Null EUDALD SERRA GÜELL (Barcelona, 1911-2002).

Untitled. 1961

Stoneware sculp…
Description

EUDALD SERRA GÜELL (Barcelona, 1911-2002). Untitled. 1961 Stoneware sculpture. Exemplary 1/5. Marble base. Signed and numbered Measurements: 60 x 30 x 7 cm. In the fifties and sixties, Eudald Serra cultivated a non-figurative sculpture of organic nature, with curved surfaces and profusion of voids. The 1961 piece we show here belongs to that period, especially fruitful for this author. This stoneware sculpture is endowed with a great power of suggestion. It is inspired by prehistoric effigies and the ethnic sculpture of ancestral cultures, while dialoguing with artists of the modern movement such as Brancusi and Jean Arp. Sculptor and painter, Eudald Serra began his training as a disciple of Angel Ferrant, combining his studies at the Schools of La Llotja and Fine Arts in Barcelona. During his student days he also worked in a jewelry workshop and in a shipping company, which is perhaps the root of his passion for travel, which led him on his first tour of Europe in 1932. He made his individual debut in 1934, in the Busquets hall in Barcelona, and worked together with the ADLAN group. In 1935 he made a study trip to Japan, becoming fascinated by the local culture to the point of settling in the city of Kobe, where he lived for several years. During this period he devoted himself mainly to ceramics, holding exhibitions in Tokyo, Osaka and Kobe. In 1939 he won the prize at the Hyogo exhibition and, after a brief stay in the United States, he returned to Spain in 1948. Between the late fifties and early sixties he traveled extensively in Southeast Asia and the Middle East, and during the eighties he visited Central America, Australia, China and Morocco. His awards include the Grand Prize at the Alexandria Biennial, the Madrid Provincial Council Prize at the Hispano-American Biennial, the National Sculpture Prize and the Barcelona Jazz Salon Prize, among others. He was part of the Altamira group, and was a professor at the Massana School and the Fine Arts School of Barcelona. He is currently represented at the Centro Nacional de Arte Reina Sofía, the MACBA in Barcelona and the Museum of Alexandria, among others.

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EUDALD SERRA GÜELL (Barcelona, 1911-2002). Untitled. 1961 Stoneware sculpture. Exemplary 1/5. Marble base. Signed and numbered Measurements: 60 x 30 x 7 cm. In the fifties and sixties, Eudald Serra cultivated a non-figurative sculpture of organic nature, with curved surfaces and profusion of voids. The 1961 piece we show here belongs to that period, especially fruitful for this author. This stoneware sculpture is endowed with a great power of suggestion. It is inspired by prehistoric effigies and the ethnic sculpture of ancestral cultures, while dialoguing with artists of the modern movement such as Brancusi and Jean Arp. Sculptor and painter, Eudald Serra began his training as a disciple of Angel Ferrant, combining his studies at the Schools of La Llotja and Fine Arts in Barcelona. During his student days he also worked in a jewelry workshop and in a shipping company, which is perhaps the root of his passion for travel, which led him on his first tour of Europe in 1932. He made his individual debut in 1934, in the Busquets hall in Barcelona, and worked together with the ADLAN group. In 1935 he made a study trip to Japan, becoming fascinated by the local culture to the point of settling in the city of Kobe, where he lived for several years. During this period he devoted himself mainly to ceramics, holding exhibitions in Tokyo, Osaka and Kobe. In 1939 he won the prize at the Hyogo exhibition and, after a brief stay in the United States, he returned to Spain in 1948. Between the late fifties and early sixties he traveled extensively in Southeast Asia and the Middle East, and during the eighties he visited Central America, Australia, China and Morocco. His awards include the Grand Prize at the Alexandria Biennial, the Madrid Provincial Council Prize at the Hispano-American Biennial, the National Sculpture Prize and the Barcelona Jazz Salon Prize, among others. He was part of the Altamira group, and was a professor at the Massana School and the Fine Arts School of Barcelona. He is currently represented at the Centro Nacional de Arte Reina Sofía, the MACBA in Barcelona and the Museum of Alexandria, among others.

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ANTONI SERRA (Barcelona, 1869-1932) and ENRIC CASANOVAS (Barcelona, 1882 - 1948). "Tirant l'art", c. 1904-1907. Porcelain. Poses mark on the base of the Fábrica de Porcellanes i Gres d'Art (Barcelona, 1904-1926). Measures: 21 x 20 cm (diameter). Entitled Tirant l'art this delicate porcelain vase is an example of the artistic quality achieved by Antoni Serra and Enric Casanovas, who collaborated together on several occasions. A similar example to the present one can be found in the collection of the Museu Nacional d'Art de Catlunya, due to the relevance of the work as a symbol of the Modernista period. The lineage of the Serra ceramists began with Antoni Serra Fiter (1869-1932), within the framework of Modernisme, who founded the first workshop specialising in ceramics and porcelain art in Spain. Serra Fiter was followed by his sons Antonio (1905-85), Josep (1906-89) and Enric (1908-86) Serra Abella, who began a new phase with a completely new orientation. Finally, Jordi Serra Moragas (1942), son of Josep Serra Abella, continues the family tradition. The sculptor Enric Casanovas began his training as a disciple of Josep Llimona, and then entered the La Lonja School in Barcelona. In 1900 he made his first trip to Paris, and on his return he exhibited his work at Els Quatre Gats. Between 1904 and 1913 he lived between Paris and Barcelona, in contact with Picasso, Maillol and Gargallo, among other artists. In 1920 he was given a special room at the Fine Arts Exhibition, and in 1922 he took part in the Catalan Artists' Exhibition in Amsterdam. Five years later he showed his work in Italy, and in 1929 he was awarded the gold medal at the Universal Exhibition in Barcelona. In 1932 he entered the Academy of Fine Arts of San Jorge, and in 1935 he was awarded the Campeny prize by the Generalitat de Catalunya. He is currently represented in the National Art Museum of Catalonia, the Municipal Museum of Tossa de Mar, the Jaume Morera Art Museum in Lleida, the Luis Perlotti Sculpture Museum in Buenos Aires and the MACBA in Barcelona.