GOYA Y LUCIENTES, FRANCISCO DE (1746 - 1828)

Madrid: Círculo de Bellas Artes, 1929. Each engraving individually framed. Portrait of Goya, engraved by J. Pedrasa Ostos. Water seal with the effigy of Goya on each sheet. ENGRAVINGS numbered from 1 to 33 and from A to G. Made by Rupérez in the National Chalcography for the Círculo de Bellas Artes in 1928 for the centenary of Goya's death, although in the cover. appears the following year. Limited edition of 300 copies. Footprint: 120 x 155 mm. Paper: 160 x 215 mm.

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GOYA Y LUCIENTES, FRANCISCO DE (1746 - 1828)

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madrid, Spain

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CRIADO, NACHO (1943)

Lot 20

Estim. 8 000 - 9 000 EUR

CECILIO PLÁ GALLARDO (Valencia, 1860 - Madrid, 1934). "The Circle of the Misers", Circle of Hells Series, Dante. Oil on canvas. Without signature. Measurements: 90 x 112 cm; x 111.50 x 132.50 cm (frame). Cecilio Pla begins his formation in the Academy of Fine Arts of San Carlos of Valencia, to continue later in that of San Fernando of Madrid, where he had Emilio Sala as teacher. In 1880 he made a study trip to Rome, visiting Italy, France and Portugal. From there he began to send works to the National Exhibitions of Fine Arts, being awarded a third medal in 1884 for the work of Italian theme "The Dante: circle of the greedy", and second medal in 1887 for the religious canvas entitled "Burial of Santa Leocadia". In 1892 he obtained again a second medal for the realistic painting of social intention "Las doce (el almuerzo)", and the same award in 1895 for a scene of conjugal disagreement in a bourgeois interior, "Lazo de unión". Pla continued to participate in the National Exhibitions throughout his life, obtaining in 1910 consideration of first medal for the painting "Two Generations", characterized by the different effects of natural light that were the true specialty of this artist. That same year of 1910 he replaced his former teacher Emilio Sala in the class of color aesthetics and pictorial procedures at the San Fernando Academy, where he taught Juan Gris, Francisco Bores, Pancho Cossío and José María López Mezquita, among others. It was then that he published his "Cartilla de arte pictórico". Pla also participated in international competitions, being awarded a medal of honor at the Universal Exposition of Paris in 1900. In 1924 he was named academician of San Fernando. He alternated his teaching activity with painting, as well as collaborating as an illustrator with publications such as "La Ilustración Española y Americana", "Blanco y Negro" and "La Esfera". He also made posters, such as the one for the Carnival of the Círculo de Bellas Artes in 1892, and participated in mural decorations, including the ceiling of the hotel of the Infanta Isabel de Borbón, the Casino of Madrid, the Círculo de Bellas Artes or the palace of the Dukes of Denia. Considered the greatest exponent of Valencian modernist painting, he nevertheless embraced different trends, from the academicism and costumbrismo of his beginnings to the Wagnerianism and luminism of his coastal views painted in Valencia. Currently, Cecilio Pla is represented in the Prado Museum, the Thyssen-Bornemisza Museum, the Fine Arts Museums of Valencia, Zaragoza, Santander and Bilbao, the Círculo de Bellas Artes of Madrid, the City Hall of Valencia and the Royal Academy of Fine Arts of San Carlos, among other public and private collections, such as the UEE Collection. In 1999, the Mapfre Foundation dedicated an extensive retrospective to him.

Lot 28

Estim. 8 000 - 9 000 EUR

JUAN RIBERA BERENGUER, (Valencia, 1935 - Valencia, 2016). "Old train station of Aragon, Valencia". Oil on paper. Signed in the lower right corner. Measurements: 89 x 174 cm; 104 x 189 cm (frame). Trained at the Escuela Superior de Bellas Artes de Valencia, Juan Ribera was a founding member of artistic groups such as Parpalló, Arte Actual and Movimiento Artístico del Mediterráneo. He has been part of the Valencian and Madrid artistic avant-garde, participating in the exhibitions of the Juan Mordó gallery. He exhibited individually at the Dirección General de Bellas Artes de Madrid (1969) and the Museo de la Ciudad de Valencia (1998), among other centers, and participated in important group exhibitions such as those held at the Museum of Modern Art in Paris (1963), "Pintores figurativos de la España actual" (1964), which toured the United States, and the IVAM in Valencia. Throughout his career he has received pensions from the Diputación and the City Council of Valencia, the Casa Velázquez in Madrid and the March Foundation, and has been awarded the Valencia Prize at the Fine Arts Exhibition in Barcelona (1960), the Diputación de Valencia at the National Exhibition in Madrid (1968), the gold medal at the Salón de Marzo in Valencia (1977) and the Archival Prize for artistic merit (1995), among others. Ribera is represented in the San Pío V Museum of Valencia, the Museum of Contemporary Art of Vilafamés, the Municipal Museum and the Circle of Fine Arts of Madrid, the Museum of Springfield (Massachusetts), the Cathedral, the Diputación, the Ateneo and the Museum of the City of Valencia, etc.

Lot 103

Estim. 1 200 - 1 500 EUR

PLÁCIDO FRANCÉS Y PASCUAL (Alcoy, 1834 - Madrid, 1902). "Gallant scene". Oil on panel. It has slight Repainting. Signed in the lower left corner. Measurements: 29 x 21 cm; 44 x 36 cm (frame). He was born in Alcoy, and began his artistic training in Valencia at the Academy of San Carlos de Valencia, but moved to Madrid in 1854 to complete his studies. There he enrolled as a student at the San Fernando Academy in Madrid, later, in 1861, he was appointed Professor of the School of Fine Arts in Valencia and later of Arts and Industries in Madrid. In 1882 he was awarded the Cross of Carlos III. Antonio Cortina Farinós was one of his best known students. In 1862, he made decorations for the "Palacio del Marqués de Dos Aguas" in Valencia. Four years later, he painted Venus medallions on the ceiling with putti and cherubs for the ballroom of the palace. He also worked on the palaces of the Duke of Santoña and the Marquis of Larios. In 1870 he moved to Madrid, where he became one of the founders of the Círculo de Bellas Artes and the Asociación de Acuarelistas de Madrid. He also became a professor at the Royal Academy of Fine Arts of San Fernando and began to show his works at the annual National Exhibition of Fine Arts, where he won medals in 1871, 1890 and 1892. His illustrations often appeared in the magazine Blanco y Negro. He died in Madrid at the age of 68. Two of his children were also painters: Fernanda Francés y Arribas (1862-1939), who specialized in painting flowers, and Juan Francés Mexía (1873-1954) and his cousin was the painter Emilio Sala, who was also one of his students. It presents slight Repainting.

GOYA Y LUCIENTES, FRANCISCO DE (1746 - 1828)

GOYA Y LUCIENTES, FRANCISCO DE (1746 - 1828)

CRIADO, NACHO (1943)

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