Null PETUSHKOV,A
Oil on panel. Signed in the lower left corner. 40x50cm

Description

PETUSHKOV,A Oil on panel. Signed in the lower left corner. 40x50cm

462

PETUSHKOV,A Oil on panel. Signed in the lower left corner. 40x50cm

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Estim. 2 200 - 2 500 EUR

PETER GHYCZY (Budapest, 1940 - The Netherlands, 2022) for Reuter Products. "Garden Egg Chair, 1960s. Polyurethane and fabric upholstery. In good condition with signs of use and age. Repaired hinge. Measurements: 98 x 84 x 74 cm. The Garden Egg Chair was designed for both indoors and outdoors, although, as a design icon and collector's item, it is rarely used outdoors. It was one of the first chairs made of polyurethane, as well as one of the forerunners in the use of hinges. It appears in several motion pictures. Its appearance reflects the aesthetic patterns of the time: the Space Age look (name given to the period in which the space race was launched, starting in 1957 with the launch of Sputnik. This fever to conquer space also reached design, and during the sixties and seventies a decoration model was developed based on an idyllic vision of the future, and everything to do with spaceships, new technologies and innovative materials), brightly colored plastic lacquer, portability and informality of the low seat. Peter Ghyczy is one of many 20th century designers who were also immigrants - among them Henry van de Velde, Marcel Breuer, Hans Gugelot, Peter Maly... and who had a great impact on German and international design. He completed his secondary education in Germany, studying sculpture in Düsseldorf before training in architecture at the Technical University of Aachen in 1960, specializing in construction engineering. During his studies, Ghyczy worked as an assistant to the renowned German architect Rudolf Steinbach (1903-1966) and on projects in Paris and Egypt. In 1968 he took up a position at Elastogran in Lemförde in southern Lower Saxony, where he was responsible for the development of polyurethane products. He also worked for Vitra.

Estim. 800 - 1 000 EUR

In the style of JOSEF HOFFMANN (Brtnice, Czech Republic, 1870 - Vienna, 1956). Pair of armchairs. Walnut wood. Fabric upholstery with floral decoration. With signs of wear and tear. With xylophages. The wood needs to be reworked. Measurements: 73 x 55 x 47 cm. Pair of armchairs of Central European style, framed within the Viennese Secession, with structure in walnut wood with structure of parallel bands, functional and of refined volumes. An architect and industrial designer, Josef Hoffmann studied at the Academy of Applied Arts in Vienna, where he was a disciple of Carl Freiherr von Hasenauer and Otto Wagner, whose theories of functional, modern architecture would profoundly influence his work. He won the Prix de Rome in 1895, and the following year he joined Wagner's office, collaborating with Olbrich on some projects for the Metropolitan. He established his own office in 1898, and taught at the School of Decorative Arts in Vienna between 1899 and 1936. He was also a founding member of the Viennese Secession. In 1900 he travelled to London, where he came into contact with the English school and discovered Mackintosh. On his return, he set up a workshop for the production of objects based on designs by Secession artists, and the Wiener Werkstätte was born, a workshop which had a great influence on 20th-century industrial design. By 1903, production began on an international scale. In the course of his life, Hoffmann produced a variety of projects for buildings and furnishings, and exhibited his creations all over the world. He is currently represented in the MAK and the Leopold Museum in Vienna, the Metropolitan and MoMA in New York, the Brohan in Berlin, the Courtauld Institute in London and the Victoria & Albert in London, among many others.

Estim. 1 300 - 1 500 EUR

ROGER CAPRON (France, 1922 - 2006). Vase, ca.1970's. Ceramic. Signed on the base. Measurements: 29 cm x 14 cm x 14 cm. Vase made by the French ceramist Roger Capron. Of rectangular structure, chiseled with a synthetic sunflower on one of its sides, it presents an attractive aesthetic of archaic inspiration. Interested in drawing since he was a child, the ceramist Roger Capron studied Applied Arts in Paris between 1939 and 1943, and from 1945 he combined his artistic activity with teaching. In 1946 he settled in Vallauris, where he created a workshop known as Atelier Callis, fundamental in the renaissance of the art of ceramics in this locality. A few years later, in 1952, Capron acquired an abandoned ceramics factory in Vallauris and reopened it with fifteen workers; by 1957 his factory was already enjoying considerable international prestige. In 1980, one hundred and twenty workers were working there, and at this time he began to produce unique pieces that were exhibited in different countries, although the economic crisis led to the closure of the factory in 1982. In 1982 Capron created a new workshop under his own name. Throughout his career, this artist was awarded a gold medal at the Milan Triennale (1954), a silver medal at Cannes (1955), a gold medal again at the Brussels Architectural Ceramics Exhibition on two occasions (1957 and 1958), the French Ministry of Culture prize (1970) and the Prix Spécial de l'Architecture (1980).

Estim. 1 000 - 2 000 EUR

Small desk with Campus legs. France, 1960s. In oak wood. Measurements: 77 x 86 x 43 cm. Small desk made entirely of oak, including the legs, Campus model. It responds to a design imbued with personality, with handcrafted finishes that reveal a quality manufacture. Its structure is asymmetrical, raised on wedge-shaped legs, with two drawers lined up on the left side and a pencil holder with integrated sliding top at waist level. The latter simulates a third drawer in order to visually harmonize the whole.

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