. Korda, whose real name was Alberto Díaz Gutiérrez, had his first contact with photography when he took his father's 35 mm Kodak and began taking pictures of his girlfriend. Korda began his career as a photographer, initially shooting banquets, baptisms and weddings. The quality of Korda's work as a beginner was very poor and his photos deteriorated quickly. In 1953, Korda opened his first studio with a photographer named Luis Pierce. Initially, Korda and Pierce did a variety of work ranging from fashion to advertising. However, by opening his first studio, Korda had the opportunity to learn from his mistakes and stop the process by using the right chemicals. Most of the work was photographed by his studio partner in order to keep his business going. It was the money generated from these jobs that allowed Korda to develop his unique style of looking at an image from another angle, different from traditional studio photographers. It was this style that defined and popularized the photographs made at Korda Studios. In the early years, Korda was more interested in fashion and became Cuba's leading fashion photographer. Korda disliked artificial lighting, saying it was "a parody of reality" and only used natural light in his studio. He was the master of black and white photography, with his work he sought the perfect composition and framing. Korda had a unique creative ambition that often surpassed in style compared to the unimaginative cultural perspective of traditional Cuban photography. This unique creativity turned Korda Studio into more than just a thriving business; it became an art studio.

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ALBERTO KORDA (Havana, 1928- 2001). "Che Guevara", c.1960. Photograph, original negative. Signed and dedicated in the upper left part. Measurements: 30 x 21 cm. Korda, whose real name was Alberto Díaz Gutiérrez, had his first contact with photography when he took his father's 35 mm Kodak and began taking pictures of his girlfriend. Korda began his career as a photographer, initially shooting banquets, baptisms and weddings. The quality of Korda's work as a beginner was very poor and his photos deteriorated quickly. In 1953, Korda opened his first studio with a photographer named Luis Pierce. Initially, Korda and Pierce did a variety of work ranging from fashion to advertising. However, by opening his first studio, Korda had the opportunity to learn from his mistakes and stop the process by using the right chemicals. Most of the work was photographed by his studio partner in order to keep his business going. It was the money generated from these jobs that allowed Korda to develop his unique style of looking at an image from another angle, different from traditional studio photographers. It was this style that defined and popularized the photographs made at Korda Studios. In the early years, Korda was more interested in fashion and became Cuba's leading fashion photographer. Korda disliked artificial lighting, saying it was "a parody of reality" and only used natural light in his studio. He was the master of black and white photography, with his work he sought the perfect composition and framing. Korda had a unique creative ambition that often surpassed in style compared to the unimaginative cultural perspective of traditional Cuban photography. This unique creativity turned Korda Studio into more than just a thriving business; it became an art studio.

Estimate 4 000 - 4 500 EUR
Starting price 2 000 EUR

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RENÉ BURRI (Zurich, 1933 - 2014). "Che Guevara." Havana, Cuba, 1963. Gelatin silver. Later printing. Signed, titled and dated in ink (in the margin). Provenance: Cortez private collection, New York. Measurements: 22.5 x 32.5 cm (image); 30.5 x 40 cm (frame). René Burri did not know that he was photographing one of the characters who would become one of the most iconic martyrs of the 20th century. It shows Che Guevara smoking a Havana cigar, in an attitude that reveals a strong personality. The Swiss photographer would say of that moment: "Che's proud face is actually one of anger. I was in his office in Cuba, sent by 'Magnum' and he was fighting with an American journalist who had traveled with me. He looked like a caged tiger and didn't even notice me, so I was able to take all the photos I wanted!". The image, which would become one of Che's most iconic, was taken in the office of the then Cuban Minister of Industry. René Burri was a Swiss photographer and filmmaker. He studied at the "Zurich School of Decorative Arts" (1950-1953), where he learned to compose with light and to consider light in relation to shadows. The "Burri touch" was born from these classes, which shaped his look: the refined elegance of a composition, the subtle, open and meaningful play of the solid lines of an image. He ascribes to the "humanist photography" dominant in Paris in the fifties and there he photographs special and delicate moments, in the style of Izis and Doisneau. However, taking Cartier-Bresson as a model, Burri began to search for documentary photographs that were denser than the reflection of simple anecdotes. As Ernest Hininger's camera assistant, he also began to shoot small documentaries. In 1955 he joined the Magnum Agency and began to travel around the world, shooting portraits, landscapes, political and social reportage, architecture and industry photography, etc. In 1982 he opened the Magnum Gallery in Paris, together with Bruno Barbey. Since 1988 he has been artistic director of the magazine Schweizer Illustrierten. Among his most famous photographs are a photo of the city of São Paulo (Brazil) and a photo of Che Guevara.