LLUÍS CLARAMUNT (Barcelona, 1951 - Zarautz, Gipuzkoa, 2000).

"Madrid", 1984.

O…
Description

LLUÍS CLARAMUNT (Barcelona, 1951 - Zarautz, Gipuzkoa, 2000). "Madrid", 1984. Oil on canvas. Signed and dated in the upper left corner. Measurements: 81 x 100 cm. Painter, draftsman, photographer and engraver of self-taught formation, Lluís Claramunt spent his life between Barcelona, Madrid, Seville, Bilbao and Marrakesh, and developed a work influenced by Isidre Nonell and marked by an expressionism in its beginnings, which will gradually disappear until it becomes a minimal calligraphy. Since the seventies he held solo exhibitions in prominent galleries such as Dau al Set in Barcelona, Quatre Gats in Palma de Mallorca, Juana de Aizpuru in Seville or Buades in Madrid, and also participated in Arco (1984, 1988). He also had solo exhibitions in New York, Amsterdam, Graz (Austria) and Lisbon. Likewise, in 2012 his work was shown in the solo exhibition "El viatge vertical", held at the MACBA in Barcelona. He is currently represented in that museum, the Fundació Vila Casas, the La Caixa Collection, the Museo de Bellas Artes de Álava, the Asociación Colección de Arte Contemporáneo de Madrid, the Consejo Superior de Deportes and the Ministerio de Cultura in the same city and the Colección Caja Madrid. Recently Claramunt has exhibited at the prestigious gallery Marc Domenech in Barcelona, who dedicated his exhibition "Luis Claramunt. Años 80" entirely to the artist's work. The exhibition, held in May 2016, featured more than seventy works that demonstrated the artist's predilection for urban spaces, represented through a totally expressionistic palette in which a dynamic and vibrant palette predominates.

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LLUÍS CLARAMUNT (Barcelona, 1951 - Zarautz, Gipuzkoa, 2000).

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FRANCESC SERRA CASTELLET (Barcelona, 1912 - Tossa, Girona, 1976). "Female nude". Oil on tablex. Presents sketch on the back. Signed in the lower right corner. Measurements: 60 x 83 cm; 74 x 97 cm (frame). Painter and draftsman, Francesc Serra spent his youth in Granollers, Barcelona. Although he passed fleetingly through the School of La Lonja in Barcelona, he is basically a self-taught author. He had his first exhibition in 1932, at the Sala Parés in Barcelona, and participated in the Salones de Primavera between 1934 and 1936. In 1936 and 1937 he was a special guest of the Carnegie Institute of Pittsburgh, United States. He continued to hold individual exhibitions in Barcelona, mainly at the Sala Gaspar. A great admirer of Degas, he was especially influenced by his favorite theme, the feminine. Sporadically he also tackled other themes, such as the urban landscape, of which the series of Paris, presented in 1951, is worth mentioning. Likewise, with his portraits of the lead mine he approached the sensitive realism of Ingres. He won several awards, including the Sant Jordi of Barcelona (1953) and the first medals at the National Exhibitions of Madrid (1957) and Barcelona (1960). He collected several unpublished drawings under the title "Dibujos de Serra" (1973), with a prologue by Santos Torroella. Determined defender of realism in art and of traditional figuration against the avant-garde, he published the essay "La aventura del arte contemporáneo" (1953), with a prologue by Rafael Benet. He is represented in the Museums of Modern Art of Madrid and Barcelona and in the Museums of Fine Arts of l'Empordà and Sabadell.