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EDUARDO ARRANZ BRAVO (Barcelona, 1941). "Soire noire I", 1988. Goache on paper. Arteunido Gallery label on the back. Measurements: 15 x 22 cm; 27 x 33 cm. Formed between Barcelona, Paris, Madrid and Italy, Arranz debuts individually in the University Club of Barcelona, in 1961. In 1967 he abandons the lyricism of his first period and approaches the New Figuration. In the seventies he formed an artistic partnership with Rafael Lozano Bartolozzi, with whom he would carry out artistic projects that would mark the history of Spanish contemporary art for more than a decade. She has exhibited all over the world, and among her awards are the Grand Prize and Gold Medal at the International Biennial of Ibiza (1964), the Prize of the II Biennial of Sport (1964), the Figure Award of the Biennial Estrada Saladich (1967) and the Drawing Award Ynglada Guillot (1968). His work is present in the MoMA of New York, the Museum of São Paulo, the Museum of Contemporary Art of Madrid and the Museum of Fine Arts of Vitoria and Seville.

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EDUARDO ARRANZ BRAVO (Barcelona, 1941). "Soire noire I", 1988. Goache on paper. Arteunido Gallery label on the back. Measurements: 15 x 22 cm; 27 x 33 cm. Formed between Barcelona, Paris, Madrid and Italy, Arranz debuts individually in the University Club of Barcelona, in 1961. In 1967 he abandons the lyricism of his first period and approaches the New Figuration. In the seventies he formed an artistic partnership with Rafael Lozano Bartolozzi, with whom he would carry out artistic projects that would mark the history of Spanish contemporary art for more than a decade. She has exhibited all over the world, and among her awards are the Grand Prize and Gold Medal at the International Biennial of Ibiza (1964), the Prize of the II Biennial of Sport (1964), the Figure Award of the Biennial Estrada Saladich (1967) and the Drawing Award Ynglada Guillot (1968). His work is present in the MoMA of New York, the Museum of São Paulo, the Museum of Contemporary Art of Madrid and the Museum of Fine Arts of Vitoria and Seville.

Estimate 600 - 700 EUR
Starting price 300 EUR

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EDUARDO ARRANZ BRAVO (Barcelona, 1941-2023). "Texas home", 1973. Oil on canvas. Signed in the lower right corner. Signed, dated and titled on the back. Measurements: 200 x 260 cm; 202 x 262 cm (frame). Work published in "Arranz Bravo-Bartolozzi", J. Corredor Matheos. Page 68. Arranz Bravo was a total artist, theoretician and executor, key in the development of the Catalan and Spanish avant-garde of the second half of the 20th century. His work and his personality are part of the history of struggle and rupture of the Spanish artists during the last decades of Franco's regime. Arranz Bravo was a spearhead in this opening, in this rejection of traditionalist Manichaeism that led to the complete renovation of Spanish art and placed it once again in the European avant-garde. Eduardo Arranz Bravo trained at the School of Fine Arts of Sant Jordi, in Barcelona, between 1959 and 1962. He made his individual debut in 1961, at the University Club of Barcelona, but the exhibition that made him known to the Barcelona critics was the one organized by the Ateneo of Barcelona in 1961. Between 1968 and 1970 he was part of the group formed by Gerard Sala, Robert Llimós and Rafael Lozano Bartolozzi. He continued to collaborate with the latter until 1982, alternating joint exhibitions with individual ones. The contact with these artists influenced his initially abstract style, which approached the new figuration and pop art. He has had exhibitions all over Spain, as well as in Paris, Amsterdam, Venice, São Paulo and Rio de Janeiro. In 1983 he held an anthological exhibition of his work at the Sala Gaspar in Barcelona, and between 1986 and 1988 he was in charge of the artistic direction of Jaime Camino's films "El balcón abierto" and "Luces y sombras". He took part in the VIII Salón de Mayo in Barcelona and in the exhibitions "Muestra de Arte Nuevo" (Barcelona, 1971), "Picasso 90" (Louvre Museum, 1971), "Experiencias conceptuales" (Barcelona, 1971-72), among others. In 1989 he presented an exhibition of the work of his last three years at the Museum of Modern Art of São Paulo, and an anthological exhibition at the Palau Robert in Barcelona. His awards include the II International Biennial of Sport, the figure award of the Biennial Estrada Saladich, and the Ynglada-Guillot drawing award. His work can be found in the Reina Sofia Museum in Madrid, the Fine Arts Museums of Vitoria and Seville, the Museum of São Paulo and the Museum of Modern Art in New York.

EDUARDO ARRANZ BRAVO (Barcelona, 1941-2023). "L'estany de Natalia", 1981. Oil on canvas. Signed in the lower right corner. Signed, dated and titled on the back. Measurements: 195 x 250 cm; 197 x 252 cm (frame). Arranz Bravo was a total artist, theoretician and executor, key in the development of the Catalan and Spanish avant-garde of the second half of the 20th century. His work and his personality are part of the history of struggle and rupture of Spanish artists during the last decades of Franco's regime. Arranz Bravo was a spearhead in this opening, in this rejection of traditionalist Manichaeism that led to the complete renovation of Spanish art and placed it once again in the European avant-garde. Eduardo Arranz Bravo trained at the School of Fine Arts of Sant Jordi, in Barcelona, between 1959 and 1962. He made his individual debut in 1961, at the University Club of Barcelona, but the exhibition that made him known to the Barcelona critics was the one organized by the Ateneo of Barcelona in 1961. Between 1968 and 1970 he was part of the group formed by Gerard Sala, Robert Llimós and Rafael Lozano Bartolozzi. He continued to collaborate with the latter until 1982, alternating joint exhibitions with individual ones. The contact with these artists influenced his initially abstract style, which approached the new figuration and pop art. He has had exhibitions all over Spain, as well as in Paris, Amsterdam, Venice, São Paulo and Rio de Janeiro. In 1983 he held an anthological exhibition of his work at the Sala Gaspar in Barcelona, and between 1986 and 1988 he was in charge of the artistic direction of Jaime Camino's films "El balcón abierto" and "Luces y sombras". He took part in the VIII Salón de Mayo in Barcelona and in the exhibitions "Muestra de Arte Nuevo" (Barcelona, 1971), "Picasso 90" (Louvre Museum, 1971), "Experiencias conceptuales" (Barcelona, 1971-72), among others. In 1989 he presented an exhibition of the work of his last three years at the Museum of Modern Art of São Paulo, and an anthological exhibition at the Palau Robert in Barcelona. His awards include the II International Biennial of Sport, the figure award of the Biennial Estrada Saladich, and the Ynglada-Guillot drawing award. His work can be found in the Reina Sofia Museum in Madrid, the Fine Arts Museums of Vitoria and Seville, the Museum of São Paulo and the Museum of Modern Art in New York.

EDUARDO ARRANZ BRAVO (Barcelona, 1941-2023). "Susa II", 2006. Oil on canvas. Signed and dated in the lower right corner. Signed, dated, located and titled on the back. Measurements: 61 x 46 cm; 63,5 x 47,5 cm (frame). On this occasion, Arranz Bravo subordinates to abstraction the representation of a humanoid figure whose metallic-colored body with forms between mechanical and organic suggests a certain metaphysical ambivalence. Arranz Bravo was a total artist, theoretician and executor, key in the development of the Catalan and Spanish avant-garde of the second half of the 20th century. His work and his personality are part of the history of struggle and rupture of Spanish artists during the last decades of Franco's regime. Arranz Bravo was a spearhead in this opening, in this rejection of traditionalist Manichaeism that led to the complete renovation of Spanish art and placed it once again in the European avant-garde. Eduardo Arranz Bravo trained at the School of Fine Arts of Sant Jordi, in Barcelona, between 1959 and 1962. He made his individual debut in 1961, at the University Club of Barcelona, but the exhibition that made him known to the Barcelona critics was the one organized by the Ateneo of Barcelona in 1961. Between 1968 and 1970 he was part of the group formed by Gerard Sala, Robert Llimós and Rafael Lozano Bartolozzi. He continued to collaborate with the latter until 1982, alternating joint exhibitions with individual ones. The contact with these artists influenced his initially abstract style, which approached the new figuration and pop art. He has had exhibitions all over Spain, as well as in Paris, Amsterdam, Venice, São Paulo and Rio de Janeiro. In 1983 he held an anthological exhibition of his work at the Sala Gaspar in Barcelona, and between 1986 and 1988 he was in charge of the artistic direction of Jaime Camino's films "El balcón abierto" and "Luces y sombras". He took part in the VIII Salón de Mayo in Barcelona and in the exhibitions "Muestra de Arte Nuevo" (Barcelona, 1971), "Picasso 90" (Louvre Museum, 1971), "Experiencias conceptuales" (Barcelona, 1971-72), among others. In 1989 he presented an exhibition of the work of his last three years at the Museum of Modern Art of São Paulo, and an anthological exhibition at the Palau Robert in Barcelona. His awards include the II International Biennial of Sport, the figure award of the Biennial Estrada Saladich, and the Ynglada-Guillot drawing award. His work can be found in the Reina Sofia Museum in Madrid, the Fine Arts Museums of Vitoria and Seville, the Museum of São Paulo and the Museum of Modern Art in New York.