Null Religiosi - Officium beate Marie secundum vsum Romanum nouiter impressum

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Description

Religiosi - Officium beate Marie secundum vsum Romanum nouiter impressum Venice, Bernardino Stagnino the Elder, 1507. 8°. On frontispiece, stamped in red and black, mark depicting a Crown with florals and initials B.S., volume richly illustrated with text in red and black, at center of each page the textual portion surrounded by a frame decorated with vignettes, graphic levels and bodies of different characters, initials in red, missing paper *10, some slight restoration but overall a splendid specimen, modern leather binding with embossing on the model of Renaissance bindings.

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Religiosi - Officium beate Marie secundum vsum Romanum nouiter impressum Venice, Bernardino Stagnino the Elder, 1507. 8°. On frontispiece, stamped in red and black, mark depicting a Crown with florals and initials B.S., volume richly illustrated with text in red and black, at center of each page the textual portion surrounded by a frame decorated with vignettes, graphic levels and bodies of different characters, initials in red, missing paper *10, some slight restoration but overall a splendid specimen, modern leather binding with embossing on the model of Renaissance bindings.

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Estim. 120 - 250 EUR

MACAULAY (Kenneth): Histoire de Saint-Kilda, printed in 1764 (...), containing the description of this remarkable isle, the manners and customs of its inhabitants, the religious and pagan antiquities found there, (...). Paris, Knapen & fils, 1782. 3 parts in one volume. 9.5 by 16.5 cm. XXIV-336; (2)-60; (2)-96 pages. Contemporary full marbled calf, richly decorated smooth spine, red title page, gilt lace framing. Binding in good condition, interior in very good condition (small, insignificant wetness in the corner of about twenty leaves, very rare foxing). French first edition. "Interesting work on the Scottish archipelago of Saint-Kilda, translated from English by Marie-Geneviève Thiroux d'Arconville. The true author is said to be John Macpherson of Skye". It is followed in this edition by two other works paginated separately: a Relation du nouvel archipel septentrional découvert depuis peu par les Russes dans les mers de Kamtschaka et d'Anadir, by Jacob von Stählin-Storcksburg, and a Récit des aventures singulières de quatre voyageurs russes qui furent jettés dans l'isle déserte du Spitzbergen oriental, by Pierre-Louis Le Roy.

Estim. 20 - 40 EUR

Set of 16 studies on Balzac: Ingrid Fischer-Zach, Die Bildwelt der "Comédie Humaine". Eine Untersuchung zur Metaphorik H. de Balzacs. Freiburg i. Br., 1969. Paperback. André Bellessort, Balzac et son oeuvre. Perrin, 1946, half cloth. Katharine Prescott Wormeley, Personal Opinions of Honoré de Balzac. Boston, Little Brown, 1899. Publisher's full cloth. Emil Ludwig, Kunst und Schicksal - Vier Bildnisse. Berlin, Ernst Rowohlt Verlag, 1927. Full cloth publisher. Maurice Descotes, Le Monde de l'enseignement dans l'œuvre romanesque de Balzac. Cahiers de l'Université, special issue 1985. Paperback. Emmanuel Querouil, Le Père Goriot et le roman d'éducation. Pierre Bordas, 1986. Paperback. Arsène Houssaye, Histoire du 41e fauteuil. Excerpt: chapter X "Balzac" pp. 233 to 237. L. Petit de Julleville. Histoire de la langue et de la littérature française des origines à 1900. Armand Colin, 1913. Volume VII, paperback. Hanns Heiss, Balzac, sein Leben und seine Werke. Heidelberg, Carl Winters Universitätbuchhandlung, 1913. full cloth. Pierre Laubriet, Un catéchisme esthétique: Le Chef-d'œuvre inconnu de Balzac. Paris, Didier, 1961. Paperback. Ramon Fernandez, Balzac ou l'envers de la création romanesque. Grasset, 1980. Paperback. Comte de Gobineau, Études critiques (1844-1848). Simon Kra, 1927, paperback, 600 copies on vellum. Herbert J. Hunt, Balzac's Comédie humaine. University of London, The Athlone Press, 1959. Full cloth. [Collective] Balzac dans le monde. Éditions contemporaines, Boivin et Cie, 1950. Paperback. Per Nykrog, La Pensée de Balzac dans La Comédie humaine. Copenhagen, Munksgaard, 1963. Full cloth. Dr. W. R. Bett, The Infirmities of Genius. London, C. Johnson, 1952. Full cloth. Lot of 18 studies on Balzac: Zola, Les romanciers naturalistes. Paris, Charpentier, 1923. Half-bound. Zola, le roman expérimental. Paris, Charpentier, 1923. Half-bound. Sergio de Pilato, Balzac e il mondo Giudiziario. Napoli, Edizioni "La Toga", 1937. Paperback. Gérard Gengembre, Balzac Le Napoléon des lettres. Gallimard, 1992. Paperback. Paul Albert, La Littérature française au XIXe siècle. Librairie Hachette et Cie, 1885. Demi-basane. Rémy Montalée, Reading Balzac. Paris, Eugène Figuière, 1925. Paperback. Pierre Abraham, Balzac. Rieder, 1929, paperback. Ferdinand Brunetière, Honoré de Balzac. Calmann-Lévy, sd, paperback. Philippe Bertault, Balzac et la musique religieuse. Paris, Naert, 1929, paperback, mailing to Pierre Abraham. Philippe Bertault, Introduction à Balzac. Odilis, 1963, publisher's hardback. André Le Breton, Le Roman Français au XIXe Siècle -Avant Balzac - Boivin et Cie, éditeurs, [1901]. Paperback. Simone Lang, Balzac-Express, La Comédie humaine. Éditions Saint-Germain-des-près, 1973. Paperback. Max Milner, Presentation of Massimilla Doni by Honoré de Balzac. José Corti, 1964. Paperback. Anne-Marie Baron, Le Fils prodige, L'Inconscient de La Comédie humaine. Paris, Nathan, 1993. Paperback. Diana Festa McCormick, Les Nouvelles de Balzac. Paris, Nizet, 1973. Paperback. Emile Faguet, Balzac. Hachette, 1913, bradel binding. Dr. Henri Favre, Balzac et le temps présent. Marpon et Flammarion, 1888, paperback. Jean-Daniel Gollut and Joël Zufferey, Construire un monde - Les phrases initiales de La Comédie humaine. Delachaux et Niestlé, 2000. Paperback. Lot of 14 studies on Balzac: Paul Flat, Essais sur Balzac. Plon, Nourrit, 1893, paperback. Paul Flat, Seconds essais sur Balzac. Plon, Nourrit, 1894, paperback. Richard Beilharz, Balzac. Darmstadt, Wissenschaftliche Buchgesellschaft, 1979, paperback. Philippe Bertault, Introduction à Balzac. Odilis, 1963, publisher's hardback, mailing to Balzac bookseller Georges Courville. Mary F. Sandars, Honoré de Balzac, his life and writings. New York and London, Kennikat Press, 1970. Full cloth. [Collective] Hermétisme et Poésie - Comédie italienne et Théâtre français - Honoré de Balzac. Cahiers de l'Association Internationale des Études françaises, 1963. Paperback. Alphonse Pagès, Balzac moraliste. Michel Lévy Frères, 1866. Half-percaline. Alphonse de Lamartine, Balzac et ses œuvres. Michel Lévy Frères, 1866. Half basane. Gilbert Guislain, Balzac (Collection "Panorama d'un auteur") Studyrama, 2004. Paperback. Juliette Grange, Balzac, L'argent, la prose, les anges. La Différence 1990. Paperback. Arlette Michel, Le Mariage chez Honoré de Balzac - Amour et féminisme. Société d'édition "Les Belles Lettres", 1978. Paperback Paul Bourget, Études et portraits - Sociologie et littérature. Plon-Nourrit et Cie, 1906. Full cloth. Pierre-François Mourrier, Balzac, l'injustice de la loi. Éditions Michalon, 1996. Paperback. Ferdinand Brunetière, Honoré de Balzac. Calmann-Lévy, 1906. Half cloth.

Estim. 110 000 - 120 000 EUR

PIERRE ET GILLES (France, collaborating since 1976). "Le petit Rimbaud", 2005. Photograph. Signed. Unique work. Measurements: 126 x 100 cm. The French artist duo Pierre et Gilles, make provocative photographs in which they construct their own scenarios and costumes by hand, often retouching the prints with paint. Gay culture and pornography are the genres in which they explore with a liberated and sardonic spirit. On this occasion, in this oval-format photograph, the cursed poet Arthur Rimbaud is reborn, reincarnated as a young man whose angelic face with a celestial gaze contrasts with his vulgar exhibitionism. The clash between the elevated poetry and the scandalous behavior that Rimbaud had in life is reread in a camp key. Pierre et Gilles are two French artists, a sentimental and artistic couple. They make unique and highly stylized photographs. Their work includes images from art history, popular culture, religion and gay culture including pornography (especially James Bidgood). The way these two artists work includes setting up complex scenographies, as they hardly work with digital post-production after the shots. Part of their way of working includes elaborate lighting and scenic works, portraying the models surrounded by floral mandorlas that often refer to religious works of the past or in idyllic and imaginary scenarios. Later, they work the photographs with acrylic paint to retouch the images and give them an original finish. Among his favorite themes are religious and mythological themes, as well as homoerotic scenes (some examples refer to the ocean and sailors, having developed a book on this subject called "Sailors and Sea"). Undoubtedly, his works can be included within the kitsch movement expressed in a conscious way, being also influenced by the world of pop culture. The celebrities photographed by Pierre et Gilles include: Amanda Lear (the cover of her 1980 album, Diamonds for Breakfast, one of his first commissions), Lio, Khaled, Étienne Daho, Marie France, Mikado, Marc Almond, Leslie Winer, Marilyn Manson, Madonna, Kylie Minogue, Erasure, Deee-Lite, The Creatures, Nina Hagen and Coco Rosie (the cover of her 2007 album, The Adventures of Ghosthorse and Stillborn); model Naomi Campbell, actresses Tilda Swinton and Catherine Deneuve, actors Jérémie Renier and Layke Anderson as well as designers Jean-Paul Gaultier and Paloma Picasso. His work is part of the collections of the Centre Pompidou in Paris.

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