Homer - Homeri Ilias

Venice, [Lucantonio Giunta], 1537. 8°. 2 vols. Typographic…
Description

Homer - Homeri Ilias Venice, [Lucantonio Giunta], 1537. 8°. 2 vols. Typographical mark on title pages, text in Greek, II vol. divided into two parts, at I vol. some slight reddening and very slight halo, small tear without loss to lower inner margin of two papers, at II vol. typographical mark on title page and verso of 2I4, rare and slight reddening, slight restoration to last few papers. In vol. II a second copy of papers 2I3-2I4 taken from another copy in loose and slightly trimmed sheets. Later period binding in half vellum and marbled paper, blue gussets to spine with gold titles, slight signs of wear. Fading annotations of ownership on title page of vol. I.

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Homer - Homeri Ilias Venice, [Lucantonio Giunta], 1537. 8°. 2 vols. Typographical mark on title pages, text in Greek, II vol. divided into two parts, at I vol. some slight reddening and very slight halo, small tear without loss to lower inner margin of two papers, at II vol. typographical mark on title page and verso of 2I4, rare and slight reddening, slight restoration to last few papers. In vol. II a second copy of papers 2I3-2I4 taken from another copy in loose and slightly trimmed sheets. Later period binding in half vellum and marbled paper, blue gussets to spine with gold titles, slight signs of wear. Fading annotations of ownership on title page of vol. I.

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SENEQUE. Senecae Tragoediae. Venice, Filippo Giunta, 1506. In-8 (167 x 98 mm) of 224 ff. (coll. a-z⁸ &⁸ A-D⁸ (D8 blank)). Rubricated lettering in red and blue. Brown calf, spine ribbed with cold decoration, handwritten title label, boards decorated with a large decoration of cold roulettes, chased edges (binding of the period ). Rubbed, leather missing from tail of spine, corners dulled, clasps missing. Slight marginal dampening. Handwritten Marginalia (late 16th century). Minor worm damage to endpapers. Fine edition in italic type, containing for the first time a commentary on the life of Seneca and the argumenta of Benedetto Riccardini. "After the Paris edition by C. Fernandus, the edition by Benedetto Riccardini, known as 'Philologus', was again published in Italy, but in Florence, by the famous printer F. Giunta. Giunta. It demonstrates typographic research and new page organization, with the insertion of a colophon at the end of the book and the use of italics. The text is much tighter, undoubtedly intended for a more assiduous reading, by a larger audience, all the more so as the copy adopts a reduced format. The arguments are found here, but in a new version: they are in prose and quite developed (so much so that the second Juntine edition, of 1513, will offer an abridged version)."" Pascale Rey, ""Les éditions des tragédies de Sénèque conservées à la Bibliothèque nationale de France (XVe-XIXe s.)"", in L'Antiquité à la BnF, 17/01/2018, https://antiquitebnf.hypotheses.org/1643). Bookplates (religious congregations) and handwritten notes to title and top of first page (including a quotation from Seneca).

HAMUSCO DE VALVERDE, Juan. Anotomia del corpo humano ...co' Discorsi del medesimo, nouamente ristampata e con l'aggiunta d'alcune tauole ampliata. Venice, Lucantonio Giunti, 1606. Folio. 320x215 mm. Coeval binding in flinty vellum, manuscript title to spine. Papers 18 unnumbered, including Frontispiece, 154. The date 1606 appears in the Colophon on the verso of the last paper, in the Frontispiece the date is 1608. Intaglio frontispiece in figured architectural frame, portrait of author at paper a2v, 42 full-page plates in text, 4 plates out of text between papers 82 and 83. Total of 46 full-page copper-engraved anatomical plates. Handwritten inscriptions on lower margin and verso of Frontispiece, partially obliterated. Traces of use to binding with slight lack to rear corner vellum, reddening and traces of gora, small hole to Tabula I not affecting image, negligible restoration to upper margin of paper Z. Rare and celebrated figured edition with engravings by Nicolas Beatrizet. This is the second Italian edition, but the first to contain the four plates relating to muscles added between papers 82-83. The architectural frontispiece is very striking, with the title supported by two skeletons and three vignettes with anatomical dissections at the base. Valverde, who was one of the greatest anatomists of the 16th century, who popularized the anatomy of Galen and Vesalius. Nicolas Beatrizet's evocative engravings, based on Gaspar Becera's drawing, of Vesalian taste became the standard for anatomical works for more than a century. Some plates bear the initials NB. Hamusco, ca 1525-ca 1588, was a pupil of Realdo Colombo in Padua. Although he has often been accused of plagiarizing Vesalius, Hamusco's work instead differs significantly in text and illustrations; he includes for the first time Columbus's account of the pulmonary circulation, and 15 new illustrations not derived from Vesalius are included in the book, where, moreover, Vesalian plates are also retouched. Morton: "The first great original medical book in Spanish and the most original of the "pagliarisms" from Vesalius.... The plates were engraved by Nicolas Beatrizet probably after Gaspar Becerra, a pupil of Michelangelo. The book contains numerous revisions to Vesalius and other discoveries by Valverde. "Brunet V, 1068; Choulant-Frank pp. 207-208; Hirsch I, 129; Krivatsy 12144; Wellcome I:6480 (Giunta Press 1607); Garrison & Morton 378.02 (1st ed.). Folio. 320x215 mm. Contemporary binding in limp vellum, handwritten title on the spine. 18 unnumbered leaves, including Title Page, 154. The date 1606 appears in the Colophon on the verso of the last leaf, in the Title Page the date is 1608. Engraved titlepage within an illustrated architectural frame, portrait of the author on a2v paper, 42 full-page plates in the text, 4 plates out of text between pages 82 and 83. In total 46 full-page anatomical plates engraved on copper. Handwritten inscriptions on the lower margin and on the verso of the title page, partially erased. Traces of wear on the binding with slight damage to the parchment of the rear corner, brownings and traces of dampstain, small hole on Tabula I which does not affect the image, negligible restoration on the upper margin of leaf Z. Rare and famous illustrated edition with engravings by Nicolas Beatrizet. This is the second Italian edition, but the first to contain the four plates relating to the muscles added between pages 82-83. The architectural titlepage is very striking, with the title supported by two skeletons and three vignettes with anatomical dissections at the base. Valverde, who was one of the greatest anatomists of the 16th century, who popularized the anatomy of Galen and Vesalius. The evocative engravings by Nicolas Beatrizet based on a design by Gaspar Becera, in Vesalian style, became the standard for anatomical works for over a century. Some plates bear the initials NB. Hamusco, ca 1525-ca 1588, was a pupil of Realdo Colombo in Padua. Although he has often been accused of having plagiarized Vesalius, Hamusco's work differs significantly from him in the text and illustrations; he included Columbus's account of pulmonary circulation for the first time and 15 new illustrations not deriving from Vesalius were inserted into the book, where, moreover, the Vesalian plates were also retouched. Morton: "The first great original medical book in Spanish and the most original of the "pagliarisms" from Vesalius.... The plates were engraved by Nicolas Beatrizet probably after Gaspar Becerra, a pupil of Michelangelo. The book contains numerous revisions to Vesalius and other discoveries by Valverde."

Universal history from the beginning of the world to the present time written by a company of English men of letters; drawn from original sources, and illustrated with maps, branches, notes, chronological tables, and others; translated from the English, with additions of notes, and warnings in some places. Amsterdam [i.e. Venice], Antonio Foglierini bookseller in Venice, 1765-1771, 1794 57 volumes in-folio small. 284x212 mm. Coeval binding in rustic-style hardback. Frontispiece of first volume in red and black. On the title pages beautiful allegorical vignette copper-engraved by Giovanni Battista Brustolon from a design by Pietro Antonio Novelli. 110 copper-engraved plates outside text, many folded. Traces of use but generally good condition, volumes intact. Rare Italian edition, beautifully illustrated. The 22-volume old part, published from 1765 to 1771, is complete and includes 110 copper-engraved plates with maps, panoramic views of cities, ancient monuments, portraits of famous people. Volume 21 contains information on populations, including an interesting 'Dissertation on the Population of America'; volume 22 contains the 'Chronological Tables,' from the Creation of the World to 1462, the year Muhammad II conquered Trebizond; volume 23 contains a detailed index, with all the names that appear in the previous volumes. This is an Italian translation of the monumental English work, "An Universal history, from the earliest account of time ...," on which George Sale, George Psalmanazar, Archibald Bower, George Shelvocke, John Campbell and John Swinton collaborated. The next 35 volumes cover modern history; the last is published in 1794. Lot not eligible for return. 57 small folio volumes. 284x212 mm. Contemporary sewing binding. Titlepage of the first volume in red and black. On the Titlepages, beautiful allegorical vignettes engraved in copper by Giovanni Battista Brustolon based on drawings by Pietro Antonio Novelli. 110 copper engraved plates, many folded. Traces of wear but generally in good condition, uncut volumes. Rare Italian edition, magnificently illustrated. The ancient part, of 22 volumes, published from 1765 to 1771, is complete and includes 110 plates engraved in copper, with geographical maps, panoramic views of cities, ancient monuments, portraits of famous people. Volume 21 contains information on populations, including an interesting 'Dissertation on the Population of America'; volume 22 contains the 'Chronological Tables', from the Creation of the World until 1462, the year in which Muhammad II conquers Trebizond; volume 23 contains a detailed index, with all the names that appear in the previous volumes. This is the Italian translation of the monumental English work, "An Universal history, from the earliest account of time ...," in which George Sale, George Psalmanazar, Archibald Bower, George Shelvocke, John Campbell and John Swinton collaborated. The next 35 volumes cover modern history; the last one was published in 1794.The lot will be sold in the present state, not subject to return.