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P. STEIN (Ecole Seconde Moitié du XX-ème Siècle): "Abstract Composition". Print on paper signed and dated 1972. 50 x 65.5 cm

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P. STEIN (Ecole Seconde Moitié du XX-ème Siècle): "Abstract Composition". Print on paper signed and dated 1972. 50 x 65.5 cm

Estimate 20 - 30 EUR
Starting price 20 EUR

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For sale on Wednesday 26 Jun : 13:30 (CEST)
paris, France
Eric Caudron
+33142662448

Exhibition of lots
mardi 25 juin - 11:00/18:00, Salle 13 - Hôtel Drouot
mercredi 26 juin - 11:00/12:00, Salle 13 - Hôtel Drouot
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[ORIGINAL DRAWINGS] Louis GALICE - Le clou, N°1 de Janvier 1888, Original mock-up featuring the 15 original drawings for this Menu for the Nantes artistic and literary society Le Clou, active in Nantes between 1884 and 1912, featuring articles by Léon Brunschvicg, P. Chauvet, E. D'Aubram, Alfred Guillon and Armand Sylvestre. This is the complete mock-up: all illustrated articles in their final state, printed on heavy paper and interspersed with ORIGINAL DRAWINGS by Louis GALICE (2 signed), Ary Gambard (8 signed with his monogram AG), 1 with an undeciphered monogram and 4 unsigned (these drawings are probably by Galice, Gambard or perhaps Fernand Fau, Georges Stein, Ferdinand Lunel.... artists who worked closely with the Société du Clou), all mounted on tabs and bound in a large folio volume in red half-maroquin with corners, bradel style in the Carayon taste (rubbing and tears to binding, interior with minor flaws). The drawings include a few remarks in pencil, and the formidable skill with which some of them have been treated is particularly noteworthy, notably those of Ary Gambard, an illustrator close to the publisher Monnier, who produced superb compositions for the Poèmes fantasques by Jean Rameau, a member of the Hydropathes. Louis Galice, for his part, offers accomplished compositions in the style of his master Jules Chéret. - A large double-page ink drawing with chalk highlights, for the header vignette on the first page (47.5x33cm). - A portrait of a man in ink (possibly by Léon Brunschwig, who signs the article?) to serve as an introductory lettrine to the article "L'histoire du Clou" (27x19.5cm). - An interesting composition signed Louis Galice with collages and superimpositions for the portrait of Madame H. Bouland? Captioned "... A woman happy to have spent the night at Le Clou." serving as a header on the second page. (32x25.5cm) - An ink portrait of a man (possibly Léon Brunschwig, who signs the article?) signed with the monogram of Ary Gambard. - A large, richly animated composition in ink and chalk highlights, signed Louis Galice, with numerous characters and a portrait of actress Maria Legault of the Comédie Française, in medallions in the lower corner. (37x45cm) Drawing intended to illustrate the monologue "Dix mille francs de dot" by Alfred Guillon, to be spoken by the actress. - An ink portrait of composer Charles Gounod, signed with the monogram of Ary Gambard (30x22.5cm) - An ink portrait (sketch) of doctor Ange Guépin by sculptor Sébastien de Boishéraud (unsigned but attributed in the text), a pupil of Charles Lebourg (30x22.5cm) - A large ink drawing with chalk highlights signed with Ary Gambard's monogram entitled "Pour le Clou", a very curious composition depicting a man's face pierced with nails and surrounded by cabaret musicians. (45.5x30.5cm) drawing to be used as header on page 7. - Three small ink drawings of stylized nails, on two papers, to serve as letterheads on pages 7 and 8 (8.5x10.5cm and 17.5x11cm) (unsigned, probably by Gambard) - An ink drawing with chalk highlights signed with Ary Gambard's monogram, depicting the character Ramire Gobichon, in Louis XV period costume, for the tale "Le doigt divin" (The Divine Finger) told by Armand Sylvestre (30x22.5cm) - An ink drawing signed with Ary Gambard's monogram, depicting the character of the pretty Elva Soublyé des Andouillettes, from the same tale (29,5x22cm) - An ink drawing with chalk highlights, signed with Ary Gambard's monogram, depicting the character of the coachman, from the same tale (30x22cm) - An ink drawing signed with Ary Gambard's monogram, depicting the character Honoré des Gabelous, from the same tale, decapitated with an axe! (30,5x22 ,5cm) - An ink drawing signed with Ary Gambard's monogram, depicting a black pig, drawing concluding Armand Sylvestre's tale (30,5x22,5cm) An interesting specimen of the artistic and literary society of the late 19th century, in the tradition of bibliophilic societies around figures such as Octave Uzanne, or the Chat Noir cabarets and the incoherent arts of Jules Lévy, among others.