1 / 4

Description

AGUSTINA BESSA LUÍS, ANTÓNIO SAMPAIO E HENRIQUE SILVA

AGUSTINA BESSA LUÍS, ANTÓNIO SAMPAIO E HENRIQUE SILVA Edição exclusiva do Governo Civil do Porto, texto de Augustina Bessa Luís e serigrafias de António Sampaio e Henrique Silva em papel Arches Rivoli de 240 gr. Assinado e numerado: nº229/250. Selo de autenticidade branco da Coperativa Árvore. # Sinais de uso. Dim: 41x33,5 cm.

189 
Go to lot
<
>

AGUSTINA BESSA LUÍS, ANTÓNIO SAMPAIO E HENRIQUE SILVA

Estimate 60 - 120 EUR
Starting price 40 EUR

* Not including buyer’s premium.
Please read the conditions of sale for more information.

Sale fees: 22 %

For sale on Thursday 27 Jun : 19:00 (BST)
porto, Portugal
Bid by Bid
+351226174130
Browse the catalogue Sales terms Sale info

Delivery to
Change delivery address
Delivery is not mandatory.
You may use the carrier of your choice.
The indicated price does not include the price of the lot or the auction house's fees.

You may also like

FRANCISCO VIDAL (Lisbon, 1978). "Time Run". 2009 Oil on canvas (diptych). Signed in the lower left corner. Signed and dated on the back. Measurements: 134 x 308 cm; 138 x 312 cm (frame). Based on a still from the cult film "Pulp Fiction" by Tarantino, Francisco Vidal places the gangsters played by John Travolta and Samuel L. Jackson on a strident red background, and replaces one of the guns with a banana. An intense yellow stain spreads out, suggesting an explosion. It is a painting formed by two canvases, which results in an expanded scene impregnated with freshness and carefree. The painter Francisco Vidal lives between Luanda (Angola) and Lisbon (Porturgal). Graduated in Plastic Arts at Escola Superior de Artes e Design das Caldas da Rainha, he took an advanced course in Visual Arts at Escola de Artes Visuais Maumaus, in Lisbon. She lived for some time in the United States, obtaining a Master of Fine Arts degree at the School of Visual Arts at Columbia University, New York. She began exhibiting regularly in 2005. In 2014 he presented the painting project "Utopia Luanda Machine" at 56th Venice Biennale, in the Angolan Pavilion, curated by António Ole, and at Expo Milano, curated by Suzana Sousa. In 2016, the project "ESCOLA DE PAPEL" was presented in Luanda and, in 2017, in São Tomé. and Príncipe. Francisco Vidal's practice highlights ideas around work and international mobility. Recognized for his large pictorial installations, he draws powerful calligraphic lines on silkscreen canvases, in vivid colors and varied chromatic combinations. He also practices a figuration rooted in the language of comics. He has works in national collections, such as those of the EDP Foundation, Calouste Gulbenkian Foundation, Cachola Foundation, and international collections.