Null Dottori, Carlo - The Donkey. Poema Eroicomico d'Iroldo Crotta. With the arg…
Description

Dottori, Carlo - The Donkey. Poema Eroicomico d'Iroldo Crotta. With the arguments of Mr. Alessandro Zacco, and the annotations of Mr. Sertorio Orsato. Venice, Matteo Leni, 1652. In 12°, 144 x 78 mm. Intaglio frieze on title page, first 10 pp. a letter from Francesco Grimaldi to Nicolò Leoni Venetian gentleman, divided into 10 Songs with a final farewell by the author to his Donkey, SPLENDID EIGHTEENTH CENTURY BINDING BY AMATEUR IN GREEN MAROCK IN LONG GRANKS, with fine gilt-decorated frames to the plates, 5-nerved spine with decorated compartments and gilt title, dentelles, on the counterplate ex libris Caroli Nodier, on the last paper an indication that the copy is from the Nodier Catalogue, no.659.

230 

Dottori, Carlo - The Donkey. Poema Eroicomico d'Iroldo Crotta. With the arguments of Mr. Alessandro Zacco, and the annotations of Mr. Sertorio Orsato. Venice, Matteo Leni, 1652. In 12°, 144 x 78 mm. Intaglio frieze on title page, first 10 pp. a letter from Francesco Grimaldi to Nicolò Leoni Venetian gentleman, divided into 10 Songs with a final farewell by the author to his Donkey, SPLENDID EIGHTEENTH CENTURY BINDING BY AMATEUR IN GREEN MAROCK IN LONG GRANKS, with fine gilt-decorated frames to the plates, 5-nerved spine with decorated compartments and gilt title, dentelles, on the counterplate ex libris Caroli Nodier, on the last paper an indication that the copy is from the Nodier Catalogue, no.659.

Auction is over for this lot. See the results

You may also like

Domenico Anderson (1854 Rom - 1938 ibid.) Circle: Farmer with donkey in the landscape of the Alban Hills, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Inscription: Lower middle inscribed on the support: "[...] Albano [...]". Date: c. 1880 Description: Original photograph with high detail sharpness. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled to Italy. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. Famous photographers such as Carlo Naya, Giorgio Sommer and the Alinari brothers photographed the most famous sights in their home cities and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. Keywords: Italy view, documentary photography, architectural photography, travel photography, Albanian Mountains, Albanian Mountains, Vulcano Laziale, country life, donkey, farmer, 19th century, Historicism, Landscape, Italy, Albano Laziale, Size: Cardboard: 24,8 cm x 33,2 cm (9,8 x 13,1 in), Depiction: 18,2 cm x 25,0 cm (7,2 x 9,8 in)

Fratelli Alinari (19th century): View of Mount Vesuvius and the surrounding countryside with a traveller leading a donkey, near Naples, c. 1880, albumen paper print Technique: albumen paper print Inscription: Lower middle signed in the printing plate: "(Ed. ne Alinari)". Lower middle inscribed in the printing plate: "Napoli - Dintorni. Vesuvio. La funicolare.". Lower middle numbered in the printing plate: "P.e I.a N.o 11696.". Date: c. 1880 Description: Original photograph with high detail sharpness. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled to Italy. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. Famous photographers such as Carlo Naya, Giorgio Sommer and the Alinari brothers photographed the most famous sights in their home cities and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. "Fratelli Alinari" in Florence are the oldest surviving photographic company in the world: founded in 1852, a good two decades after the French inventor Joseph Nicéphore Niépce succeeded in capturing an image on a tin plate. The Alinari brothers were Romualdo (1830-1891), Leopoldo (1832-1865) and Guiseppe (1836-1892). Leopoldo began taking photographs during the daguerreotype period and worked for the lithographer Guiseppe Bardi, with whom he founded a joint photographic studio in 1850. In 1854, Leopoldo bought Bardi's shares and, together with his brothers, founded the Fratelli Alinari studio. It became one of the most important Italian studios of the 19th century and later one of the largest photographic archives in the world, which still exists today. Keywords: Italy view, documentary photography, travel photography, Vesuvius, volcano, landscape panorama, 19th century, Historicism, Landscape, Italy, Pompeii (Campanian), Size: Albumen paper: 19,7 cm x 25,6 cm (7,8 x 10,1 in)