Null Alessandro di Mariano Filipepi (1445-1510) – Manner, Madonna with Jesus and…

Description

Alessandro di Mariano Filipepi (1445-1510) – Manner, Madonna with Jesus and St. John in Landscape, Tempera on wooden panel, 50x40 cm

7

Alessandro di Mariano Filipepi (1445-1510) – Manner, Madonna with Jesus and St. John in Landscape, Tempera on wooden panel, 50x40 cm

Auction is over for this lot. See the results

You may also like

Estim. 4 000 - 5 000 EUR

After ANDREA DEL VERROCCHIO (Florence, 1435 - Venice, 1488). "The Condottiero Bartolomeo Colleoni". Bronze. Ferdinand Barbedienne Fondeur. Measurements: 16 x 43 x 17 cm. Replica in medium format of the equestrian monument in bronze dedicated to the Condottiero Bartolomeo Colleoni, 395 cm high without the pedestal, realized by Andrea del Verrocchio between 1480 and 1488 and located in Venice, in the square of Saints John and Paul. It is the second equestrian statue of the Renaissance, after the monument to Gattamelata by Donatello in Padua, 1446-53. Its history dates back to 1479, when the Republic of Venice decreed the realization of an equestrian monument dedicated to this Condottiero, who died three years earlier, to be placed in the Piazza dei Santi Giovanni e Paolo. In 1480 Verrocchio was commissioned to execute it, and he began the work in his workshop in Florence. In 1481 the wax model was sent to Venice, where the artist went in 1486 to personally direct the casting of the final model, in lost-wax bronze. Andrea Verrocchio died in 1488 with the work unfinished, although the wax model was to remain, and in his will he determined that Lorenzo di Credi should continue the project. However, the Venetian Signoria preferred the local artist Alessandro Leopardi, a painter and sculptor, multidisciplinary in the modern way, as Verrocchio himself had been. The Florentine artist based the creation of the monument on the equestrian statue of Donatello's Gattamelata, the ancient statues of Marcus Aurelius and the horses of St. Mark (13th century) and of the Regisole (a work of late antiquity in Pavia, lost in the 18th century). There were also frescoes by Giovanni Acuto, Paolo Ucello and Andrea del Castagno. There was, on the other hand, the important technical problem of representing the horse with a raised front leg, in a majestic forward position, which Donatello had prudently solved by placing a sphere under the raised leg. Verrocchio will be the first to succeed in erecting an equestrian statue supported only on three legs.

Estim. 3 000 - 4 000 EUR

SEBASTIANO CONCA (Gaeta 1680 - Naples 1764) Madonna and Child Oval oil on copper, cm.33 x 24. PROVENANCE Roman family The small painting offered here, represents a splendid example of the production intended for private commissions that constituted a minor but relevant aspect in the activity of the painter and his workshop. As B. De Dominici, about the many paintings kept by Cardinal Ruffa and many Roman patricians, it was the small-format works that made Conca famous, even among the many foreign patrons. The balance now achieved between the classicism of Carlo Maratta, with which the artist was confronted upon his arrival in Rome at the end of the first decade of the 18th century, and the models of his early training, suggest a dating of the painting after the 1930s Condition report No integrative pictorial interventions worthy of mention are noted. The painting is in excellent condition FRAME St. Rose oval frame in gilt and carved wood with palmette and pod borders, 18th century. We would like to thank Prof. Nicola Spinosa, Prof. Daniele Benati, Prof. Alessandro Agresti and Prof. F. Petrucci for confirming the assignment with oral opinion

Estim. 7 000 - 7 500 EUR

Manner/Attributable to MATIA PRETI or Matías Pretti (Taverna, 1613 - Malta, Valletta, 1699) - IMPORTANT SAINT FRANCIS IN PRAYER Neapolitan Baroque School of the 17th century, Italy, measurements of the canvas only: 90 x 60 cm, measurements with frame: 112 x 85 cm. Probably before 1630, Preti joined his brother Gregorio Preti (also a painter) in Rome, where he became familiar with the techniques of Caravaggio and his school, as well as the work of Guercino, Rubens, Reni, Giovanni Lanfranco and Veronese. . In Rome he painted fresco cycles for the churches of San Andrés della Valle and San Carlo ai Catinari. It is probable that between 1644 and 1646 he resided in Venice, but his center of work remained Rome until 1653, when he left for Naples, although he would return to Rome in 1660-61. He painted frescoes for the church of San Biago (St Blaise) in Modena (c. 1651-2). Together with the painters Mola, Dughet, Francesco Cozza, Tassi (il Cortonese), and Courtois (Guglielmo Cortese) he worked on the fresco paintings of the Pamphili Palace, in Valmontone (documented 1660-61), bibliography: Spike, J., Mattia Preti and Gregorio Preti at Taverna. Complete catalog of operations, Centro Di, 1997. Provenance: important Andalusian private collection (lots 148 to 175).

Estim. 9 000 - 10 000 EUR

Giacinti Brandi (1621-1691) "S. Giovannino" Important 17th century baroque painting attributable to the hand of the great Roman master Giacinto Brandi. It represents San Giovannino who, with an expression of rare beauty and intensity, directs his gaze towards us who observe this small masterpiece. Giacinto Brandi (1621 – January 19, 1691) was an Italian painter of the Baroque period, active mainly in Rome and Naples. Born in Rome, he was part of the studio of Alessandro Algardi, a prominent sculptor who noticed that Brandi was better suited to painting. He joined the studio of Giovanni Giacomo Sementi. He traveled to Naples from 1638 and by 1647 had returned to Rome to work with Giovanni Lanfranco, where Brandi became friends with Mattia Preti. The two artists would later collaborate often. His works are well distributed among the baroque churches of Rome, including the ceiling frescoes of San Carlo al Corso (1670-1671), San Silvestro in Capite, Sant'Andrea al Quirinale, a canvas of Sant'Andrea (1650) in Santa Mary on Via Lata a painting of the Martyrdom of the Forty (1660) for the Chiesa delle Santissima Stimmate di San Francesco, a Coronation of the Virgin (1680) that serves as the main altarpiece of the church of Gesù e Maria, a canvas of drunkenness of Noah in the Galleria Corsini, an Assumption (1655) for Santa Maria in Organo in Verona, a fresco of Ovid's Metamorphoses (1651-1653) for the Palazzo Pamphilj in Piazza Navona and a Martyrdom of San Biagio for the church of San Carlo ai Catinari a Visione del blessed Giovanni di San Facondo (1656) and Estasi della beata Rita da Cascia (1660) in the Basilica of Sant'Agostino in Campo Marzio San Rocco intercedes per i malati di peste (1673) and San Rocco in gloria (1674) in the Chiesa di San Rocco all'Augusteo; Compianto sul Cristo morto (1675-1676) in the Chiesa di Sant'Andrea al Quirinale. In 1647 he entered the Congregazione dei Virtuosi al Pantheon in Rome and from 1651 he was admitted to the Accademia di ...

Online payments are secured by Ingenico and encrypted transactions.

Each lot has been authenticated and appraised by an Auction House.

Consult our FAQ or contact us

Composed of several subsidiaries, the Drouot Group is a major player in the art market. Hôtel Drouot, located in the heart of Paris, has been the world's largest public auction center since 1852. 15 salerooms are available to more than 70 auction houses. The emulation generated by an annual offer of 230,000 artworks from 21 major specialities - from Antiquity to street art - attracts some 3,000 visitors every day. The Group's digital platform, Drouot.com, offers digital sales - Live auctions (live broadcasting and participation in auctions), Online-only auctions (dematerialised auctions) and Buy Now sales (sales of lots at fixed prices). Nearly 2 million items are offered annually by 600 auction houses. Auction news is reported every week in La Gazette Drouot, the leading weekly magazine for the art market and culture published by Auctionspress.

More about Drouot

Drouot certified auction houses

Contacts

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]