Null ANÓNIMO ITALIANO SS. XVII-XVIII
Lot consisting of oil paintings on canvas. …

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ANÓNIMO ITALIANO SS. XVII-XVIII Lot consisting of oil paintings on canvas. Provenance: - Private collection. 23.5 x 39.5cm

697

ANÓNIMO ITALIANO SS. XVII-XVIII Lot consisting of oil paintings on canvas. Provenance: - Private collection. 23.5 x 39.5cm

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Estim. 100 - 150 EUR

(Architecture, ornaments). Collection of 15 engravings from the 17th and 18th centuries. -Daudet, funeral decoration Duc de Villeroy. -Richardson, 2 vases. -Huquier, vase. -Choffard et anonymes, 6 plates of ornaments. -Damery, 2 vases. -Poilly, vase.

Estim. 50 - 100 EUR

Reunion of 6 antique engravings from the 17th and 18th centuries. -Bernand, holy man. -Collaert, De Vos, Jesus Petrum. -Callot, 2 beggars. -2 Small anonymous engravings.

Estim. 150 - 200 EUR

PUGIN (Auguste) & WILSON (E. J.). Examples of Gothic Architecture; Selected From Various Antient Edifices in England, Consisting of Plans, Elevations, Sections, and Parts at Large; Calculated to Exemplify the Various Styles and the Practical Construction of this Admired Class of Architecture [...] Second edition, with corrected plates. London, Henry G. Bohn, 1838-1840. 3 vols. in-4, brown half-maroquin with corners, ornate ribbed spine, gilt title and tomaison, date on tail (rel. post.). xviii, 66 pp. and 75 engraved plates (some in color); xxiv, 63 pp. and 73 engraved plates; xvii, 93 pp. and 76 engraved plates. Second edition illustrated with 223 plates. Minor foxing, paper very slightly browned, otherwise a very fine copy. Engraved bookplate of the Duke and Duchess of La Rochefoucauld with wet stamp of the Roche Guyon library.

Estim. 300 - 400 EUR

Anonymous. Procez et amples examinations sur la vie de Caresme-Prenant [...] Translated from Italian into French. Paris, sn, 1605 [18th century]. In-8, [9] ff. Reprint, made at an undetermined date in the 18th century, of the original edition of a burlesque play on the theme of Lenten festivities, very rarely found in 17th-century printings. This was followed by the reprinting of 7 "pièces galantes" that normally accompany it in seventeenth-century collections: 1. Traicté de mariage entre Julian Peoger dit Janicot, & Jacqueline Papinet sa future espouse. Lyon, 1611 (XVIIIth), (8) ff. 2. La Copie d'un bail et ferme faicte par une jeune dame de son con. Pour six ans. Paris, Viart, 1609 (XVIIIe siècle), (3) ff. 3. La Raison pourquoy les femmes ne portent barbe au menton, aussi bien qu'à la pénillière ; et ce qui a esmeu nosdictes femmes à porter les grandes queuës. Paris, 1601 (XVIIIth), (4) ff. 4. La Source du gros fessier des nourrices, et la raison pourquoy elles sont si fendues entre les jambes. Avec la complainte de Monsieur le Cul contre les inventeurs des vertugalles. Printed for Yves Bomont, sd [XVIIIe]. (8) ff. 5. La Source et origine des cons sauvages, et la manière de les aprivoiser, et le moyen de prédire toutes choses à advenir par iceux. Lyon, Jean de la Montagne, 1610 [XVIIIe]. (11) ff. 6. La grande et véritable pronostication des cons sauvages, avec la manière de les aprivoiser, nouvellement imprimée par l'autorité de l'abbé des Conars. [XVIIIe]. (5) ff. 7. Joyful sermon by a nursemaid depucellator. [18th century]. (6) ff. Red half-maroquin with corners, finely decorated spine, gilt title, date on tail, triple gilt fillet on covers (19th c. binding). A few small brown spots. A fine copy. (Brunet I, 1576 and IV, 893; Gay, III, 870-71.) Engraved bookplate from the library of Mr. Beaupré, conseiller à la cour de Nancy. Bookplate JM.

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